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Memoir: A History Hardcover – Bargain Price, November 12, 2009
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Top Customer Reviews
The centerpiece of Ben Yagoda's MEMOIR: A HISTORY is indeed the recent "memoir boom", with particular emphasis on how it has been bloated by the memoirs of victims, narcissists, and celebrity-wannabes. Yagoda reviews many of the entries that have marked this boom, and he offers some insights into why it has occurred, but he never really explains it (that probably would require a tome of cultural psychology that might well be impossible, at least while the phenomenon remains in full bloom).
The book reflects a considerable amount of background reading and/or research.Read more ›
This is unfortunate because, when Professor Yagoda does engage in analysis, his comments are astute. His insights about the fallibility of memory and different degrees of misrepresentation in memoir are smart, interesting, and to the point. These were the most interesting sections of the book.
Other chapters read more like an extended catalog, a listing of titles and authors, with insufficient commentary to liven up the reading experience. The organization of the book is a little eccentric; chapter headings are loosely thematic, but the underlying logic is unclear at times. I still can't figure out how Ulysses S. Grant, P.T. Barnum, and Mark Twain migrated from Chapter 4 (The United States of Autobiography) to Chapter 6 (Eminent Victorian Autobiography), or why Yagoda felt it necessary to split his exploration of truth and the fallibility of memory into two separate chapters. Actually, there is a plausible explanation for this, which is that Chapter 5 ("Interlude: Truth, Memory and Autobiography") was inserted as a kind of lollipop for the reader, to break up what would otherwise have been a pretty lengthy dry stretch.Read more ›
You might think that such gut-spilling is a relatively new phenomenon, but according to Ben Yagoda's MEMOIR: A History --- a fascinating, well, biography of the genre --- that's not the case by a long shot. From the days of the classic philosophers through medieval times, men (mostly) have been telling their stories of conquest, failure, redemption, doubt and/or belief with the notion that the world (much smaller in those days) was anxiously waiting to know their thoughts.
There are many subgenres that have enjoyed their "fad-dom" over the years, such as the founding fathers, war heroes and former slaves. In contemporary times, we have the "extreme misery memoir," which chronicles "dysfunction, abuse, poverty, addiction, mental illness, and/or bodily ruin."
How much detail should be told and how much should be kept between the writer and his maker? And how will that decision color the reader's perception? According to Jean-Jacques Rousseau in his own CONFESSIONS, he "presents himself as he wants to be seen, not at all as he is.Read more ›
Most Recent Customer Reviews
This book tells you everything you need to know about memoirs. If you read or write memoirs, this book must be your companion.Published 14 months ago by David C. Pfriem
Yagoda's book was enjoyable, informative, and eye-opening about the history of memoir. Most people don't realize that memoir as a literary form pre-dates novels by many centuries. Read morePublished 21 months ago by Kathleen Tarr
I read this as preparation for writing a memoir of my own and found it a fast, easy read that gave me new perspective on how and why such works are written. Read morePublished on November 19, 2012 by Francis Hamit