"The Merchant of Venice" is the story of Antonio, the drama's title character, and his friend Bassanio. Bassanio is in need of money so that he may woo Portia, a wealthy heiress. Bassanio asks Antonio for a loan and Antonio agrees to this loan, however all his money is tied up in shipping ventures. Together the two go to Shylock, a Jewish moneylender, to request a loan for Bassanio to be guaranteed against Antonio's shipping ventures. Shylock agrees to the loan at no interest in the condition that if the debt is not repaid Shylock may collect a pound of Antonio's flesh. At the same time Portia, who is being wooed by various suitors, is upset over a curious stipulation in her father's will regarding the man that she may marry.
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The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.
Barbara A. Mowat is Director of Academic Programs at the Folger Shakespeare Library, Editor of Shakespeare Quarterly, Chair of the Folger Institute, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and on the editing of the plays.
Paul Werstine is Professor of English at King's College and the Graduate School of the University of Western Ontario, Canada. He is the author of many papers and articles on the printing and editing of Shakespeare's plays and was Associate Editor of the annual Medieval and Renaissance Drama in England from 1980 to 1989.
--This text refers to the
Mass Market Paperback
edition.
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as "an upstart crow, beautified with our feathers." Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.
"Merchant" is categorized among Shakespeare's comedies, primarily because of the romantic subplot that ends --as most of the Bard's comedies do-- in serial weddings. But, of course, it is far more than a typical romantic comedy. Shakespeare ostensibly intended to write about the complicated theme of exterior versus interior. The value of gold and money against the value of friendship and loyalty. Shylock, the Jewish moneylender is portrayed as greedy and more concerned about his money than he is about his own daughter.
But modern readers have a hard time sympathizing with Antonio the Merchant and his superficial and hateful friends, Bassanio, Gratiano, et al. They are racist, quick to judge, wasteful, and unconcerned about others. They are delighted to treat Shylock like a dog and to invent phony excuses for their own nasty behavior. Shylock is no innocent victim. Indeed, he brings about his own ruin. But in a play whose key passage is Portia's courtroom discourse on the quality of mercy, mercy and justice are hard to find in any character. Shakespeare's language is as powerful as ever in this play, but the unlikeable Shylock and the venom doled out to him by his sordid persecutors makes this play a stomach-churning challenge.
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I clicked on the "Kindle Version" link from the paperback "The Merchant of Venice (Folger Shakespeare Library)" since I had purchased several of the Folger hard-copy editions and found the full facing page annotations a huge help in getting the most from the plays. I was worried that the alternating pages of annotations and text would be a bit cumbersome on the Kindle. I need not have worried, as the annotations, and all other extra features, are MISSING. The product description, however, of the Kindle edition does state that the extra features are present on this eBook. Amazon, please convert the Folger Shakespeare Library to the Kindle including all extra features with annotations. In the meantime, please clean up the descriptions for this product line.
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I'm not entirely sure how one should set about reviewing a Shakespeare play. I recently reread "The Merchant of Venice" in order to reacquaint myself with the story so that I could read a related book. Despite many critics' beliefs that the play is anti-semetic, "The Merchant of Venice" is a timeless look at the role that material desires can play in our lives.
As one of Shakespeare's comedies, there is sure to be the sub-plots that include romantic intrigue and women in disguise. The play begins with the title merchant Antonio and his friend Bassiano making a deal with Shylock, a rich Jew. The deal is that Shylock will sponsor their merchant ships; if their ships should fail, Shylock can enact his revenge on Antonio by procuring one pound of his flesh. Meanwhile, Bassiano has fallen in love with Portia, a rich heiress, and tries to win her hand, while ultimately making sure that his friend Antonio doesn't lose his to Shylock.
Granted there is mistreatment of Shylock that is rooted in his Jewishness; but the jibes that are directed toward him deal more so with his attitude toward money than to his heritage. For Shylock is more concerned with his money than he is with his daughter; and when she runs away to marry a Christian, his sole concern is the jewels and money she stole from him. Shylock is a hateful man, not because he is a Jew, but because of his actions (and many seem to miss that). When Bassiano and Antonio's venture fails, Antonio is doomed to die at the hand of Shylock. But in typical Shakespearean comedy fashion, a woman in disguise wins the day and defeats Shylock's supposedly ingenous scheme.
I truly believe that some of the best scenes are not those that Shylock is in, yet whenever anyone speaks of "The Merchant of Venice" he is the main name mentioned. The scenes between Portia and her various suitors as they try to solve the riddle to winning her hand tells the reader much about the ways of man's thinking; it is the men who chose gold and silver that cannot court Portia. Rather it is the man who recognizes the worth in all that doesn't glitter who wins the prize.
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