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Memoirs of a Geisha (UNABRIDGED) Audio CD – Audiobook, Unabridged


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Product Details

  • Audio CD: 15 pages
  • Publisher: Random House Audio; Unabridged edition (November 8, 2005)
  • Language: English
  • ISBN-10: 0739321676
  • ISBN-13: 978-0739321676
  • Product Dimensions: 5.8 x 5.9 x 1.6 inches
  • Shipping Weight: 13.6 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (3,048 customer reviews)
  • Amazon Best Sellers Rank: #1,496,646 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.

The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumor spread by a rival "as cruel as a spider."

Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world, and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors. --This text refers to the Hardcover edition.

From Library Journal

"I wasn't born and raised to be a Kyoto geisha....I'm a fisherman's daughter from a little town called Yoroido on the Sea of Japan." How nine-year-old Chiyo, sold with her sister into slavery by their father after their mother's death, becomes Sayuri, the beautiful geisha accomplished in the art of entertaining men, is the focus of this fascinating first novel. Narrating her life story from her elegant suite in the Waldorf Astoria, Sayuri tells of her traumatic arrival at the Nitta okiya (a geisha house), where she endures harsh treatment from Granny and Mother, the greedy owners, and from Hatsumomo, the sadistically cruel head geisha. But Sayuri's chance meeting with the Chairman, who shows her kindness, makes her determined to become a geisha. Under the tutelage of the renowned Mameha, she becomes a leading geisha of the 1930s and 1940s. After the book's compelling first half, the second half is a bit flat and overlong. Still, Golden, with degrees in Japanese art and history, has brilliantly revealed the culture and traditions of an exotic world, closed to most Westerners. Highly recommended.
-?Wilda Williams, "Library Journal"
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

More About the Author

Arthur Golden was born and brought up in Chattanooga, Tennessee. He is a 1978 graduate of Harvard College with a degree in art history, specialising in Japanese art. In 1980 he earned an MA in Japanese history from Columbia where he also learned Mandarin Chinese. In 1988 he received an MA in English from Boston. He has lived and worked in Japan, but now lives in Brookline, Massachusetts, with his wife and children.

Customer Reviews

One of the ways I like to rate books is how much I miss them when I'm finished and I feel as though I've lost a good friend.
Jason Chan
I also found the writing style to be pleasant to read, and the character and plot development were more than adequate to keep me turning those pages.
H. Bird
Such a beautiful work, which weaved a real life like story, it was difficult to believe that this was a fiction written very well.
Adhnan@compuserve.com M Taha

Most Helpful Customer Reviews

137 of 147 people found the following review helpful By M. Allen Greenbaum HALL OF FAMEVINE VOICE on May 9, 2003
Format: Hardcover
This is one of the most beautifully written novels of the past 20 or more years, and definitely one of my personal favorites. Arthur Golden, a student of Japanese art and language, paints a remarkably true-sounding account of one woman's training and practice as a geisha. There's not a false note in the writing: The characters, dialogue, and emotional content all ring true. Aside from some slightly plodding descriptions of the protagonist's introduction to the geisha district of Gion, the pacing is excellent.
I kept waiting for Golden to slip, for some implausibility in character or plot development, some anachronism or "artistic license" that would have made me feel cheated-but it never happened. Without further research, it's difficult for me to comment on the book's historical and cultural accuracy, but it always felt true, and Golden's simple but powerful language is absolutely compelling. The book surpassed my already high expectations, and increased my appreciation of--and curiousity about--historical Japanese social structure in general, and geisha culture in particular. Above all, this is a completely satisfying book about perseverance within boundaries. Both the story and the writing are filled with grace, power, and beauty.
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59 of 66 people found the following review helpful By Hikari on December 22, 1999
Format: Hardcover
As a "gaijin" (foreigner) who spent 6 years in Japan and had ample opportunity to witness many of its social customs, I think it's worth noting that the setting Mr. Golden creates in his "Memoirs" is very much of a Japan gone by. This is sad. It is precisely the aspects of Sayuri's world that are the most exotic to us which exemplify the best of what is uniquely Japanese. Modern Japanese cherish the remnants of that romantic past the same way that Americans revere tales of our pioneering forbears--as a way to hold on to, and honor all that was poetic and noble about ourselves.
I think it also bears mentioning that the average Japanese person today knows almost as little about the life of a typical geisha as the average Westener. Geisha entertainment has always been the province of extremely wealthy, powerful men--going to a teahouse to be entertained by geisha served the same function for a Japanese VIP that a British one would find at his tony men's club. Throughout the centuries that Japan's entertainment quarters--"the flower and willow world" as they call it--has existed, the number of patrons who could afford top-notch geisha entertainment for themselves and their friends has been an exclusive club indeed. In today's highly Westernized and technology-worshipping Japan, the idea of a geisha party is nearly as anachronistic and unattainable as it is here. Geisha belong to the same catagory as cowboys, knights on horseback and damsels-in-distress: cultural icons who have no place in the modern world. Mr. Golden does a superb job of capturing some of the magic of Sayuri's metier for those of us who will never have the opportunity to witness it firsthand.
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103 of 119 people found the following review helpful By Christina B. Erickson on June 3, 2005
Format: Paperback
I loved this book! From the minute I picked it up I couldn't put it down. It tells the story of a young girl sold into geisha training in Japan. I had no idea how much of an art form geisha was in this pre-WWII setting Gion and it was very interesting to learn so much more about it through the eyes of a young girl caught up in it. Sayuri is a wonderfully drawn character with a wide range of emotions as she endures cruelty, jealousy, misery and a whole new way of life and comes to accept it, excel in it and even embrace it. Particularly intriguing are the questions and conflicts raised by the novel about destiny, love, survival and tradition. The movie is coming out in December so I highly recommend reading it now.
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34 of 38 people found the following review helpful By Review Lover on December 17, 2003
Format: Paperback
As a twentysomething Irishman who's only ever lived in the UK, my contact with traditional Japanese culture, society and history is, as you can imagine, scant. However, Golden's classic 'Memoirs of a Geisha' is so beautifully crafted, and so powerfully descriptive, that even my bare knowlege of Japanese history is extended by having read it.
It's the fictional story, cleverly told from an autobiographical point of view, of one of Japan's most famous and enthralling Geisha, a woman of a profession commonly mistaken for prostitution (Golden draws some clever and insightful distinctions between the two, both in general and specifically). Sayuri tells her story from her humble beginnings as Chiyo, the daughter of an impoverished fisherman, through desperation, war and trial, to the final happy ending.
For a man to write so convincingly as a woman is a very rare thing - Nick Hornby's 'How to be Good' is an example of how it can go wrong - but for an American man to write so beautifully and convinvingly as a Japanese woman from a highly secretive society is an unequivocal triumph. We believe, from the first few chapters, that Sayuri is this observant, silent little thing, a lower-class child facing the arduous and enforced task of becoming a Geisha. We are there with her when she is sold into servitude, when she attempts a failed escape, when she eventually becomes a successful geisha - all thanks to Golden's rare gift for combining a strong plot with incredible descriptive prose. You can smell the incense and see the kimono as Sayuri is preparing to go to work.
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