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Mel Bay Ragtime , Blues & Jazz for Banjo Paperback – May 1, 1983

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Product Details

  • Paperback: 56 pages
  • Publisher: Mel Bay Publications (May 1, 1983)
  • Language: English
  • ISBN-10: 1562224123
  • ISBN-13: 978-1562224127
  • Product Dimensions: 11.5 x 8.4 x 0.2 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #314,450 in Books (See Top 100 in Books)

More About the Author

Fred Sokolow is best known as the author of a library of instructional books and DVDs for guitar, banjo, Dobro, mandolin, lap steel and ukulele. There are currently over a hundred of his books or DVDs in print, sold all over the world. Fred has long been a well-known West Coast multi-string performer and recording artist, particularly on the acoustic music scene. The diverse musical genres covered in his books and DVDs, along with several bluegrass, jazz and rock CDs he has released, demonstrate his mastery of many musical styles. Whether he's playing Delta bottleneck blues, bluegrass or old-time banjo, 30s swing guitar or screaming rock solos, he does it with authenticity and passion.

Born in Los Angeles September 14, 1945, by the early 1960s Fred was well known in the California bluegrass scene, playing with Jody Stecher, Brantley Kearns, Sandy Rothman and Eric Thompson. Relocating to Berkeley, he toured and recorded with a hippie rock band throughout most of the 60s, the Bay Area-based Notes From the Underground (Vanguard Records). In the early 70s Fred performed with R&B, rock, country and bluegrass bands. By 1975 Fred had played with bluegrass luminaries like John Herald, Frank Wakefield and Jerry Garcia, had opened for the Dead, the Doors, B.B. King, Country Joe and the Fish and countless other acts, and he was playing in jazz combos with some of the Bay Areas best studio players.

In 1975 Fred returned to Los Angeles. He recorded two ground-breaking banjo albums for Kicking Mule Records and began touring with Bobbie Gentry and Jim Stafford, playing rock guitar, bluegrass banjo and lap steel. He also toured with the folk group the Limeliters, juggling seven different instruments. By the end of the 70s he had begun writing instructional books (methods, transcription books and arrangement books) for all the music print publishers: Mel Bay, Hal Leonard, Warner Brothers, Carl Fischer and more. He recorded a banjo video for Hot Licks, and several guitar videos for Stefan Grossman's Guitar Workshop. His transcription books became known for their accuracy, and his method books were lauded for their clarity and effectiveness in music magazines all over the world. He began teaching guitar and banjo seminars in music camps and stores, and he taught classes at the reknowned McCabes Music in Santa Monica.

Fred currently lives in Santa Monica and primarily performs retro jazz guitar with some of LA's finest musicians, playing and singing songs of the 30s and 40s. He often plays and records with British ex-rock star Ian Whitcomb. And he plays bluegrass, blues or rockabilly whenever the opportunity arises. He's active on the studio scene, playing on other people's albums and on numerous TV and movie soundtracks, and he was a musical advisor on Michael Mann's latest film, Public Enemies. Fred also records and performs with children's artists like Dan Crow, Greg & Steve, KPFK's Uncle Ruthie and Paul Stookey. He relishes the diversity of his portfolio: he played lap steel on the Tonight Show, mandolin on Rick James' last CD, played Dobro with Chubby Checker and won on the Gong Show (playing bluegrass banjo), jammed at the House of Blues with Junior Brown...and he performs with the legendary folksinger Tom Paxton whenever Tom comes to California.

Fred holds the title of official banjo player for the TV show Survivor. His music has graced many television shows and commercials, as well as recent movies like Peter Bogdanovitch's "The Cat's Meow." His recent "Fred Sokolow Jazz Quartet" and "Fred Sokolow Sings & Plays Fats Waller" CDs showcase his unique style of playing and singing jazz standards. A performance video of his jazz quartet was released recently, featuring guest stars Lawrence Juber, Ian Whitcomb and Junior Brown. Fred's recent bluegrass/old-timey CD "One More River to Cross," spans generations, as it features his long-time friend & musical partner Brantley Kearns, with whom he has played since they were teenagers, and it also introduces Zachary Sokolow, Fred's son, with whom he has been gigging for the last few years.

Fred's "Fretboard Roadmaps" series is an international best-seller. He conducts seminars up and down the West Coast and recently taught a week-long blues class for the National Guitar Workshop and a Dobro class for Steve Kaufman's Akoustic Kamp in Knoxville, Tennessee. Fred continues to perform and create instructional material, and is regarded as an authority on many musical genres, particularly what is now called "Americana."

Customer Reviews

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Most Helpful Customer Reviews

3 of 3 people found the following review helpful By tiggerbone on February 3, 2013
Format: Paperback Verified Purchase
The banjo seems to have a reputation which relegates it into the backwoods, so to speak. Folk is where it belongs. And bluegrass. And country.

Oh sure. Occasional forays have been mounted into other areas such as jazz and classical, but few people in contemporary American society recognize the versatility of the instrument and instead give credit to the performer more than to the instrument.

A way to combat this? More banjo players could learn to play a wider range of musical styles.

And that is where this book comes in.

Fred Sokolow gives the reader a variety of early jazz, blues, and ragtime songs for the intermediate player with a smattering of history thrown in to remind them that the banjo has explored such styles in the past. Furthermore, these styles informed and influenced the original creators of bluegrass, so by learning them a performer who wishes to focus on bluegrass may bring new legs to old licks.

I have only had this book for a few weeks and have mainly been focusing on the ragtime tunes of Scott Joplin. I have always thought that they would sound good on the banjo and was pleased to see that the arrangement of "The Entertainer" does the song justice. My only caveat is that I think that in at least one place the arrangement needlessly jumps over the fretboard.

All in all though, a very good variety with interesting arrangements. While I would not necessarily give this to a person who has never played banjo before, someone who has a basic familiarity with the instrument and how to fingerpick might enjoy this book.

(Edit - 19 Sept, 2013) Since I wrote this review, I have explored even more of this book and found it immeasurably useful.
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3 of 4 people found the following review helpful By carl sagin on November 16, 2012
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I give this a 5 star rating because I play banjo (I am just a beginner) by reading tablature and all the pieces are written in the style of tablature. It is very difficult to find music, other than Bluegrass, that is written in tablature.
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1 of 3 people found the following review helpful By Jeremy Mathews on June 8, 2013
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The book is in great condition when it arrived. I don't have anything else to say but thank you very much!
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