A Mercy [Paperback]

Toni Morrison (Author)

Book Description

Publication Date: August 11, 2009

National BestsellerOne of The New York Times 10 Best Books of the Year In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.A Mercy reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter-a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

Editorial Reviews

From Publishers Weekly

Starred Review. Nobel laureate Morrison returns more explicitly to the net of pain cast by slavery, a theme she detailed so memorably in Beloved. Set at the close of the 17th century, the book details America's untoward foundation: dominion over Native Americans, indentured workers, women and slaves. A slave at a plantation in Maryland offers up her daughter, Florens, to a relatively humane Northern farmer, Jacob, as debt payment from their owner. The ripples of this choice spread to the inhabitants of Jacob's farm, populated by women with intersecting and conflicting desires. Jacob's wife, Rebekka, struggles with her faith as she loses one child after another to the harsh New World. A Native servant, Lina, survivor of a smallpox outbreak, craves Florens's love to replace the family taken from her, and distrusts the other servant, a peculiar girl named Sorrow. When Jacob falls ill, all these women are threatened. Morrison's lyricism infuses the shifting voices of her characters as they describe a brutal society being forged in the wilderness. Morrison's unflinching narrative is all the more powerful for its relative brevity; it takes hold of the reader and doesn't let go until the wrenching final-page crescendo. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Bookmarks Magazine

Several reviewers ranked A Mercy near the top of Toni Morrison's catalogue—an impressive feat. Given the subject of slavery, comparisons with Beloved are inevitable; critics tended to think of A Mercy as a more compact companion piece to that work. Many reviewers also noted that A Mercy is more accessible than Morrison's other novels that were written since she won the Nobel Prize, showing that the award does not, in fact, curse its recipients with literary decline. But a few reviewers also noted the inevitable deference given to an author like Morrison. Some sections of A Mercy may seem obscure, they suggested, but that obscurity simply indicates that those sections deserve another read. The reviewer from the Dallas Morning News summed it up nicely: this novel is more accessible than Morrison's recent work, and is all the better for it. But there is still plenty of allusion and poetry so that you won't forget who you're reading—or why there may be a few passages that you're rereading.
Copyright 2008 Bookmarks Publishing LLC --This text refers to the Hardcover edition.

See all Editorial Reviews

Product Details

• Paperback: 224 pages
• Publisher: Vintage; Reprint edition (August 11, 2009)
• Language: English
• ISBN-10: 0307276767
• ISBN-13: 978-0307276766
• Product Dimensions: 5.2 x 0.6 x 8 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (171 customer reviews)
• Amazon Best Sellers Rank: #4,327 in Books (See Top 100 in Books)

More About the Author

Toni Morrison was awarded the Nobel Prize for Literature in 1993. She is the author of several novels, including The Bluest Eye, Beloved (made into a major film), and Love. She has received the National Book Critics Circle Award and a Pulitzer Prize. She is the Robert F. Goheen Professor at Princeton University.

Customer Reviews

Most Helpful Customer Reviews

83 of 90 people found the following review helpful:

5.0 out of 5 stars "I don't think God knows who we are. I think He would like us, if He knew us, but I don't think He knows about us.", November 11, 2008

By 

Mary Whipple (New England) - See all my reviews
(TOP 50 REVIEWER)    (COMMUNITY FORUM 04)    (HALL OF FAME REVIEWER)   

This review is from: A Mercy (Hardcover)

(4.5 stars) Continuing themes that she has been developing since the start of her career, Nobel Prize-winning author Toni Morrison creates an intense and involving philosophical, Biblical, and feminist novel set in the Atlantic colonies between 1682 and 1690. Her impressionistic story traces slavery from its early roots, using unique voices--African, Native American, and white--while moving back and forth in time. The primary speaker is Florens, a 16-year-old African slave, who tells the reader at the outset that this is a confession, "full of curiosities," and that she has committed a bloody, once-in-a-lifetime crime. In a flashback to 1682, we learn that when Florens was only eight years old, her mother suggested to the Maryland planter who owned the family, that Florens be given to New York farmer Jacob Vaark to settle a debt. Florens never understands why she was abandoned by her mother.

Florens lives and works for the next eight years on Vaark's rural New York farm. Lina, a Native American, who works with her, tells in a parallel narrative how she became one of a handful of survivors of a plague that killed her tribe. Vaark's wife Rebekkah describes leaving England for New York to be married to a man she has never seen. The deaths of their subsequent children are devastating, and Vaark is hoping that eight-year-old Florens will help alleviate Rebekkah's loneliness. Vaark, himself an orphan and poorhouse survivor, describes his journeys from New York to Maryland and Virginia, commenting on the role of religion in the culture of the different colonies, along with their attitudes toward slavery.

All these characters are bereft of their roots, struggling to survive in an alien environment filled with danger and disease. When smallpox threatens Rebekkah's life in 1692, Florens, now sixteen, is sent to find a black freedman who has some knowledge of herbal medicines. Her journey is dangerous, ultimately proving to be the turning point in her life.

Morrison examines the roots of racism going back to slavery's earliest days, providing glimpses of the various religious practices of the time, and showing how all the women are victimized. They are "of and for men," people who "never shape the world, The world shapes us." As the women journey toward self-enlightenment, Morrison describes their progress in often Biblical cadences, and by the end of this novel, the reader understands what "a mercy" really means. An intense and thought-provoking look at various forms of slavery from their beginnings, this short novel has an epic scope, one which admirers of Morrison will celebrate for its intense thematic development, even as they may somewhat regret its sacrifice of fully developed characters. Mary Whipple

Sula
Beloved
Jazz
Song of Solomon (Oprah's Book Club)
Love: A Novel
Playing in the Dark: Whiteness and the Literary Imagination

54 of 57 people found the following review helpful:

5.0 out of 5 stars You say I am wilderness. I am., November 14, 2008

By 

BrianB (Northern California) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   

This review is from: A Mercy (Hardcover)

Finally a novel that lives up to the publisher's hype. So much is promised with each new book, but this is truly a fine work. I am unable to judge whether this is great literature, but it satisfied me on many levels. That is a rare occurrence for a piece of writing. I have given five stars to prior reviews, but this is the finest writing that I have yet reviewed for amazon.

The novel reads quickly. You could finish it in a few hours if you were so inclined. I preferred to slow down and savor the contents. I will return this book again, after giving it a season on my shelf. It will never go to the library donation pile in my lifetime! Although I may be a bibliophile, in the extreme I would preserve only a few (hundred) books. This will be one of them.

Morrison uses shifting points of view to bring this short novel to life. The story unfolds through the eyes of each major character, although only one, Florens, speaks in the first person. Her voice is entirely in a vernacular, lacking conventional punctuation and sentence structure. The first few pages are moderately difficult to understand, but it becomes steadily more intelligible as you progress. The varied points of view remind me of The Sound and the Fury, especially in the opening chapter. But Florens is no Benjy, and Morrison's narrative bears only a superficial resemblance to Faulkner's. Although there is plenty of sorrow, and broken relationships all around, there is not a tone of hopeless cynicism.

I went back to read the first chapter several times, discovering more each time. You cannot understand some things at first. For example: "If a pea hen refuses to brood I read it quickly and sure enough that night I see a minha mae standing hand in hand with her little boy, my shoes jamming the pocket of her apron." This is a pivotal moment, but I did not recognize it as such on a first read. Sometimes I don't care for writers who show things early, and explain them later. Morrison is such a good writer that I didn't mind at all. I don't think that you will mind either.

I do not call Morrison a feminist or black writer. I believe those words will put unreasonable limits on how I might think about her work. Her writing reaches beyond the narrow concerns of our present day, to universal truths. She does not gloss over the brutalities and prejudices of slavery, or the lot of women in the 17th century. Far from it. But there are even larger things at stake here. In A Mercy I met myself where I least expected. I recognized myself in Florens, in Lina, in Jacob and even in Sorrow. To see yourself in another is the beginning of love. To give that gift to a reader is a great achievement.

51 of 55 people found the following review helpful:

5.0 out of 5 stars A short, lyrical , gripping novel, and a great joy to read, November 11, 2008

By 

Yesh Prabhu, author of The Beech Tree (Plainsboro, New Jersey) - See all my reviews
(VINE VOICE)   

This review is from: A Mercy (Hardcover)

In this short, lyrical and gripping novel, Tony Morrison has undertaken, once again, to explore her favorite subject: the evils of slavery. Written in prose so lovely and mesmerizing that it reminded me of her "Sula", also a short novel, published thirty-five years ago, "A Mercy" was a great joy to read.

Jacob Vaark, a Dutch-born farmer and trader, and Rebekka, his English wife own a tobacco plantation. Even though Jacob owned a few slaves, he did so only as a necessity to run his homestead. Jacob is sympathetic towards orphans and waifs because he himself was parentless at a young age, and had to fend for himself on the streets running small errands.

At the heart of the novel is an act of mercy. When Jacob Vaark travels to Maryland to collect debt from a tobacco plantaion owner named Senor D'Ortega, he finds out that Senor is broke and has no money to pay off the debt. Senor offers Jacob a thin black girl named Florens, a daughter of one of his slaves, as a partial payment of the debt. Florens is smart, and she can read and write also. Florens' mother senses that Jacob is more kind-hearted than her master, and so pleads with Senor to give Florens to Jacob. Her hope is that Florens would have a better life in Jacob's estate. Florens's mother considers this an act of mercy, but the irony is that Florence considers it abandonment.

Several sympathetic characters make the novel interesting and hold a reader's attention. Lina (Messalina), a native American, was sold to Jacob by the Presbytarians who had rescued and saved her. Sorrow, a sea captain's daughter, survives a ship wreck, but ends up in Jacob's plantation as a slave. Willard and Scully are indentured servants who are sent to work at Jacob's plantation by their contract holders. A young black man, a blacksmith, arrives to make an iron gate for Jacob's new house. He is not a slave, but a free man. This man is also knowledgeable about medicinal herbs. Florens falls in love with him.

In this novel Toni Morrison has found her ability to write simple, unadorned and lyrical prose that she mysteriously lost when she wrote "Paradise": "A frightened, long-necked child who did not speak for weeks but when she did, her light, singsong voice was lovely to hear. Some how, some way, the child assuaged the tiny yet eternal yearning for the home Lina once knew, where everyone had anything, and no one had everything."

Reading this novel was an intense, deeply moving, and satisfying experience. Even though the novel is short, it is bright, deep and weighty.