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8 of 8 people found the following review helpful:
4.0 out of 5 stars
A Five-Star Life in a Four-Star Book, May 21, 2008
Betsy Blair has a lot of interesting stories to tell - she was married to one of the 20th Century's entertainment geniuses (not that we get to hear a great deal about what made him tick), and she survived the infamous Blacklist. She has an unfortunate habit of trying to put a happy face on every situation, however, and the only times her real grit shows through are when she expresses her bitterness (over the way she was shafted in her divorce from Kelly, and in the way she disappeared from view in the Blacklist, for instance). Her anger when she reads through her files from the FBI and the armed forces is palpable. I would have liked to see more of that feist and less of the Pollyanna attitude.
I can understand a woman's need to come into her own and to be independent. After all, Blair was a teenager when she met and fell in love with the older Kelly, and she was a mother before her 18th birthday. She had a LOT of growing up to do. In this disjointed memoir, it is difficult to determine when that growing actually took place. She stayed with Kelly until it was no longer convenient to do so (i.e., when she fell in love with another man after a series of affairs), and then stayed with that man until she found yet another. That doesn't sound terribly "independent" to me.
I might have been able to give the book five stars if it weren't as I said above, disjointed. For instance, at the end of a chapter that has nothing at all to do with it, she describes a charming encounter when, on Coronation Day in London, she, her daughter and her then-husband are making their way through Hyde Park Corner in order to get to their viewing area for the festivities. This is a lovely anecdote about the Londoners making a path for them and serenading them with "Singing in the Rain." The only problem is that the story is told after the chapters dealing with the divorce from Kelly and at the end of a chapter dealing with her living in Paris with her new love. As I say, disjointed.
The stories are compelling and the language is fairly interesting (though the phrase "was, and is" tends to be overused). I just wish it had been put into a more cohesive form so that we could get a better chronological view of Miss Blair's growth, if any, as a person.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Marvelous evocation of Hollywood's Golden Age, July 12, 2008
This review is from: The Memory of All That: Love and Politics in New York, Hollywood, and Paris (Hardcover)
Betsy Blair does a wonderful job of taking us inside the Golden Age of Hollywood, an age she says she felt unaccountably lucky to be a part of. So she's not the greatest writer, as several people here have pointed out. So what? If you want great literature, read Proust or James or Wharton.
But if you want to get a feel for what everyday life was like for the people who gave us some of the great cinema of the 20th century, then read this. Also, of course, if you're a fan of the brilliant, incomparable Gene Kelly.
Some of the criticisms in these reader reviews are downright bizarre. Betsy's politics seem to be a big point of contention. Good grief, she was 17 years old when she went to Hollywood. She's supposed to have a sophisticated understanding of Marxism at that age?? As she states repeatedly in the book, she was young and inexperienced and had a lot to learn. The fact that she was smart enough to eventually repudiate Communism while still holding on to her liberal beliefs obviously rankles some reviewers.
Then there's the carping that she was enjoying the good life while claiming to stand up for the downtrodden. In reply, I quote from page 228: "I don't remember being uneasy in the idyllic life I was leading. It was, after all, running in tandem with my left-wing beliefs. I was not clearheaded or clearsighted enough to see that there might be a contradiction there, that perhaps I was uncomfortable about my unearned luxury -- unearned not by Gene, but by me."
Hey, folks, it's called growing up. Blair grew up and wrote this delicious book. As for the claims that she's constantly "name-dropping" -- hello? She lived in a place where famous people lived. They came to her house. They ate at her table. They played charades and ping-pong with her. What's she supposed to do -- pretend all that didn't happen? Use coy terms such as, "a rather well-known actress of the day"? People have names, even famous people. She simply states the facts.
Brava, Betsy Blair. Thank you for letting us take a walk with you down Memory Lane and into a world that has brought so many of us so much delight.
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17 of 23 people found the following review helpful:
1.0 out of 5 stars
A VERY CASUAL BIOGRAPHY WITH NO REAL INSIGHT OR DEPTH, July 16, 2003
This review is from: The Memory of All That: Love and Politics in New York, Hollywood, and Paris (Hardcover)
As a film critic and author, I was astonished to read this very self-centered biography of a young woman's "cataclysmic" revelations about her life and loves which were not terribly appealing or revealing. Blair delights in reaching "maturity" at the age of 34 after many, many affairs. She experiences no guilt, especially after her famous husband, Gene Kelly, divorces her on the grounds of "adultery." Furthermore, her life as she describes it, is like a long party, dropping names everywhere. What she did not tell us, for example, her reaction to her best friend, Jeanne Coyne, marrying Gene Kelly, her ex-husband, would have given readers some "real feelings" and reactions. What we are left with is an anecdotal collection of a politically mixed-up, immature actress, a minor talent who was seduced at an early age by Marxist teachings but does NOT recant...and lingers on her "lost opportunities" as a future film director, again, giving up her artistic premise all for "love" (in this case, her marriage to director Karel Reisz!) In addition, there is no filmography of her work and although the book is liberally illustrated with photos from Blair's private collection, her p.o.v. about "love and politics in New York, Hollywood & Paris" (what about Madrid & Rome?) is utterly banal. A bleak, dishonest, self-centered memoir from a minor talent without a shred of conscience. Very, very banal...
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