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The Merchant of Venice (Folger Shakespeare Library) Mass Market Paperback


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Product Details

  • Series: Folger Shakespeare Library
  • Mass Market Paperback: 238 pages
  • Publisher: Simon & Schuster (January 1, 2004)
  • Language: English
  • ISBN-10: 0743477561
  • ISBN-13: 978-0743477567
  • Product Dimensions: 6.8 x 4.2 x 0.8 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (97 customer reviews)
  • Amazon Best Sellers Rank: #94,322 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—their older daughter, Susanna, and the twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent, not in Stratford, but in the theater world of London, where he established himself professionally by the early 1590s. He had a successful career in London as a playwright and actor and was a shareholder in the acting company the Lord Chamberlain’s Men, later known as the King’s Men. He produced most of his plays between 1589 and 1613. Sometime between 1610 and 1613, Shakespeare is thought to have retired from the stage and returned home to Stratford, where he died in 1616.

More About the Author

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as "an upstart crow, beautified with our feathers." Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

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Customer Reviews

The Merchant of Venice, by William Shakespeare, is a play that many readers will enjoy.
Aysha
Interestingly, while Shakespeare was certainly aware that he was portraying the Christian characters as corrupt, he was also treating them, as the "good guys".
A reader from Boston, MA
When I got this version I actually understood it and enjoyed it, would definitely recommend this purchase as it helped tremendously to read it!
C. Devore

Most Helpful Customer Reviews

30 of 35 people found the following review helpful By Richard R on September 27, 2004
Format: Mass Market Paperback
"Merchant" is categorized among Shakespeare's comedies, primarily because of the romantic subplot that ends --as most of the Bard's comedies do-- in serial weddings. But, of course, it is far more than a typical romantic comedy. Shakespeare ostensibly intended to write about the complicated theme of exterior versus interior. The value of gold and money against the value of friendship and loyalty. Shylock, the Jewish moneylender is portrayed as greedy and more concerned about his money than he is about his own daughter.

But modern readers have a hard time sympathizing with Antonio the Merchant and his superficial and hateful friends, Bassanio, Gratiano, et al. They are racist, quick to judge, wasteful, and unconcerned about others. They are delighted to treat Shylock like a dog and to invent phony excuses for their own nasty behavior. Shylock is no innocent victim. Indeed, he brings about his own ruin. But in a play whose key passage is Portia's courtroom discourse on the quality of mercy, mercy and justice are hard to find in any character. Shakespeare's language is as powerful as ever in this play, but the unlikeable Shylock and the venom doled out to him by his sordid persecutors makes this play a stomach-churning challenge.
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15 of 16 people found the following review helpful By Snick77 on December 5, 2005
Format: Mass Market Paperback
Shylock is the only sympathetic character in the play. Modernity has altered the villain in "The Merchant of Venice" from Shylock to the entire cast of characters EXCEPT for Shylock. Any sense of comedy in the play died for those with a sense of religious tolerance, and Shylock comes off as merely oppressed. I found Act 5 almost nauseating after the forced conversion. That, coupled with the happy racism makes a perversion of decency and happy endings. This play is a tragedy. The recent movie version done starring Al Pacino turned it into a tragedy, and amazingly, a play written as a comedy seems to work very well as a tragedy.

Antonio gladly spits upon Shylock and calls him a dog, but stunningly, when Antonio finds himself in a financial pinch he goes to Shylock for money. More brash is Antonio's promise to act the same in the future: "I am as like to call thee so again, / To spet on thee again, to spurn thee, too." (1.3.127-28) From this point on, sympathy for Antonio is paralyzed in a modern reader's mind, from reminders of past images, from slavery and anti-Semitism, where the dehumanizing of a group of people is accepted by a society. The entire text afterward reads like an indictment of humanity, as if Shakespeare is making the Elizabethans laugh at their own behavior.

In perhaps the best argument in Shylock's defense in the trial, he point out the fact that those who speak of mercy own slaves. "What judgment shall I dread, doing no wrong? / You have among you many a purchased slave." (4.1.89-90) Shylock, as fanatical as he is over the pound of flesh, is asking for only a pound of a man, when the slaveholders own the entire person. The play is littered with prejudiced remarks that clearly show how animalistic Shylock was to them.
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23 of 27 people found the following review helpful By Tek2000 VINE VOICE on September 11, 2008
Format: Kindle Edition
I clicked on the "Kindle Version" link from the paperback "The Merchant of Venice (Folger Shakespeare Library)" since I had purchased several of the Folger hard-copy editions and found the full facing page annotations a huge help in getting the most from the plays. I was worried that the alternating pages of annotations and text would be a bit cumbersome on the Kindle. I need not have worried, as the annotations, and all other extra features, are MISSING. The product description, however, of the Kindle edition does state that the extra features are present on this eBook. Amazon, please convert the Folger Shakespeare Library to the Kindle including all extra features with annotations. In the meantime, please clean up the descriptions for this product line.
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11 of 13 people found the following review helpful By RCM VINE VOICE on December 5, 2005
Format: Mass Market Paperback
I'm not entirely sure how one should set about reviewing a Shakespeare play. I recently reread "The Merchant of Venice" in order to reacquaint myself with the story so that I could read a related book. Despite many critics' beliefs that the play is anti-semetic, "The Merchant of Venice" is a timeless look at the role that material desires can play in our lives.

As one of Shakespeare's comedies, there is sure to be the sub-plots that include romantic intrigue and women in disguise. The play begins with the title merchant Antonio and his friend Bassiano making a deal with Shylock, a rich Jew. The deal is that Shylock will sponsor their merchant ships; if their ships should fail, Shylock can enact his revenge on Antonio by procuring one pound of his flesh. Meanwhile, Bassiano has fallen in love with Portia, a rich heiress, and tries to win her hand, while ultimately making sure that his friend Antonio doesn't lose his to Shylock.

Granted there is mistreatment of Shylock that is rooted in his Jewishness; but the jibes that are directed toward him deal more so with his attitude toward money than to his heritage. For Shylock is more concerned with his money than he is with his daughter; and when she runs away to marry a Christian, his sole concern is the jewels and money she stole from him. Shylock is a hateful man, not because he is a Jew, but because of his actions (and many seem to miss that). When Bassiano and Antonio's venture fails, Antonio is doomed to die at the hand of Shylock. But in typical Shakespearean comedy fashion, a woman in disguise wins the day and defeats Shylock's supposedly ingenous scheme.
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