Customer Reviews

Memphis Tennessee

5 star:		(2)
4 star:		(3)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Rosco Gordon is one of the unsung heroes of rhythm & blues. Memphis raised, Gordon recorded for Sun Records in the early '50's, and recorded sporadically for other companies for the next decade. A solid and distinctive singer who also played a mean piano, Gordon wrote his own songs, which set him apart from many of his contemporaries. "No More Doggin'" and "Just A Little Bit" are the best known compositions.

Unfortunately, Gordon shares the fate of many talented r&B performers in that he was exploited by record companies, music publishers and others. He made very little money from his music, and was often taken advantage of by those he trusted. When Gordon married his wife, Barbara, in the early 1960's and began to raise a family, he had the good sense to get out of the music business and enter steadier if less glamorous career in dry cleaning in New York City. It seems he had few regrets. Gordon's escape from the tough life of an entertainer is probably the reason he is still with us at age 66. He now makes a much-welcome return to music with the very enjoyably "Memphis Tennessee."

This comeback album is a revelation. Gordon sounds terrific, as he revisits some of the great songs he has written and previously recorded, and offers some nice new tunes as well. Accompanied by guitarist Duke Robillard and his terrific band, Gordon demonstates that he is still very musch in his prime as a performer. He has lost nothing as a singer or a pianist. Blues fans and fans of classic r&B will enjoy this set, which concludes with an informative interview with Gordon that discusses his career.

The program notes are good, although they make a big deal out of Gordon's influence on ska, the Jamaican precursor to reggae. I did not know that Gordon was so revered in Jamaica, so this was interesting, but the influence of '50's and '60's American music (particularly the New Orleans style) on the rise of ska has been well-documented in the past. I always thought that Sam Cooke, Jackie Wilson, Professor Longhair and Smokey Robinson were the major influences on ska, but I'm glad to add Rosco Goron's name to this list.

This is a very great and I think overlooked record. Rosco Gordon was one of R&B's most famous exponents in the 1950s and this is a fantastic, enthusiastic and expert come-back album. As with any older artist, the voice is naturally not quite as it was back in the day, but Rosco is still great, great, great and so is the truly smoking band which backs him with extreme and thundering finesse. Most compositions are original - dig "No More Doggin" and "Just a Little Bit" for proof that the man and this disc are Classic! Great vintage sound and production. And yes, Rosco was a huge influence on early Jamaican sounds. So do what the man says - "Let's Get High." If you don't imbibe, let the wine of this record get you higher than a Georgia pine. Play loud at parties. Sublime rock and roll, and blues, too.

i think this is a nice cd; my favorite is 'high heeled sneakers', which is a longer version than the original. this artist is a professional who has been around a long time. you may enjoy this cd whether young or old.

I thing this record `Memphis Tennessee' is a great return from an old and R&B pioneer. Good songs and very well performed in spite of his deteriorating vocal cords but even so is a delight hearing again to this R&B's master with some Caribbean airs. There are 11 of his songs and the pleasant standard Billy Eckstine's "Jelly Jelly, besides Gordon is backed by the excellent Duke Robillard Band. You can hear once more the classics "No more dogging", "Just a little bit", "Let's get high" and the tiresome "Cheese and Crackers" decked out with solos from both Robillard and saxman, the diligent open track "Memphis Tennessee" which gives the record title remember us at New Orleans, La.. The sound of saxes is inventive and they play so that they seem at once new and nostalgic. There are two melodramatics themes the first "Now you're gone" acceptable and the second one "You don't care about nothing", that it isn't playing in the same league but in general this record gives you a satisfying programme which ends with a 17 minutes humorous interview with Gordon. I give it 3,5 stars.

This is a very great and I think overlooked record. Rosco Gordon was one of R&B's most famous exponents in the 1950s and this is a fantastic, enthusiastic and expert come-back album. As with any older artist, the voice is naturally not quite as it was back in the day, but Rosco is still great, great, great and so is the truly smoking band which backs him with extreme and thundering finesse. Most compositions are original - dig "No More Doggin" and "Just a Little Bit" for proof that the man and this disc are Classic! Great vintage sound and production. And yes, Rosco was a huge influence on early Jamaican sounds. So do what the man says - "Let's Get High." If you don't imbibe, let the wine of this record get you higher than a Georgia pine. Play loud at parties. Sublime rock and roll, and blues, too.