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Mennonite in a Little Black Dress: A Memoir of Going Home Paperback – April 13, 2010


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Mennonite in a Little Black Dress: A Memoir of Going Home + Does This Church Make Me Look Fat?: A Mennonite Finds Faith, Meets Mr. Right, and Solves Her Lady Problems + Mennonite Meets Mr. Right: A Memoir of Faith, Hope, and Love
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Product Details

  • Paperback: 272 pages
  • Publisher: St. Martin's Griffin; Reprint edition (April 13, 2010)
  • Language: English
  • ISBN-10: 0805092250
  • ISBN-13: 978-0805092257
  • Product Dimensions: 8 x 5.5 x 0.7 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (357 customer reviews)
  • Amazon Best Sellers Rank: #29,829 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Starred Review. At first, the worst week of Janzen's life—she gets into a debilitating car wreck right after her husband leaves her for a guy he met on the Internet and saddles her with a mortgage she can't afford—seems to come out of nowhere, but the disaster's long buildup becomes clearer as she opens herself up. Her 15-year relationship with Nick had always been punctuated by manic outbursts and verbally abusive behavior, so recognizing her co-dependent role in their marriage becomes an important part of Janzen's recovery (even as she tweaks the 12 steps just a bit). The healing is further assisted by her decision to move back in with her Mennonite parents, prompting her to look at her childhood religion with fresh, twinkling eyes. (She provides an appendix for those unfamiliar with Mennonite culture, as well as a list of shame-based foods from hot potato salad to borscht.) Janzen is always ready to gently turn the humor back on herself, though, and women will immediately warm to the self-deprecating honesty with which she describes the efforts of friends and family to help her re-establish her emotional well-being. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

“This book is not just beautiful and intelligent, but also painfully -- even wincingly -- funny. It is rare that I literally laugh out loud while I'm reading, but Rhoda Janzen's voice --  singular, deadpan, sharp-witted and honest --  slayed me, with audible results. I have a list already of about fourteen friends who need to read this book. I will insist that they read it. Because simply put, this is the most delightful memoir I've read in ages.”—Elizabeth Gilbert, author of Eat, Pray, Love
 
“This is an intelligent, funny, wonderfully written memoir.  Janzen has a gift for following her elegant prose with the perfect snarky aside.  If it weren't for the weird Mennonite food, I would like very much to be her friend.”—Cynthia Kaplan, author of Why I'm Like This and Leave the Building Quickly

More About the Author

Rhoda Janzen holds a PhD from the University of California, Los Angeles, where she was the University of California Poet Laureate in 1994 and 1997. She is the author of Babel's Stair, a collection of poems, and her poems have also appeared in Poetry, The Yale Review, The Gettysburg Review, and The Southern Review. She teaches English and creative writing at Hope College in Holland, Michigan.

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Customer Reviews

As if to say, see I can say vulgar things just like the big boys.
A. Calabrese
The writing style seems forced, and the use of the author's Mennonite upbringing feels like a hook, to sell books.
Carlin Reagan
This memoir is laugh out loud funny and one of the most interesting books I have read in a long time.
Candace Warner

Most Helpful Customer Reviews

237 of 257 people found the following review helpful By Crabigail Cassidy TOP 500 REVIEWERVINE VOICE on August 27, 2009
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
My expectations for this book? I assumed that this would be an account of returning to one's roots after going out into the real world. Beyond that rather banal description I assumed I'd get special insights into the Mennonite world, including possible rituals and practices with a horse drawn carriage or two thrown in and an account of farm life.
In reality, this is a personal memoir that provides info. about carriages and Mennonite culture with food and recipes thrown in for a bit of flavor. However, at the heart of the matter is this wonderful account of how a series of unfortunate incidents brought the author back home. What I find completely amazing is that when even dealing with really serious or sad issues, Rhoda Janzen does it with such incredible style and humor that I found myself chuckling.
Janzen's writing style is conversational. Her sentences are complex and descriptive, but they flow easily. Best of all, it passed my acid test. Normally if I can't get involved in a book within 20 minutes, that's it. I put it down and don't invest further time or effort.
This book on some level reads like fiction. It's like a really good box of chocolates. I couldn't put it down. I loved the eccentricities of her friends and family. I highly recommend this book.
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85 of 96 people found the following review helpful By emmejay VINE VOICE on September 1, 2009
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Fortysomething Rhoda Janzen hasn't spent extended time with her Mennonite family in 25 years. But when her husband leaves their 15-year-marriage and she's injured in a car accident, she trades the costly sabbatical she'd planned from her midwestern college in favor of a few months back home on the west coast.

Janzen (a very likeable narrator) weaves childhood memories with anecdotes from those months spent visiting her parents (both of whom I loved: Dad is "the Mennonite equivalent of the Pope"; Mom is a pragmatic nurse and eternal optimist); her family and friends; and the Mennonite culture. But deep into the book, the story that finally emerges is her recovery (of self and roots) from her mentally ill husband and their failed marriage.

As a memoir, it's uneven. Some passages, even some words, are laugh-out-loud funny and make me thankful to have read this book. Others seem self-indulgent -- more amusing to the author than a reader -- and continue too long and at the expense of more-relevant material. The writing is likened to poetry, but I can see that only in its lack of transitions, not in language or sense evocation. I often wondered "Where are we?" and "When is this happening?"

Probably, this book was prompted by the pressure to produce something tangible from a sabbatical -- and what's more relevant for a teacher of English and creative writing to produce than a book? As a concept and draft, it's terrific; as a published work, it's okay.
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60 of 72 people found the following review helpful By Bookreporter on November 2, 2009
Format: Hardcover
Despite small rebellions, Rhoda Janzen stayed close to the Mennonite world she was raised in. That is, until she went to graduate school. At that point, too many of her social, philosophical and spiritual ideas were challenged, causing her life to become more secular. But she never severed ties with her family or the Mennonite community, so when crisis struck in the form of a divorce followed by a debilitating car accident, she was welcomed home with open arms. Her memoir, MENNONITE IN A LITTLE BLACK DRESS, centers on that homecoming but also celebrates a religious community more vibrant and diverse than most people realize.

Janzen may have been primed for the secular world unwittingly by her parents, both of whom were college educated (something very unusual for Mennonites). She and her three siblings were sent to public school and were allowed some spiritual and intellectual freedoms by their thoughtful yet conservative parents. Though her parents may have been inwardly disappointed by her choices to become a poet/professor and to marry the emotionally uneven Nick, they wanted her to be happy and were kindhearted when her turbulent marriage fell apart. In her early 40s, Janzen found herself back in her parents' home, enveloped in a life of German folk songs, strudel, borscht, traditional handicrafts and pious religious beliefs.

With biting humor and unflinching honesty, Janzen chronicles her divorce (the verbally abusive Nick left her for Bob from [...]) and shares childhood adventures and misadventures growing up Mennonite. And although it's Janzen's memoir, the star of the book is quite often her mother, Mary. Mary is funny, warm, and much sassier and worldlier than readers would ever expect.
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25 of 28 people found the following review helpful By Peter J. Braun on March 13, 2011
Format: Paperback
If this is "a memoir of homecoming," I shudder to think to what depth the bar would need to sink for Janzen to characterize a memoir as one of estrangement.

Like Julian Assange, who insists on privacy and discretion with his own personal life's details but denies it to others, so too, Janzen wanted kindness from her now ex-husband, Nick, but denies it to her parents, the rest of her family and her community. Certainly, Nick's offenses cut deeply in Janzen's personal history, but on the other hand, the betrayal of her parents' idiosyncracies and other details of Janzen's upbringing, an offense of more shallow depth, but far broader exposure (her mother's flatulence is fair game for a memoir??), who is to say whose offense is the worse?

Like Janzen, I was also raised in the Mennonite Brethren church. In addition, over several decades, my immediate and extended family have had significant times of interaction with immediate and extended members of Janzen's family, including with Rhoda herself. To say that Janzen's depiction of her family and community is incomplete is an enormous understatement. An excellent artifact which illustrates this point is her father, Dr. Edmund Janzen's life story (which you will find on the International Community of Mennonite Brethren website). We learn from the elder Janzen, for example, that Rhoda's parents turned down an opportunity to serve in Uganda in order to remain closer to Rhoda due to one of Rhoda's times of crisis. As well, we learn that her apparently progressive father was disappointed that roles in the clergy within his denomination were denied to women due to their sex. Rhoda's parents hardly strike me as the rubes which Rhoda makes them out to be.
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