Mellon Collie and the Infinite Sadness (2012 - Remaster) [Explicit]

December 4, 2012 | Format: MP3

$14.49
Also available in CD Format
Song Title
Time
Popularity  
30
1
2:52
30
2
4:14
30
3
3:01
30
4
2:40
30
5
3:45
30
6
4:18
30
7
4:17
30
8
4:51
30
9
4:22
30
10
2:50
30
11
4:46
30
12
3:43
30
13
9:21
30
14
2:54
Disc 2
30
1
4:23
30
2
4:12
30
3
4:10
30
4
4:12
30
5
4:26
30
6
3:45
30
7
7:38
30
8
2:54
30
9
7:07
30
10
4:05
30
11
4:18
30
12
3:31
30
13
4:48
30
14
4:24
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Product Details

  • Original Release Date: November 30, 2012
  • Release Date: November 30, 2012
  • Number of Discs: 2
  • Label: Virgin Records
  • Copyright: (C) 2012 Virgin Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 2:01:47
  • Genres:
  • Format: Explicit Lyrics
  • ASIN: B00AEVQZWC
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (815 customer reviews)
  • Amazon Best Sellers Rank: #1,091 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

All I can say about this album is wow!
LouisWu17@usa.net
BEAUTIFUL - really really great song. great lyrics, great singing, great music, great production. great. should i say 'great' again?
Gustav Yrucrem
Not only is this the Smashing Pumpkins' best album, it is one of the greatest albums EVER.
Jon Schlar

Most Helpful Customer Reviews

147 of 161 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on April 10, 2004
Format: Audio CD
"Mellon Collie and the Infinite Sadness" avoids the pitfalls of many double albums -- too much filler, too few good songs, not enough of the good stuff. Instead, this is in the spirit of the Beatles' "White Album" or Pink Floyd's "The Wall." Billy Corgan's tight writing and the Smashing Pumpkins's brilliant instrumentation make this sweeping double album a must-have.
The first disc, "Dawn to Dusk," builds up slowly with a mournful piano song, only to bounce into the sweeping "Tonight Tonight." Forming the rest are sizzling rockers ("Jellybelly," "Zero"), sparkling softer songs ("Cupid De Locke"), and quiet alt-rock ("Galapagos") and a few songs that stray into unknown musical turf (the sweeping ten minute "Porcelina of the Vast Oceans"). "Take Me Down" ends the first disc on the same quiet note that it began on.
Second disc "Twilight To Starlight" starts off on a very different foot. Jerky guitar riffs and drumming start off, sounding like a warm up, before exploding into the solid "Where Boys Fear To Tread." Having gotten that over with, Corgan and Co. switch into a somewhat quieter collection: gentle acoustics ("Thirty-Three," "Stumbleine," the sweet "In the Arms of Sleep"), catchy alt-rock (new-wavey "1979," "Thru The Eyes of Ruby"), blistering hard rock ("Tales of a Scorched Earth," "XYU"). The gentle "Farewell and Goodnight" rounds off the double album on a quiet note.
"Mellon Collie" has just about every kind of music you can hope to find -- ballads, prog, metal, alt-rock, and so on.
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107 of 118 people found the following review helpful By A. Estes on January 3, 2002
Format: Audio CD
For all of their previous accomplishments, nothing could have prepared the world for what the Chicago-based Smashing Pumpkins would bring to the table with their double-album/masterpiece, "Mellon Collie & The Infinite Sadness." Co-produced by Flood (Nine Inch Nails), the set -- which marks the third effort the band -- is as lush as it is intimate, as ambitious as it is focused and every bit as grand as such an affair should be.

From the opening swells of the hit "Tonight, Tonight," the amount of growth marked between this and the band's previous effort, "Siamese Dream" is evident. A sweeping ballad that is unlike anything the band had poduced before, it's not only indicative of the what was to come, but also merely a sampler of the wide variety of sounds the album has to offer. From there we are treated to the retro-pop of "1979," a nostalgic anthem of sorts that finds the band working with a drum machine for the first time since recruiting drumming powerhouse Jimmy Chamberlin. Bassist D'arcy Wretzky dominates on heavier fare such as "Zero" (a signature song of the band) and the superior "Tales of a Scorched Earth," which threatens to overload and obliterate even the best sound system. It's not all sonic bombast, though, as some of the simpler tracks like "Muzzle" (which carries the trademark vintage Pumpkins sound) and "Thirty-Three" are the stars that burn the brightest.

From front to back, not a moment on "Mellon Collie" is wasted. Not only is the band in top form and firing on all cylinders (arguably for the first and last time in their career) but Corgan's songwriting hits an all-time high as well. Unlike many of their fellow rockers, Smashing Pumpkins weren't afraid to embrace accessibility and reach new heights creatively, and to that end, "Mellon Collie & The Inifinite Sadness" is one of the most competent and most compelling rock releases of the 90's. A true classic that no collection -- alternative or otherwise -- should go without.
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50 of 58 people found the following review helpful By Nicholas Alla Koholick on September 22, 2002
Format: Audio CD
Although a shade less brilliant than Siamese Dream in my book, Mellon Collie and The Infinite Sadness is a magnificent 28-song opus spanning 2-CDs and a multitude of musical styles. At times, the disparate influences and diversity between tracks cause some sprawling, unfocused tracks, but all in all, it's akeeper. One of the great acheivements of the 1990's, that probably won't(and shouldn't) be ever replicated or attempted.
The first disc, Dawn To Dusk, has more of the radio hits. The sweeping, orchestral "Tonight, Tonight," the heavy grunge of "Zero," and the famous 'rat in a cage' line of "Bullet With Butterfly Wings." Other highlights are the rockers "Jellybelly," and "Ode To No One," and the soft, epic soothing songs "Galapogos," and "Porcelina Of The Vast Oceans."
The second disc, Twilight To Starlight, is harder to digest in that many songs are softer than on Disc 1. "1979" is found here, a 90's new-wave song. Other highlights are: the other Disc 2 hit, "33," the epic rockers "Bodies," "Tales Of A Scorched Earth," "X.Y.U.", and a plethora of other tracks consisting of lifting, grand, and sweeping design--all done in the Smashing Pumpkins' signature style. Billy Corgan's high-pitched whine of a singing voice, James Iha's textured guitar, D'Arcy's supporting bass lines, and Jimmy Chamberlain's intricate, progressive, technical drumming.
Just by reading the song titles and their cryptic lyrics, looking at the front and back of the mammoth CD case, and the pictures inside the two booklets, I get a feeling of magic and wonder. A feeling of surrealism, as if this is more than just a piece of music. It's art. More so to me than any Tool or Pink Floyd album.
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