Customer Reviews

Mercy, Mercy Me: The Art, Loves, and Demons of Marvin Gaye

5 star:		(8)
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2 star:		(1)
1 star:		(5)

 

 

"In his guttural cries, his hectic moans, his elliptical ejaculations, and his plaintive whispers, Marvin explores the healing and redemptive dimensions of black romantic love."
- From page 132 of "Mercy, Mercy Me"

Man, does Dyson have a way with words!

I guess that I am one of those "public intellectuals" that finds Dyson's analyses of both Gaye's life and the social ills plaguing the black community so intriguing. Dyson, a minister himself, contrasts Gaye's life as a popular secular singer with his strict Pentacostal upbringing at the hands of his stern minister-father. The struggle that the singer endured played an important part in his music and the book dissects four of the artist's most challenging and enigmatic works: the classic and legendary "What's Going On", "Let's Get It On", "I Want You" and the controversial "Here, My Dear".

The author cuts down each album, layer by layer, revealing Gaye as a man in constant turmoil with the battle between his religious teachings and his desires as a man. Dyson also introduces the reader to many lost versions of Gaye's work, now coming to light in "deluxe editions" available for purchase.

Unlike most "men of the cloth", Dyson's approach is destined to draw criticism from traditional Christians for he suggests a greater openness in sexual matters, as well as less dependency on corporal punishment as a means of child-rearing. He implies that stiff and unbending Church doctrine may have contributed to Marvin's death at the hands of his preacher father.

The final chapter of the book compares Gaye's music and approach to life with the contemporary singer R. Kelly, an admirer of Gaye himself. This provides some interesting food for thought, as the two singers seem to share a bond transcending death and decades.

Dyson could've spent a little less time on social/culture commentary and more on the life of the singer at hand; however, the book is still a worthwhile read into the soul of a soul singer and the society that both uplifted and condemned him.

Dyson has written a fascinating analysis of the life and career of the late Marvin Gaye, a book that will appeal even to readers who don't know Gaye's music all that well. That having been said, this is a weighty tome, which touches on the religious, cultural and social influences of the black community and how they shaped the singer.

For example, in examining the effect of childhood abuse on Gaye, Dyson traces the problem of domestic violence in the black family to slavery. While this is an interesting discussion, it sways quite a bit from the book's star. Some readers will find these diversions tedious.

Because Gaye's relationship with Motown founder Berry Gordy is discussed at length, anyone who has studied the studio and its music will find something of interest here. References to the black church and family will ensure this book's place in programs of African-American study. Finally, the last chapter is in large part about present-day soul star R. Kelly. Dyson's discussion of how both men merged concepts of spirituality and sexuality within their music is interesting. In short, this book is a real find for a musicologist or sociologist, but it's not a biography "for the rest of us."

this Book truly captures the Genius&complexites that were Marvin Gaye.hard for me to believe it's been 20 years since His death.it seems just like yesterday.this Book touches on all aspects of Marvin Gaye&adds so much more in terms of detail&depth.this is a Must read&it keeps you reading all the way through.a Must Have.

Upon fist glance, one would think this was another of many biographies on the legend that is, Marvin Gaye. This is not a biography however, but an analytical look at the life of Mr. Gaye; what made him do what he did, sing what he sang, and feel the way he felt. In an essence, Mr. Dyson disects events in Marvin's life to show what it was that made Marvin tick; what made him fall in love with the women that he fell in love with, and what made him rebel.

This book has surprises- one in particular that we all wondered about for some time. There is also an interesting parallel made between Marvin and another modern day singer, R. Kelly, that will surprise some readers. There are references to other Marvin Gaye biographies (Divided Soul by David Ritz; My Brother, Marvin Gaye by Frankie Gaye; and Trouble Man by Steve Turner, just to name a few), which are good for the readers who haven't read many books on Marvin, or want to know more about him outside of his music.

Michael Eric Dyson did a good job on bringing forth the "inner" Marvin, and revealing sides to him that weren't often documented prior to the release of this book.

A wonderful read for the die hard Marvin fan- such as myself- and those who want to know more about the spirit behind the music.

Michael Eric Dyson is known for his critical analysis of such public African American figures as Martin Luther King and Tupac Shakur. He has also delighted his fans with an ode to black women in Why I Love Black Women. In this body of work, Mercy Mercy Me, he explores the arts loves and demons of Marvin Gaye, one of the greatest singers of all time. This however, is not a biography in the traditional sense of how biographies are usually constructed. While accounts of Gaye's life from birth to death are chronicled, this writing is more of an analysis of the life of a man who essentially plotted his own death. When Gaye's father pulled the trigger in April 1984, twenty years ago, ironically the gun was the one he gave his father for protection.

Marvin Gaye was a genius, born to a fanatically religious father who ruled his home and family as a dictator. He was cruel, issuing beatings for the smallest infraction to both his wife and children. While the others buckled under the heat, Marvin, the most talented, rebelled and received the lion's share of punishment. He both loved and reviled his father, who was sexually deviated, yet proclaimed to be holier than thou. Marvin was a victim of his total upbringing, a loving, beaten down-trodden mother who coddled him and a sadistic father, who withheld his love. We learn of the psychological and emotional background of his Pentecostal father, Rev. Marvin P. Gaye and of what really went on behind the scenes.

Marvin loved women; he married Berry Gordy's sister, Anna, but it was a troubled marriage complicated by their age differences and her inability to have children. Yet, a son was produced--- that was Marvin's child-- sanctioned by the Gordys who had their own code of conduct for living that did not adhere to society's acceptable rules. In Gaye, we see a tortured soul as we learn how religion, sex and race intersected and became as one in his music and his life. There were women and more women. There was Tammy Terrell and depending on whom you talk to they were lovers or they were brother and sister. Also, there was a second wife, Janice.


The album that brought Marvin Gaye into mainstream American, What's Going On, was at first rejected by Berry Gordy as too radical but it was not to be denied. With the war in Viet Nam, the civil rights and free love movements, this album spoke volumes about the world in which we lived and that Marvin embraced. His music was his life and his life was music. Through careful text, Dyson takes us through a journey of how each album came to be. Here My Dear, Trouble Man, Let's Get it On were works of labor from a genius who was in a constant state of emotional turmoil

If you are looking for a straight biography of Gaye and his life from birth to death, this is not the text. There are several biographies on the market and Dyson highly recommends a few. At times the writing was dense with scholarly criticism and clinical terminology. However, it is offset by revealing commentaries such as an excellent chapter on the comparison and contrast of Marvin Gaye and R. Kelley which this reviewer found fascinating. The similarities are surprising and alarming and quite revealing when looking into the black family and community. Additionally, critical review of African Americans' attitudes on slavery and how black women are viewed in the black community is forthright, stunning and at times shameful. This manuscript will be long remembered and studied as a tool for looking into the life of a man who was an enigma even to himself. As always, Dyson delivers in his own style.


Dera Williams
APOOO BookClub
Marcus Book Club (Oakland)

I finished in book in 6 days. I'm 21 years old, so its obvious Gaye was before my time. I didn't know too much about him besides some of his greatest hits, but this book did a great job of letting me know what was behind those, as well as other songs in his life. Dyson was able to tie together Gaye's sensuality and sprituality in a way that made it very interesting to read. I feel like I learned a lot about Marvin Gaye's work in this one book that I wouldn't be able to learn about him in other books written by other people.

Dyson explores the life and love and pain of one of the best musical geniuses of all times. He reveals little known facts and secrets such as his love affairs, some purposely blurred song lyrics, and his broad range of musical abilities including playing the piano and drums. This book deeply touched and inspired me. I have grown deeper in my fascination and admiration of Marvin. I have had the pleasure of meeting Dyson on a couple of occassions and he is very articulate, intelligent, charismatic, and also has a great sense of humor. This is a must read for any true Marvin fans!

I say this because I read DIVIDED SOUL when it came out some 20 years ago, and it seems like Dyson has just read THAT book and has written an essay/review about it and thrown in some unsubstantiated allegations just to make the reading more "interesting." In short, any halfway decent college student enrolled in an upper-level writing course could have written this book. Bear in mind that unlike Ritz, Dyson didn't actually KNOW Marvin Gaye. David Ritz actually knew, worked with, and lived with Marvin Gaye, and even though there are things I could nitpick about with DIVIDED SOUL, that book is a FAR SUPERIOR read. It's far more informative and far more insightful than this offering from my favorite pseudo-intellectual.

The reason I didn't care for this book may partially be my fault--I did not realize it was an essay instead of a biography. But the rest of the reason is on this author--this book was pretty much fact-based, reasons for songs were thrown out sporadically, Tammy Terrell's name was all over the place but the beatings were danced around (and one speaker even plugged her own book--why is that even in there?) and the author went on a history lesson through Motown with other artists. The organization was terrible, there was no set subject pattern, and it was a dry read. I ended up just skimming the book after page 20.
And as big a fan as I am of R. Kelly, I did NOT want to read about HIM in a book with Marvin Gaye on the cover. It's like the author forgot who he was writing about through half the book; he starts talking about the Supremes, Gordy, R. Kelly, James Brown; stick to the man on the cover!

I've read most of the books that have been written about Marvin Gaye, this being my most recent. Although I found it to be a somewhat interesting read, I also found it to be a little too "clinically" written, for lack of a better term, much like an academic study of the man. The section on R. Kelley, and the author's conviction that he is very much like Marvin, was way off base for me. This book is one of those that you'll just have to read for yourself and form your own opinion.