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Memoirs of a Muse: A Novel
 
 
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Memoirs of a Muse: A Novel [Deckle Edge] [Hardcover]

Lara Vapnyar (Author)
4.2 out of 5 stars  See all reviews (12 customer reviews)


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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Book Description

April 4, 2006
Lara Vapnyar, author of the prizewinning story collection There Are Jews in My House, brings us a poignant and comic first novel about a delightfully sincere modern-day muse. We meet Tanya as a typical Russian girl, living with her bookish professor mother in a drab Soviet apartment. As a teenager, Tanya becomes obsessed with Dostoevsky and settles on her life’s calling: she will be the companion to a great writer. Her memoirs tell of her immigration to New York after college, the stifling expectations of her Brighton Beach cousins, and the crucial moment in a bookshop on the Upper West Side, where Tanya attends a reading by Mark Schneider, a Significant New York Novelist.

Tanya soon moves in with Mark, ready to dazzle in bed, to serve and inspire . . . if only he would spend a little more time writing and a little less time at the gym, the shrink, and the literary soirees where she feels hopelessly unglamorous and out of place. But as she gradually learns to read English—struggling to better understand Mark’s work and her true role as Muse—Tanya also learns more than she expected about the destiny she has imagined for herself.

Animated by Vapnyar’s beguiling grace and vividness—with a narrative richness reflecting the great tradition of Russian realism to which she is a natural heir—Memoirs of a Muse is an altogether wonderful novel. It is a lively meditation on female capabilities and happiness, on the mysteries of artistic inspiration (and the absurdities of artistic life), and, perhaps most movingly, on the pain and wonder of the immigrant experience in New York City.


Editorial Reviews

From Publishers Weekly

Starred Review. [Signature]Reviewed by Caryn JamesWhat kind of person writes a thesis about makeup in 19th-century Russia? Tatiana Rumer, a would-be historian from the collapsing Soviet Union, wants to know where people from the past dumped their garbage, "what men used for shaving and what women used for birth control." Her thesis adviser in New York, where Tanya moves after college, sneers. But Tanya's eye for details—especially the cosmetic details that give life a rosier glow—makes her the ideal narrator for Lara Vapnyar's witty, engaging, beautifully precise first novel. During her Soviet childhood, Tanya is a girl who escapes her unpopularity by dreaming that she will become the muse of a great writer. Her favorite is Dostoyevski, and she chooses as her own inspiration his mistress, Polina, who was immortalized as a character in The Brothers Karamazov and The Idiot. Dostoyevski's wife, Anna, to whom he dictated The Gambler, seems a mere stenographer to Tanya; a muse "influences the great man's work," she believes, in some glorious, "magical way."Throughout the book, as she moves from her youth in the U.S.S.R. to her first years as a young woman in New York City, Tanya interweaves her own story with that of the affair between Dostoyevski and the actual Polina (Apollinaria Suslova), a story that is a mix of fact and Tanya's romantic fantasies. Only after she joins her émigré aunt and uncle in New York, almost halfway through the book, do we learn that the novel's catchy title is ironic. "Memoirs of a Muse" is the name Tanya gives to her diary about her days as an inspiration—others might say kept woman—of an American writer, Mark Schneider. The section about their affair becomes more satiric, with its sly portrait of a pretentious, not-quite successful writer in middle age and his navel-gazing Manhattan literary world. Mark's latest novel has the banal title After the Beginning, but then English is Tanya's second language, so what doe she know?She learns fast, but Vapnyar learned faster. She writes ridiculously well in English although she only moved to New York from Moscow in 1994, when in her early 20s. Rich with details that simply glide into place, this novel more than fulfills the promise of her 2003 story collection, There Are Jews in My House. The conclusion reads like a tacked-on epilogue. Otherwise, this is a wonderfully fresh portrait of the romantic imagination and its inevitable collision with reality. (Apr. 4)Caryn James's second novel, What Caroline Knew, will be published in March. She is a critic-at-large for the New York Times.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Vapnyar hasn't lost any of the scintillating precision of her standout short-story collection, here Are Jews in My House (2003), in her canny first novel. She even turns up the flame on her delectable wit and sexual candor. As a fatherless girl in Moscow, Tatiana becomes fascinated by the great Russian writers, especially Dostoyevsky. As an adolescent, she is told by a lecherous teacher that she will become "the muse to a great man." When she immigrates to America to pursue a graduate degree in history, she chooses to fulfill her destiny as a muse instead, readily abandoning the stifling immigrant enclave in Brighton Beach for a writer's Central Park apartment. As Vapnyar cleverly dovetails Tatiana's story with that of the woman who reluctantly served as muse to Dostoyevsky, she takes measure of the vast divide that separates men and women, bemoans the failings of feminism, offers a claws-extended parody of the self-obsessed male artist, and delivers a withering critique of the immigrant experience. Writing in an Atwoodesque mode, Vapnyar has fashioned a knowing, irreverent, and toothsome ode to the imagination, a power that all too often leads us astray. Donna Seaman
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 224 pages
  • Publisher: Pantheon (April 4, 2006)
  • Language: English
  • ISBN-10: 037542296X
  • ISBN-13: 978-0375422966
  • Product Dimensions: 6 x 1 x 8.6 inches
  • Shipping Weight: 13.6 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #1,380,482 in Books (See Top 100 in Books)

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Customer Reviews

12 Reviews
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Average Customer Review
4.2 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

17 of 18 people found the following review helpful:
5.0 out of 5 stars This is real Literature..., April 25, 2006
This review is from: Memoirs of a Muse: A Novel (Hardcover)
Lara Varnyar brings here European and Russian traditions of Great Art of Literature. This book is deep and touching. It is charming, witty and encourages you to think. You'll find the reflection of your own self in Lara's characters and you'll sense the connection between the author and her subject...
This book is a test of reader's taste. If you are looking for an easy page-turner packed with Hollywood-style plots, you may be disappointed, but intellectual and demanding person will undoubtly enjoy it.
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15 of 16 people found the following review helpful:
4.0 out of 5 stars I highly recommend this book., February 13, 2006
This review is from: Memoirs of a Muse: A Novel (Hardcover)
I picked up an advanced copy of this novel and finished it in a few hours. The story of a Russian immigrant searching for a purpose and direction for her life touched me deeply. References to dead Russian writers and their muses pulled past and present together. I deeply identified with the heroine's struggle to belong in a new culture. I highly recommend this book!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Innocence Lost, May 11, 2006
This review is from: Memoirs of a Muse: A Novel (Hardcover)
In "Memoirs of a Muse," Vapnyar challenges us to step outside ourselves and see the American Dream through the eyes of Tanya, a bookish Russian Jew. Her dream is steeped in her peculiar background idealizing, and even fantasizing about, the classic Russian writers of the 19th Century, most notably Dostoevsky. One of the book's pleasures is Vapnyar's recreation of that time and her ability to get into the skin of Dostoevsky and his muse Polina Suslova. She deftly conveys the competing feelings in each character: Polina idolizes the great writer while she is disgusted by him; Dostoevsky treats Polina like a groupie but realizes her positive influence on his writing. Tanya follows in her footsteps a century later, eschewing the more materialistic inclinations of her relatives to seek greatness in becoming the muse to a great man. Her lack of familiarity with her new language and culture seal her fate. The book reads like a tragicomedy. In Tanya's story we see reflections of how our ideals of happiness are often based on illusions, and life's penchant for slapping us back to reality.
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