"I want my films to explode with life." -Mira Nair. This the first book to examine the films of the acclaimed and popular Indian-born and Harvard educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. John Kenneth Muir analyzes all of Nair's work, including: * Salaam Bombay! (1988), the groundbreaking story of a young boy abandoned by his family on the streets of Bombay. * Mississippi Masala (1991), an interracial small town romance between an Indian woman (Sarita Choudhury) and an African American businessman (Denzel Washington). * Monsoon Wedding (2001), featuring a Bollywood carnival atmosphere, one of the most successful foreign films ever released in the United States. * Hysterical Blindness (2002), the HBO film featuring Uma Thurman and Juliette Lewis, looking for love in all the wrong places. * The big-budget Hollywood adaptation of the Thackery novel Vanity Fair (2004), starring Reese Witherspoon, Gabriel Byrne, and Eileen Atkins.
John Kenneth Muir is the award-winning author of over 20 books in the fields of film & television, with an accent on horror & sci-fi. John has been described as one of the horror genre's "most widely read critics" by Rue Morgue Magazine, and as an "accomplished film journalist" by Comic Buyer's Guide. His director books include profiles of John Carpenter, Wes Craven, Christopher Guest, Tobe Hooper, Mira Nair, Sam Raimi, and Kevin Smith. John has twice won a Booklist Editor's Choice citation (for Horror Films of the 1970s and Terror Television). John is also the creator of the award-nominated web series, The House Between, and in 2009 John's blog, Reflections on Film/TV was named one of the "top 1000" film study blogs on the Net. In 2010, John appears in the documentary Nightmares in Red, White and Blue.
