Customer Reviews

Merchant Prince and Master Builder: Edgar J. Kaufmann and Frank Lloyd Wright

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Frank Lloyd Wright advised in his autobiography that "no home should ever be on a hill"; instead, it should be "of the hill, belonging to it." Just as gestalt theory described the holistic connections between figures and backgrounds, Wright emphasized the interdependence of an architectural structures and their surroundings. It is said that he always decided the site before considering a building's style, its spatial orientation, or the materials with which to build it. Of all his projects, there may be no better example of that than Fallingwater (c. 1938), a small but elaborate home in the woods (commissioned by a wealthy Pittsburgh department store owner named Edgar J. Kaufmann) in which the building is embedded in the landscape, making it inseparable from the waterfall, woods, and cantilevered rock ledges of its location. While much has been written about Fallingwater as a completed structure, less has been said about its preparatory drawings, the friendship between merchant prince and master builder, and the dozen projects that Wright and the Kaufmanns intended to build (few of which were ever realized) from 1934 until the architect's death in 1959. This is the full-color catalog for an exhibition of fifty of the more than 600 Wright drawings for projects commissioned by Kaufmann, which opened on 10 April and continues through 3 October 1999 at the Heinz Architectural Center at the Carnegie Museum of Art in Pittsburgh. (Copyright by Roy R. Behrens from Ballast Quarterly Review, Vol. 14, No. 4, Summer 1999.)