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A collection of 120 drum set exercises designed to help the beginning to intermediate drummer develop coordination, independence and accompanying skills between the snare and bass drum while keeping steady jazz time on the ride cymbal. The play-along tracks will help students develop the ability to recognize the 12-bar blues and 32-bar AABA form, two of the most popular song forms in jazz music. Practicing with the tracks will also help you develop better clock time and should inspire some creative interaction with the recorded music. Exercises include patterns using quarter notes, quarter and eighth note combinations, and triplets and other combinations. The 32-bar AABA song form is practiced with and without drums, and at slow and fast tempos with a bass track. The 12-bar blues form is practiced with various combinations including drums, bass, both, or neither. All tempos from the CD are indicated in the book. A helpful glossary of musical signs and symbols is! also included.
About the Author
Frank Briggs is a musician, teacher, and clinician in the Los Angeles area. His credits include international and domestic touring and recording with various artists, and numerous pubications.
A collection of 120 drum set exercises designed to help the beginning to intermediate drummer develop coordination, independence and accompanying skills between the snare and bass drum while keeping steady jazz time on the ride cymbal. The play-along tracks will help students develop the ability to recognize the 12-bar blues and 32-bar AABA form, two of the most popular song forms in jazz music. Practicing with the tracks will also help you develop better clock time and should inspire some creative interaction with the recorded music. Exercises include patterns using quarter notes, quarter and eighth note combinations, and triplets and other combinations. The 32-bar AABA song form is practiced with and without drums, and at slow and fast tempos with a bass track. The 12-bar blues form is practiced with various combinations including drums, bass, both, or neither. All tempos from the CD are indicated in the book. A helpful glossary of musical signs and symbols is! also included.
About the Author
Frank Briggs is a musician, teacher, and clinician in the Los Angeles area. His credits include international and domestic touring and recording with various artists, and numerous pubications.
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Inside This Book
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First Sentence:
When you are comfortable with a left hand comping patterns REVOICE the left hand rhythm between the bass and snare. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
jazz time Key Phrases - Capitalized Phrases (CAPs): (learn more)
Jazz Time New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
When you are comfortable with a left hand comping patterns REVOICE the left hand rhythm between the bass and snare. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
jazz time Key Phrases - Capitalized Phrases (CAPs): (learn more)
Jazz Time New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 2
books:
- Mel Bay's Complete Modern Drum Set by Frank Briggs in Front Matter
- Mel Bay The Art of Boogaloo by Frank J. Briggs in Front Matter
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