Customer Reviews

Mercury Man

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2 star:		(1)
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At the time of its release, MERCURY MAN, Thailand's first foray into the superhero genre was one of the more expensive movies ever made in the country, but it's dismal box office performance there didn't bode well for its producers' hopes that it would "go international" or have the box-office muscle of Sam Raimi's SPIDERMAN, the film it's most obviously been modelled on, right down to the lead character's sinewy-rubbery costume, which can be easily duplicated in a computer for those dazzling flights of fancy across urban landscapes.

The film is flawed enough that it probably never stood a chance of cracking the international market anyways. Glossy production values aside--and they're often rare in Thai cinema--there's a weird sense that the whole thing is some kind of thinly-veiled propaganda.

After having part of a mystical "Solar Mercury" amulet embedded in his chest, a hot-shot fireman (Vasan Kantha-u) must learn to control his temper (in a country known for silencing dissent, no less, not to mention alienating religious minorities) if he's to defeat not only various hooligans around the city, but also a small band of Muslim extremists led by a dude named "Usama" who bears a rather unforunate resemblance to Richard Lynch in the Chuck Norris classic INVASION U.S.A.

The terrorists need the amulet, paired with it's sister--the "Lunar Mercury"--to aid their plans to attack the literal and symbolic American interests around the country (Helloooo, massive McDonald's & Hard Rock Cafe product placements!!). Interestingly, the film features a little boy with psychic powers who opens the film by demonstrating his ability to stop a stopwatch at will. Funny that they'd need a scene like that...

For the money the filmmakers spent (which still wasn't much by American standards), everything looks pretty good, but the computer effects are hobbled on occasion by a clear misunderstanding of the laws of physics on the part of their creators, such as those that would govern the car Mercury Man kicks into a billboard, where it becomes stuck rather than crashing through! Yes, I know it's a fantasy, and I can accept Mercury Man's metal-based powers allowing him to "fly" between metal objects without the aid of machinery or ropes or webs, but billboards can't stop cars!

The cast is generally quite dull, but I've come to expect that in Thai cinema. Pretty faces, but not much expression, including the ones Mercury Man's boyish alter ego must suppress for fear of catching on fire, as his crotch nearly does when he cops a few glances at a Penthouse magazine tucked away in his drawer.

The action choreography, by Prachya Pinkaew and his ONG BAK/TOM YUM GOONG team, are the main reasons this is watchable, but there's a certain recycled feeling about them now, with only the more expensive costuming and modern-looking locations differentiating them from those seen in the earlier Tony Jaa films and virtually everything else that Pinkaew has touched to date. On top of that, there's one hell of a lot editing going on in these sequences. Every connected blow is followed by an immediate cut to a closeup or a long shot, which tends to make you wonder just how many stunt doubles are being disguised with every splice. Fans of BEAUTIFUL BOXER, the life story of transgender Muay Thai boxer Parinya Charoenphon, might enjoy watching her, largely undoubled it would seem, kick the snot out a batch of evildoers in white lab shirts.

And the final fight between Mercury Man and the villain's right hand babe, who's absorbed the power of the Lunar Mercury amulet, is worth watching for any number of reasons, notably the latter's transformation into a semi-naked frost warrior.

Though undoubtedly intended as an A-list picture in its homeland, and indeed, with its slick visuals and breezy pace, feeling and looking much more like one in comparison to a lot of the sloppily made crap that passes for populist cinema there, MERCURY MAN is nonetheless best viewed with lowered expectations, particularly if you aren't familiar with Thai cinema, otherwise you'll inevitably be tempted to actually compare it to the American superhero films it so brazenly dares you to.

Good: So many goofy references to Spider-Man.

Bad: No references to the Hulk.

Good: The main character is Magneto.

Bad: At the last minute, the final boss suddenly becomes Ice Man, completely out of the blue, and against everything the film said in the previous 90 minutes.

Good: Children's Day, where the Thai government invites its most precious resource to listen to military propaganda.

Bad: It's only one day a year.

Good: The gunner. You'll see.

Bad: Never being quite sure if you're ogling a woman or ladyboy.

If the movie ended 10 minutes earlier when the gunner saves the day, I'd be giving six stars. As it is, we're given one last, unnecessary, sell-out fight scene that contravenes the entire movie. The film got greedy and I feel the need to punish it.

Speaking of punishing, it's no "War Zone."

One of the things you can do to ruin an Asian movie, is rather than give it subtitles, you can dub it. And that's exactly what they chose to do in this case. DUB.. Now mind its not the dub of days gone by, *Coughs* Godzilla, they actually match it up so so. But you lose so much emotion or life from the film. Its like getting a diluted version of the original.

The effects of the movie are pretty good. Acting is lousy, I think its the dub. Action scenes are pretty cool. A lot of them.

The whole were fighting "Terrorist" bit is starting to get annoying. I'm tired of seeing it in movies, tired of seeing it in video games. SO the theme of the movie is cliche on top of being a "hero" movie.

The costume design was pretty cool.

The homage to Spiderman, or maybe it was mockery? was interesting.

The fight at the very end between our hero and the icewoman is pretty bad ass though. Really enjoyed it. Almost made the entire movie worth watching.

Bottom line: If your bored out of your mind, its a rainy day, then go ahead and watch this.