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Comment: Shared Knowledge is a not for profit public charity! Check us out on facebook. We provide funding for educational programs in Richmond, Virginia. PLEASE READ FULL DESCRIPTION -USED GOOD- This book has been read and may show wear to the cover and or pages. There may be some dog-eared pages. In some cases the internal pages may contain highlighting/margin notes/underlining or any combination of these markings. The binding will be secure in all cases. This is a good reading and studying copy and has been verified that all pages are legible and intact. If the book contained a CD it is not guaranteed to still be included. Your purchase directly supports our scholarship program as well as our partner charities. All items are packed and shipped from the Amazon warehouse. Thanks so much for your purchase!
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Merce Cunningham: The Modernizing of Modern Dance Paperback – January 8, 2004

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Product Details

  • Paperback: 328 pages
  • Publisher: Routledge; 1 edition (January 8, 2004)
  • Language: English
  • ISBN-10: 0415965756
  • ISBN-13: 978-0415965750
  • Product Dimensions: 6 x 0.7 x 9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,117,899 in Books (See Top 100 in Books)

Editorial Reviews


Copeland's book about the sixty-year career of Merce Cunningham is also a brilliant sixty-year history of theater, dance, art, music and intellectual movements in America. . . ..
–Sally Sommer, Professor of American Dance Studies at Florida State University.

Examines the trajectory of Merce The Choreographer and places him just where I think he belongs--as a global artist of the twentieth century moving in all directions into the twenty-first..
–Valda Setterfield, Member of the Merce Cunningham Dance Company, 1964-1974

Copeland's book will bring joy to Cunningham partisans.
–Allan Ulrich, Dance Magazine

About the Author

Roger Copeland is Professor of Theater and Dance at Oberlin College. He is coeditor of the widely used anthology What is Dance? His essays about dance, theater, and film have appeared in The New York Times, The New Republic, The Village Voice, and many other publications including The Encyclopedia of Dance and Ballet.

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Most Helpful Customer Reviews

3 of 4 people found the following review helpful By Michael Richards on April 18, 2004
Format: Paperback
As a highly unschooled Cunningham fan -- this is the first dance book I've ever read -- I found Copeland's book engaging in its scope, contextualizing Cunningham's choreography in relation to the leading cultural and aesthetic movements of the last half century. Copeland has essentially one thesis, stated fairly cleanly in the introduction. I would highly recommend the introduction. Unfortunately the rest of the book can be tedious and dogmatic as Copeland attempts to bolster his arguments through a strategy of repetition and exhaustion. Every movement and idea of the late 20th century seems to be a nail for Copeland's rhetorical hammer, and while I found the tie-ins and tidbits of history interesting enough to finish the book, I found the tone and structure of the book to be artificially argumentative and quite lacking in the openness and nuance that Copland praises Cunningham for.
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3 of 4 people found the following review helpful By A Customer on April 17, 2004
Format: Paperback
What an extraordinary book! Copeland does not just tell the story of one figure, even though Cunningham is a great figure central to just about every artistic movement of the last 70 years. Copeland also relates in lucid prose how each of those movements arose, what made it tick, and how its legacy affects us today. After the "culture wars" of the 1990s, there were very few individuals left standing who could both appreciate and criticize the twists and turns of modernism and post-modernism. Copeland is among this saving remnant. If you are looking for a strong-minded, witty, engaging, eloquent Virgil to guide you through the Inferno and Purgatory of art since the 1930s, look no further. Copeland's your man.
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