Amazon.com Review
Although he was trained and once worked in theoretical physics, Jeremy Bernstein is best known as a longtime science writer for
The New Yorker magazine, in whose pages he wrote sprawling essays on such matters as quantum mechanics, probability, and the birth of the nuclear age.
The Merely Personal gathers several of his magazine pieces, many written in the last 10 years. They address the origin and history of scientific concepts, probe into the deepest workings of game theory and chess machines, and raise big questions: If German scientists had succeeded in making a nuclear weapon, would they have turned it over to the Nazi government? Is reality knowable? Does God, in fact, play dice with the universe?
The best parts of Bernstein's book, however, are those that look into the often strange lives of individual scientists, such as the mathematician Kurt Gödel, "a full-blown paranoiac" who used his isolation from the world to afford a new way of looking into logical systems, and the scientist Richard Feynman, whose "Mozartean genius in physics seemed to be combined with an almost equally Mozartean urge to play the clown." Bernstein's portraits of Einstein, Kepler, Oppenheimer, and other major scientific theoreticians and practitioners offer a bird's-eye view of how research is conducted and breakthroughs are made, all delivered in highly readable prose. --Gregory McNamee
From Publishers Weekly
In this collection of 13 essays, some original, some previously published in the American Scholar, Commentary and elsewhere, Bernstein, a theoretical physicist and veteran writer of the "human side of science," whose Einstein was nominated for a National Book Award, sketches some of the giants of science he has encountered during his career. These include J. Robert Oppenheimer, father of the atomic bomb and head of the prestigious Institute for Advanced Study at Princeton during Bernstein's time there; mathematician Kurt Gdel, who slowly descended into mental illness; and the taciturn Paul Dirac, one of the founders of quantum theory. In writing about scientists and others, like the poets W.H. Auden and Stephen Spender, Bernstein explores the difference between "genius" and the "merely very good." In an engaging historical digression, he describes how he investigated the circumstances of a portentous meeting between two contemporary geniuses, poet John Donne and astronomer Johannes Kepler in 1619. He goes on to discuss science as a muse for writers, and then explains what Tom Stoppard--whom he admires immensely--got wrong about quantum physics in his play Hapgood. In another piece, he suggests that Isaac Newton was not in fact being humble when he said, "If I have seen farther, it is by standing on the shoulders of giants." For a former staff writer at the New Yorker, Bernstein is stylistically flat in many essays, although the writing perks up toward the end of the collection. Fans of scientific biographies probably won't find much they haven't already read elsewhere in his character sketches, but they will enjoy the rest, and readers without much knowledge of modern science will learn from his carefully laid-out explications of relativity and quantum mechanics.
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