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Memory Effects: The Holocaust and the Art of Secondary Witnessing Paperback – June 13, 2002


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Product Details

  • Paperback: 256 pages
  • Publisher: Rutgers University Press (June 13, 2002)
  • Language: English
  • ISBN-10: 0813530490
  • ISBN-13: 978-0813530499
  • Product Dimensions: 9.9 x 7.1 x 0.6 inches
  • Shipping Weight: 1.4 pounds
  • Amazon Best Sellers Rank: #739,730 in Books (See Top 100 in Books)

Editorial Reviews

Review

"An amazing book!" -- Sander L. Gilman, The University of Illinois-Chicago

"Promises to extend the discussion of 'second-generation' art and literature about the Holocaust in important ways." -- James Young, author of The Texture of Memory

From the Back Cover

Dora Apel analyzes the ways in which artists born after the Holocaust-whom she calls secondary witnesses-represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Holocaust directly, but to its "memory effects" and to the implications of those effects for the present and future.

Drawing on projects that employ a variety of unorthodox artistic strategies, the author provides a unique understanding of contemporary representations of the Holocaust. She demonstrates how these artists frame the past within the conditions of the present, the subversive use of documentary and the archive, the effects of the Jewish genocide on issues of difference and identity, and the use of representation as a form of resistance to historical closure.

Artists discussed: Shimon Attie, Frédéric Brenner, Vera Frenkel, James Friedman, Matthew Girson, Erich Hartmann, Mikael Levin, Pier Marton, Rachel Schreiber, Susan Silas, Marina Vainshtein, Jeffrey Wolin


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