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Given its stature, it is ironic that both MGM and Judy Garland originally fought the project. Based on a collection of autobiographical stories by Sally Benson, the script is little more than a series of domestic adventures in the lives of the Smith family of 1903 St. Louis. But it became a thing of wonder: a careful balance of sly but gentle humor, a collection of memorable performances, an understated score shorn of the usual movie-musical affectations, and at the center of it all Judy Garland, one of Hollywood's most memorable talents.
The transfer is excellent, capturing every nuance of the film's meticulously and beautifully designed sets in full Technicolor; the sound elements, remastered in Dolby 5.1, are equally fine and Garland's unique vocal skills are undimmed by time. All in all, it seems safe to say that not even the original 1944 theatrical release could surpass the quality of picture and sound offered here.
Although the bonus package would have better without the awful pilot for a failed television series based on the film, by and large it offers a superior collection. Previously available on VHS, the Roddy McDowell-narrated "making of" documentary is worth revisiting, as is the TCM-produced "Becoming Attractions.
... Read more ›Esther Smith (Garland) is in love with "The Boy Next Door", and when she discovers that the Worlds Fair is coming to her town, everyone in St Louis is thrilled.
Her enchantment only grows when she discovers the feeling of love is mutual, but when her father announces that the family is moving to New York, the romance could be finished before it even began...
Margaret O'Brien steals every scene she's in as Esther's little sister Tootie, while the supporting cast, led by Lucille Bremer, Mary Astor and Leon Ames is first-rate.
Initially more popular at the box-office than THE WIZARD OF OZ, the evergreen MEET ME IN ST LOUIS continues to be loved by generations of movie-lovers.
My 6 year old daughter is hooked on it too now (and I guess that's about the age when I first saw it) and we often watch it together for a treat. I have watched it countless times and am always happy to watch it again.
Meet Me in St. Louis is essentially a "pastoral" musical that celebrates the values of small town America, a popular theme in MGM musicals, especially those directed by Minelli. The so-called delights of the big metropolis New York are exposed as undesirable and compared unfavorably with the simple "purer" family life of St. Louis - which is a big city too but "doesn't seem big, out here where we live".
But it is not just a chocolate box movie, in spite of the beautiful music, romantic theme and gorgeous costumes and photography. Of course it is full of great musical set pieces - such as The Trolley Song and Skip to My Lou - but it has many "dark episodes" as well. The best is when Vincente Minelli borrows very sucessfully from the horror genre for the Halloween scene, and the dark disturbing scene when the snow people are decapitated by Tudy who would rather destroy them rather than leave them behind for strangers. Also, I'm not sure what the two nuns at the Fair mean in the final scenes, but I'm sure they are significant because the camera focuses on them rather than the lead characters who are actually talking in that scene. Maybe I'll need to watch it a few hundred times more to decide.
MGM the home of top quality musicals poured all of its creative talent both from behind and in front the camera, into making "Meet Me In St. Louis" the classic which it has become. The film relates the very simple story of a year in the life of the Smith family in St. Louis and all the trials and tribulations that each member experiences in the led up to the World's Fair. Starring the magical Judy Garland at the peak of her talents as Esther Smith and a superb supporting cast including child sensation Margaret O'Brien as the scene stealing Tootie Smith, veterans Mary Astor and Leon Ames as the Smith parents, and Margorie Main in the typical role of the no nonsense housekeeper Katie the film is overflowing with wonderful talent that gives the story their all. Indeed rarely has such a nostalgic look back at simple Americana been presented in so appealing a manner and as we get further away from thos eearlier simpler times I feel this movie grows in stature.
Produced by the famed Arthur Freed Unit at MGM and based on a short novel by Sally Benson the film cost a fortune to make in late 1943 and was a considerable gamble considering the uncertainty of how the war would turn out at that time. The risk was rewarded with a huge Box Office success that made "Meet Me In St. louis" one of the biggest hits in MGM's history.
... Read more ›