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Don't get me wrong, his voice hit its peak around this time--just compare the strength of these renditions to the 50's and 60's master recordings; you'll find there's no comparison. But the first disc is ruined by anemically taped music which is no more than Elvis doing Karioke. The song selection isn't bad; ditto the gospel medley. But disc one is NOT Elvis at his best.
Disc two, on the other hand, is the killer. It's far from perfect, filled with humour, and proves that all you need is heart and soul (you either got it or you don't) to make an audience feel what's real. Sparse acoustic guitars and just Elvis' voice make this disc kicking beyond belief, especially 'Lawdy Miss Clawdy', 'One Night', 'Baby What You Want Me To Do', and especially 'Love Me'.
3 stars for the first, 5 for the second, which is why this is only a 4 star rating.
The first disc concentrates on the elaborate production numbers. Although it loses some of its luster without the visuals, there are some fine moments here; "Trouble/Guitar Man" is a terrific opening number (in my mind Elvis rocks harder here than the King Creole version), and the gospel medley, "Memories", and "If I Can Dream", to name but three songs, are as moving as anything Elvis recorded up to this point.
The second disc features the informal "ringside" concert sequence and it is as incredible and soulful as other reviewers have alluded to. The same thing can be said really about the whole package. (So is the video of this program, which I also totally recommend.)
For Elvis diehards, this is an absolutely essential 2-CD set. But even if you're not don't let this stop you from enjoying the moment when Elvis stopped singing appalling junk for equally appalling movies by laying his (artistic) life on the line and truly recapturing the "Keys to the Kingdom".
Peace.