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Meditations in an Emergency [Paperback]

Frank O'Hara
4.2 out of 5 stars  See all reviews (10 customer reviews)

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Book Description

April 1, 1996
Frank O’Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, “which, by its vitality alone, became the dominant force in the American poetic tradition.”

Frank O’Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York, both for Art News and for the Museum of Modern Art, where he was an associate curator. O’Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, “the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O’Hara’s conviction that to write poetry, indeed to live, “you just go on your nerve.”

Frequently Bought Together

Meditations in an Emergency + Lunch Poems (City Lights Pocket Poets Series) + Howl and Other Poems (City Lights Pocket Poets, No. 4)
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Editorial Reviews

Review

“O’Hara, a key interpreter of the aesthetics of abstract-expressionism, was a vital presence in New York’s dynamic postwar art world, whether as a curator at the Museum of Modem Art, a visionary critic, a lushly original and lyrical poet, or an unflagging, often outrageous socialite.” —Donna Seaman, Booklist

“Moving in the way that only simple communication can be moving. . . . His poems always manage a fresh start, free from the dreadful posturings of the conventional verse of his generation.” —Kenneth Rexroth, The New York Times Book Review


Product Details

  • Paperback: 52 pages
  • Publisher: Grove Press; Reissue edition (April 1, 1996)
  • Language: English
  • ISBN-10: 0802134521
  • ISBN-13: 978-0802134523
  • Product Dimensions: 5.5 x 0.3 x 8 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #36,054 in Books (See Top 100 in Books)

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Customer Reviews

4.2 out of 5 stars
(10)
4.2 out of 5 stars
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Most Helpful Customer Reviews
188 of 205 people found the following review helpful
5.0 out of 5 stars So Mad Men September 9, 2009
Format:Paperback
If you wondered what Don Draper was reading and why he got that far away look in his eye then your curiosity is much like mine. I had to know. Meditations In An Emergency is that book. Frank O'Hara was the voice that spoke to the madness, the chaos, and the contradictions in the cultural transition between 50's and 60's America. He was one of the best poets of the twentieth century and along with writers like Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry.
O'Hara's poetry is vital, raw, gritty, and extremely moving.

And Don Draper is thinking:

Now I am quietly waiting for
the castastrophe of my personality
to seem beautiful again,
and interesting, and modern.

The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.

It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
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25 of 26 people found the following review helpful
4.0 out of 5 stars Explicit Rex January 9, 2011
Format:Paperback|Amazon Verified Purchase
Most people who are stumbling across this book will find it because it was featured in Mad Men, with one of it's poems, "Mayakovsky", partially recited by the main character. Seeing that episode after the fact, the poem does ring true for Don Draper, except that Mayakovsky eventually killed himself.

But there is so much more to Meditations in an Emergency that that poem alone. There are a dozen gems in the work, many which surpass Mayakovsky in my opinion. O'Hara is an interesting, philosophical read that will cause you to look deeper at life and self. A work for the ages.
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17 of 17 people found the following review helpful
4.0 out of 5 stars "It's my duty to be attentive." December 7, 2011
Format:Paperback|Amazon Verified Purchase
MEDITATIONS IN AN EMERGENCY contains 30 poems, short to medium in length. Thirteen are one-pagers, twelve are two pages, five are three.

Some of the poems are opaque. An exuberant talker, O'Hara on occasion launches into an erudition spill, and if the subject he chooses is of limited interest the resulting poem may not speak to many readers, especially those of us not thoroughly tutored in his ways and means.

Yet I think I am like most of his readers who forgive him this, knowing that with the next poem he will return to his naturally communicative, pleasure-giving mode.

What the American poet and critic Kenneth Rexroth once noted about O'Hara is right on the money: Each of the poems has the air of a "fresh start." When encountering the best of them it is as if your eyes, long occluded, open suddenly onto the world.

This being O'Hara, there are newly-coined and revived words and phrases (cupiditously; buttered bees); thoughts of suicide, express and implied; premonitions of violence; paeans to pop culture icons ("For James Dean"); a campy fandom of Hollywood ("To the Film Industry in Crisis"); tossed off witticisms ("It is easy to be beautiful; it is difficult to appear so"); a devotion to New York ("I can't even enjoy a blade of grass unless I know there's a subway handy, or a record store or some other sign that people do not totally regret life"); and, finally, intimate love poems that draw us near.

He has an original voice, and yet I enjoy the occasions when he sounds as other poets, like Ginsberg or the Romantics, or even Shakespeare, who I swear I hear in the poem "Radio." It begins, "Why do you play such dreary music / on Saturday afternoon, when tired / mortally tired I long for a little / reminder of immortal energy?" This shares the questioning voice found in Shakespeare's sonnets (the constant Why? Who? What?) as well Shakespeare's expression of mock petulance -- disappointment turning into complaint turning into self-pity -- such as in Sonnet 34: "Why didst thou promise such a beauteous day / And make me travel forth without my cloak / To let base clouds o'ertake me in my way?"

For some reason I like to read O'Hara's poetry while standing, or walking around a room.
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Most Recent Customer Reviews
4.0 out of 5 stars 1950's Modernist Poetry
This collection is a great snapshot of mid-century modernist poetry. Beautiful and insightful, provides a great introduction to Frank O'Hara that is exceptionally approachable and... Read more
Published 3 months ago by Tony
5.0 out of 5 stars The Harbormaster
O'Hara is great at explaining reality beyond perception. In a world where inanimate objects often seem stale, he sees the color in the importance of the moment and transpires the... Read more
Published 12 months ago by Michael Beholder
3.0 out of 5 stars bored
I got bored really quickly and wished I hadn't ordered it. It's okay I guess but not my thing and it seemed like a rich kid telling some aspect of their life that has no broad... Read more
Published 13 months ago by Myrna Jacobs
4.0 out of 5 stars Interesting
An example of beat poetry of the 1950s. Much of the material grips you but other parts make you feel like the poem is part of an inside joke you are never going to get. Read more
Published on September 1, 2010 by James D. Crabtree
5.0 out of 5 stars very good conditon - like new, very pleased.
This is a hard book to locate, and was so glad to have it offered here. I am very satisfied with the book, it is in excellent shape. thanks!!!!
Published on May 11, 2010 by Anne Jeffersbeaumont
3.0 out of 5 stars A book of poems
I was neither bored nor exalted by this book of poems. The collection was so-so to me.
Published on October 26, 2008 by William D. Tompkins
5.0 out of 5 stars "Now I am quietly waiting for the catastrophe of my personality to...
The country is gray and brown and white and trees. Snows and skies of laughter always diminishing.

Less funny, not just darker, not just gray. Read more
Published on August 2, 2008 by LittleBitTimmy
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