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Johann Sebastian Bach was the first great musician to disregard the rules of harmony and rhythm that were strictly followed by other composers. This fact alone helped to make him the forerunner of musical composition as we know it today. Born the son of a violinist in Eisenach, Germany, in 1685, he received his first musical training on the violin. At the age of 10, he went to live in the home of his brother Christoph, who taught Johann to play the harpsichord and the organ. It was also at this time that Bach began school, where his boy-soprano voice was greatly admired and appreciated. When his voice changed, Bach concentrated on the violin; but the organ soon took his interest, and he decided to devote himself to church music. At the age of 18, Bach became the organist at Arnstadt and began his work in musical composition. After a short period of time, he moved to Muhlhausen where he married his cousin, Maria Bach. At Muhlhausen he began to experiment with changes in the music used in the church services of the German Protestant Church. It was also during this time that he began to become somewhat well known. It was this that gained for him the position as court organist and violinist to the duke at Weimar, where he remained for about nine years. During this nine-year period, he wrote many cantatas for the Church, suites for the clavichord and harpsichord, and fugues (musical compositions in which the first melody is continually repeated and imitated throughout the entire piece). In fact, because he wrote so many fugues for the organ and piano, he is often called "the Great Master of the Fugue." His next position at Köthen was during the period in which he produced much of his orchestral music and music for the clavichord and harpsichord. In 1720 his wife died; and a year later he married Anna Wulken, who was also a musician. She evidently helped him considerably in his work. In 1723 Bach went to Leipzig as music director of the Thomas-schule. During his stay at Leipzig, he wrote many of his church cantatas and oratorios. Among these is his famous Christmas Oratorio. In 1749 Bach became totally blind; and in the following year, 1750, he died. Historians tell us that Bach did not seem to associate very much with other musicians and was far more interested in his family of 20 children and in composing and directing his church choirs than in becoming "famous." In addition to his almost unequaled skill as a composer, he also was an excellent organ builder, as well as an expert music copyist. Since most of his life was spent within a few miles of his birthplace, we also now know that Bach’s music was not widely known throughout the world during his lifetime. In fact, many of Bach’s most beautiful works were unpublished and unperformed for almost 100 years, until two later composers (Mendelssohn and Schumann) discovered the beauties of his music and began to perform them and make them known to the world. Josquin des Pres was born in France. His career in music began in 1976 when he obtained his first record deal signing his fusion band with United Artist Records. Since then, he has produced hundreds of projects, working with some of the biggest names in the recording industry: Jeff Porcaro (Toto), Bernie Taupin, Vinny Colaiuta (Sting), Steve Lukather (Toto) Billy Sheehan, Bunny Brunel etc. As a songwriter, he is one of the very few to collaborate on numerous songs with Elton John’s legendary lyricist Bernie Taupin. As the owner of Track Star Studios in La Mesa, Josquin des Pres does more for his clients then just record demos or CDs. He helps mold the creative process, planning production strategy and develops the project so that it is competitive on today’s music scene.
I was a bit disapointed with Josquin's dynamics in the print and performances, but good job nevertheless.Published 4 months ago by Amazon Customer
These are beautiful pieces. Probably too advanced for the first time player. But moderate to advanced will enjoy playing these Bach inventions! Read morePublished 7 months ago by Bill Duris
The title of this book should be: BACH BUTCHERED BY BUFFOONS. Terrible. I got this book for one piece, to teach to one of my students–– the prelude #1 in C. Read morePublished 11 months ago by jules verne
The music itself is fine, but the formatting could be A LOT better. The music is written with standard notation and also tab, with a fair amount of white space in between. Read morePublished 11 months ago by RenaissanceTex
The two opening preludes (Well Tempered Clavier and Cello Suite) are well worth the price of the book. Bach will take your bass playing to a whole new dimension. Read morePublished 12 months ago by Amazon Customer
Very poor transcriptions for the electric bass. Does not fit well on the electric bass compared to other transcriptions I've played for both string bass and classical guitar.Published 14 months ago by S. Rife