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Since launching his career as a 16-year-old with the independently released The Rocket Summer EP, a name he took from a Ray Bradbury short story, Bryce has toured around the world, selling out venues not just in the U.S., but Canada, the U.K. and Japan, while playing such noted events as U.K.'s Glastonbury Festival, Scotland's T in the Park, Japan's Summer Sonic Festival, Austin City Limits, SXSW, Bamboozle, Cornerstone and the 2007 Vans Warped Tour.
"With this album, I wanted to strip away some of the expectations and goals even more so that have perhaps held me back in the past," he explains. "I still tried to write songs the whole world would want to sing along to, a beautiful and huge record. But I went into it with the attitude, I want to make an album of genuine and honest songs written from my heart and personal experiences that musically and lyrically would be better than anything I had done yet and above all would be an album that would hopefully, truly move and affect people. The whole pop success is like playing the lottery anyway. Of course it would be amazing, but for me it's all about focusing everything you have on making the greatest music you can without banking on any thing else. I'm grateful to be doing this and I want to do this for the right reasons."
For someone as spiritually motivated as Avary, that means he focuses on the struggles and victories of life's often-challenging journey in Of Men and Angels. There's the fervent post-emo power-pop punk riffs propelling "You Gotta Believe," the autobiographical tale of romance and surviving the bad times in the hint of a hip-hop groove in "Hills and Valleys" and the quiet-to-loud, mud-below-to-ground-above contrast of "Light," while "Nothing Matters" is a paean to altruism and selflessness, "Pull Myself Together" about accepting grace and allowing yourself to move on while learning from your mistakes and the moving, hymnal "Walls," an epic ballad on battling depression. And if his songs often tackle serious topics, Avary isn't above concocting something more tongue-in-cheek, like "Japanese Exchange Student," which compares his social life as an up-and-coming artist to that of a student's experience in a foreign land, and "I Need a Break (But I'd Rather Have a Breakthrough)," his own sly acknowledgement of the role of luck in pop success.
Avary produced the album with CJ Eriksson, who engineered Do You Feel, recording "21 or 22 finished tracks...almost two albums' worth" at Ocean in Los Angeles and in Austin, playing, as he did on his previous albums, all the instruments himself--tackling guitar, keys, bass and drums, which were the first thing he learned as a kid.
"I wanted this to be the best record I've ever made to date, so when people look back on it, they say, `That's an album which really affected my soul.'"
In fact, The Rocket Summer has a way of getting Bryce Avary's fans to feel just that. His albums and live shows are all about positivity, optimism, seeking a higher power, overcoming our struggles.
"Yes, this is a very spiritually charged album," nods Bryce. "That's the biggest thing in my life and it's what keeps me going. That's the root of everything I do."
Musically, Avary is a one-man show--though he tours with several longtime friends--who has been compared to similar wizards and true stars like Brian Wilson, Prince or Todd Rundgren, although in an updated, anthemic punk-rock style.
"I don't intentionally set out to write radio hits, but I do want my songs to connect with the world," he says, "something that can ignite the airwaves."
"I'm happier than I've ever been about this album. Musically, I wanted it to be a little more organic, very little chopping on the drums, no autotune on the vocals, longer takes. I wanted the album to be real, but still sound slick. It just doesn't have that sterile feeling you get when things are chopped up and made computer-perfect."
There are a number of candidates for hit singles on Of Men and Angels, but wealth and fame aren't exactly the most important things on Bryce's mind.
"Walls," a song that deals directly with people's depression, shows how he uses his own experiences to comfort others going through similar situations. It helps explain the kind of viral following that turned last year's video for "Do You Feel" into an Internet phenomenon. With guest appearances by Paramore's Jeremy Davis and Josh Farro, Jack's Mannequin's Andrew McMahon, Forever the Sickest Kids' Jonathan Cook, All Time Low's Alex Gaskarth, MxPx's Mike Herrera, Hellogoodbye's Forrest Kline and Relient K's Matt Theissen, the clip led to the album version of the song being played more than 4 million times on The Rocket Summer's MySpace site.
"People start tearing up when they hear `Walls,'" nods Bryce. "We're definitely aware the kind of connection we have with our fans. I just see that as God working through the music. And I'm just fortunate to be a part of it."
In the end, Avary uses that good fortune to help others. He performed the White House last summer in connection with his support of Invisible Children, an organization dedicated to rescuing youngsters who have been kidnapped and enlisted against their will into the Ugandan army. He has also started a clothing line, `CALL IT CAPTIVATE" which donates 25% of sales to several different charities they have partnered with, from disease research and poverty aid to orphanages, leaving it up to the buyer to decide which one to the "CIC" Charities they would like to donate to.
"I like to support people who do good things," says Bryce. "I'd do this even if I weren't playing music. But I'm fortunate enough to stand in front of a microphone, so I might as well say something that helps."
"Save me/I need it/And I can't help/But feel desperate/My desires they seem/Are coming to their endings... But I will trust/It's not the end/But a great beginning." "Light"
"When there's opposition, and you know what you're doing is good, maybe it's because something bigger is actually happening," says Bryce. "You just have to hold on a little tighter, trust that things will get better. But I'm definitely not quitting."
Of Men and Angels is not the sound of someone giving up, but rather The Rocket Summer making one huge step for band-kind.
"I like the term `young veteran,'" says Avary. "But at the same time, I don't want people to think this album is not fresh. I'd be a liar if I didn't say it would be nice to have the radio and TV thing happening. I'd love to expand this, play bigger venues and reach more people. But we already have this loyal, hardcore following and I couldn't be more grateful for this. And I keep pushing myself forward, trying to make a great album, trying to put on the best live performance I can."
With Of Men and Angels, Bryce Avary shows The Rocket Summer is ready for take-off... The sky's the limit.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Bryce Doesn't Disappoint - As Usual,
By Kristen (Los Angeles, CA) - See all my reviews
This review is from: Of Men And Angels (Audio CD)
The Rocket Summer's Of Men and Angels just came out, and I've been loving this band's sound ever since I heard the bright, emo-tastic Hello Good Friend. Bryce Avary is a one-man wonder, playing all of the instruments himself while recording. This allows him to truly get the sound he wants and envisions. He released the You Gotta Believe EP to give a taste of the new material when his first full album in 3 years was delayed. Bryce's voice seems more mature and a little lower on this album. Maybe it's something about piano rock, or the optimism that radiates from most of his songs, or the energy of his live shows...but TRS is just a good time all around.First off, 15 songs is a pretty good number for an album; having only 10 or 11 songs that make the cut isn't unusual these days. The leadoff track "Roses" shows off his drum talent, and the sound seems tighter and fuller than on his previous albums. "You Gotta Believe" is the feel-good single. The soul in Avary's voice is unmistakable, and everything from the guitar solo to the Michael Jackson-like quick breaths makes this an awesome song. But it's not quite as awesome as "Hills and Valleys," which has an infectious hook with amazing piano. The lyrics are sweet, simple, and happy; a dedication to touring and the ups and downs of life on the road. Probably my favorite moment on the album is when it all kicks in on "drove out to California..." The hand claps come in and it's all over. I absolutely love it. Ok I'm done...but it's SO good. Sorry. Known for often getting spiritual on some songs, "I Want Something To Live For" tunes into a deeper theme of life and death, while "Of Men and Angels" is a track about Bryce's relationship with God and the conflicts of fame. "Walls" is another single, with a beautiful piano rhythm that opens up into orchestra-accented rock. A reoccurring topic for TRS, Bryce digs into the corporate music industry on "Nothing Matters." "Japanese Exchange Student" also dives into his experience being on the brink of fame, saying that it's all about who you know and that he feels out of place. "Tara, I'm Terrible" is a short dedication to Avary's wife, who goes on the road with him wherever he goes. The acoustic sound is a nice break, but doesn't have the same power as his previous acoustic songs like "That's So You" or "Goodbye Waves and Driveways." A few other weaker links are "Pull Myself Together (Don't Hate Me)," "I Need a Break...," and "Let You Go." They're not filler by any means, but nothing to write home about. "This Is a Refuge" is a powerful wake-up song, although it's titled like something that Dashboard Confessional would make. "Light" as a final track sadly doesn't compare to the soul of "So, In This Hour..." on Do You Feel, but it is a strong, spiritual finale that fades out with an acoustic "I will trust that it's not the end, but a great beginning..." Rock-n-roll count-offs, "whoas" and "ohs," multi-level harmony, deep personal lyrics, big choruses, great simple solos, and endless energy makes this an amazing album. It is different than Hello Good Friend and Do You Feel, but not in a bad way. He's getting a bit further away from any genre of "emo." Bryce is getting older, so his subject matter also matures--and so does his talent. Why hasn't The Rocket Summer totally blown up into top 40 radio play? As he puts it, "I know it's not too sexy that I'm singing about the blessings that we get..." And I'm pretty sure he likes it that way. [...]
1 of 1 people found the following review helpful:
5.0 out of 5 stars
The Rocket Summer,
By margo_tenenbaum (USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Of Men And Angels (MP3 Download)
I've been following Mr. Avery for years now and I'm so happy he has matured to this album. I love his other albums, but just like I was younger, so was his music. I highly recommend this for driving, cleaning the house, and most importantly, if you are ever feeling down, this album is such a great picker upper!
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Amazing CD by an amazing man!,
By
This review is from: Of Men And Angels (Audio CD)
There's only one word to describe this CD...AMAZING! Bryce Avery is awesome at making music! The fact that he plays each instrument himself, is incredible. This allows for him to showcase exactly what he has pictured it to be. You will not regret buying this album...So go and pick one up today!!!
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