7 of 7 people found the following review helpful:
1.0 out of 5 stars
Awful!!!!, October 26, 2005
This review is from: Mel Bay Grandpa Jones 5-String Banjo (Paperback)
This is promoted as an instruction guide to Grandpa Jones's banjo playing style - there is 1 page devoted to very limited tabliture - the rest is a few songs showing chords. It is the worst instruction guide I have encountered!
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4.0 out of 5 stars
Consider the source and setting!, January 26, 2011
This review is from: Mel Bay Grandpa Jones 5-String Banjo (Paperback)
I'm slightly disappointed that the other reviewer took such a negative view of this book. If someone is looking for a one-volume set of lessons that will turn a novice into an expert banjo player, this of course isn't it. Jones doesn't go into much technical detail, and the book is very brief. (If someone is looking for something more advanced, Jones himself actually mentions Pete Seeger's "How to Play the Five-String Banjo" in the introduction to this book.)
Rather, this book is a brief introduction to Grandpa Jones's style of banjo playing (called "frailing" or "drop-thumb"), written at a time when there were few or no such books about that style. (Jones learned frailing by hand from an older player, called Cousin Emmy; he'd been asked many times since if he could recommend a book that taught this style. Not knowing of any, Jones finally decided to write one of his own. That book, published in 1954, became the basis of this one.)
Jones chose familiar old songs as examples; ones that most interested people would already know, and were in the public domain. This would keep the price of the book down, and avoid publishing hassles. Lead sheets to the songs (instead of simply the lyrics and chord names, as they appear) would be more helpful, but Jones likely figured his readers probably couldn't read sheet music, and trying to teach them with this short volume wouldn't be worthwhile. Instead he gave them a starting point, to play their own old-style music.
As a banjo manual per se, the book may dissatisfy, but as a Grandpa Jones keepsake or a source of insight into his approach to banjo music, the book suits well enough.
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