From Library Journal
Prolific storyteller Yolen brings together ten of her own stories about Merlin, "Archmage" of Camelot. As befits a "shape-shifter," each story presents a different figure of Merlin, none being definitive. Yolen's "revisionist mythology" includes idiosyncratic versions of Merlin's birth and of the episode of the sword in the stone, as well as an original vision of a community of nuns on a fenland island who forge steel blades for Arthur's knights. In "Epitaph," an archaeological team and the Prince of Wales proclaim the finding of Merlin's body to a roomful of skeptical newspersons. Yolen's limpid prose gains an aura of otherness by her skillful use of archaisms. Arthurian and fantasy collections will welcome Merlin's Booke . Barbara J. Dunlap, City Coll., CUNY
Copyright 1987 Reed Business Information, Inc.
Copyright 1987 Reed Business Information, Inc.
Review
Centuries of readers have been enthralled by the tales of King Arthur and his court. Malory's fifteenth-century Morte D'Arthur is probably the best known, while in recent times T.H. White, Mary Stewart, Marion Zimmer Bradley and others have explored and adapted the saga, always finding an audience eager for a new treatment of a very old talc. Even Hollywood and the Broadway stage have fallen under its spell, and done their share to ensure Camelot's continuing popularity. Do we really need another version of the Arthur-Merlin legends? The answer is a resounding yes if the author is as imaginative and creative a storyteller asJane Yolen. Responsible for numerous fantasy books and stories for both children and adults, Yolen has collected her semi-interconnected tales and poems that deal with the Arthurian legends and uses the magician and tutor Merlin as their focal point. The tales do not have the continuity of a novel, nor are they intended to. Instead, the reader is given fascinating glimpses into the events in Merlin's mysterious life that might have given rise to the often conflicting legends about him. The tales are not exclusively devoted to Merlin; other characters from the Arthurian canon slip in and out as well. Guinevere first appears in a minstrel's tale as the "gwynhfar," an albino monstrosity who will be wedded to the dark prince Artos to "make the kingdom one." Later a more recognizable Guinevere astounds Arthur when she uses common sense to override Merlin's magic. Elaine, who appears in Malory in several guises and as Tennyson's Lady of Shalott, is the heroine of a tale which finds her, as a little girl, in the company of the holy sistership of the Isle of Women, an early feminist group which produces the best swords in the world. But it is Merlin, the magician, the sage, the prophet, who ties the stories together, albeit somewhat loosely. Episodes from his childhood are described; in one, he is tamed from being a wild forest child by a compassionate falconer, and in another, he meets up with a traveling magician who recognizes Merlin's ability to foretell the future in dreams. Gradually a portrait of Merlin emerges, although it is never fully fleshed out, and hints and echoes from previous stories continually tantalize and intrigue the reader. In one tale, for example, the dying Brother who assisted at Merlin's birth reveals that the child was born with a tail that disappeared upon contact with the holy oil. Much later, in a story that takes place at an unspecified time in the future, when what are believed to be Merlin's remains are discovered in a cave, researchers determine that the body they believe to be the magician's bore traces of a vestigial tail. Perhaps the most remarkable feature of this extraordinary book is the obvious care that Yolen took in creating new legends to add to the Merlin mythos. Her language is polished and precise, her words obviously chosen very carefully for the best effect. Some of the tales sound as if they had been handed down for generations, so magical and enthralling is Yolen's prose. She almost effortlessly draws the reader into a world half-remembered from other sources but enhanced by new interpretations of familiar themes. Each tale is preceded by a quote from an earlier version of the legends; Yolen uses these as starting points for fresh and sometimes startling variations from the established stories. The book's design and illustrations by Thomas Canty add to its excellence by perfectly matching the mood and the subject. Yolen has performed magic worthy of Merlin himself in breathing new life into the Arthurian legends. Fans of fantasy and folklore and anyone interested in writing that truly weaves its own spell of enchantment are strongly urged to acquire this small masterpiece. -- From Independent Publisher
