Mendelssohn: Symphonies Nos. 3 & 4

Felix [1] Mendelssohn (Composer), Georg Solti (Conductor), Chicago Symphony Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Chicago Symphony Orchestra
• Conductor: Georg Solti
• Composer: Felix [1] Mendelssohn
• Audio CD (October 25, 1990)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Decca
• ASIN: B0000041QW
• In-Print Editions: MP3 Download
• Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #238,007 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

7 of 9 people found the following review helpful:

5.0 out of 5 stars Chicago & Solti: Incredible energy and precision, March 6, 2003

By 

A. Braid "abraid" (New York, NY) - See all my reviews
(REAL NAME)   

This review is from: Mendelssohn: Symphonies Nos. 3 & 4 (Audio CD)

These are top notch-recordings.

Recorded in 1985, after Solti had already been with the CSO for 15 years, the Orchestra is playing in top form under the direction of a world-class maestro at the peak of his career. The Orchestra plays with precision and verve: fast movements like the Italian's first and last movements, and the scherzo of the Scottish are unbelievably crisp without any sacrafice of energy. At the climax in the scerzo of the Scottish, when the orchestra is playing at the loudest, you can still hear every note and every rhythm and thus fully appreciate the genius of Mendelssohn's incredible counterpoint and orchestration skills. You get the feeling that the members of the orchestra are playing on the edge of their seats, something that one hardly hears any more on recordings and a virtue that is often lacking in live performance, even from the best orchestras.

In the slow movements, the Orchestra sustains the lines wonderfully even at soft dynamics and paces the phrasing (crescendos and diminuendos) wonderfully. I must say, however, that the orchestra often seems to be playing on the loud-and-fast side throughout. If I had to put forth a critique, I would say that the recording doesn't ever maintain those mystical soft textures in the quietest and most reserved sections and often is a bit too fleet in the grand tutti sections. The first criticism is more directed at the recording engineering than anything else, as the room sounds quite live, while the second can only be attributed to the conductor.

These are great overall performances; you will not be disappointed. They are performances that are amazingly crisp and full of details and, at the same time, the orcehstra does not lose sense of the big picture. And you get to hear both pieces on the same disc--two truly great symphonies played by a great orchestra. Highly recommended.

3 of 4 people found the following review helpful:

4.0 out of 5 stars A great recording of the two famous pieces., March 12, 2001

By A Customer

This review is from: Mendelssohn: Symphonies Nos. 3 & 4 (Audio CD)

Sir Georg Solti did a magnificent job conducting the two popular pieces. The sound is wonderful...it's Chicago what else do you expect. The pieces are interpreted well. The quick tempos are played comfortably and the slows are lyrical and beautiful. This is an excellent choice for a music collection. I just wish The Hebrides was added to this recording.

6 of 9 people found the following review helpful:

3.0 out of 5 stars Good sound quality, better options with other directors..., July 4, 2000

By 

Raul Galarza "rulisg" (Cuenca, Azuay, Ecuador) - See all my reviews

This review is from: Mendelssohn: Symphonies Nos. 3 & 4 (Audio CD)

There is some kind of "get hurry!" on the Scotish symphony, specially in the first movement, which is a non-grace surprise given the director's reputation.

There are some major improvements in the Italian symphony, which is more convincing.

The quality of the sound is very good, as we usually expect from Decca (London).

The average score (which could be summarized as Scotish 1; Italian 3; Sound Quality 5), in my opinion, has averaged a 3.

I am a Solti's fan, but I have to be honest, I was sadly disapointed with the Scotish; I only can imagine Solti being pursued by a monster, or something like that, in a race he ran playing this symphony. There are better choices for this one...