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The more than 10,000 entries in this volume cover a vast amount of territory. There are biographical entries covering all nationalities and periods (Cavalcanti, Guido; Futabatei, Shimei; Joyce, James), brief entries on literary characters (Bovary, Emma; Hawkins, Jim), on specific works (Driving Miss Daisy; Lotus-Eaters, The), on forms of criticism (Feminist Criticism, New Criticism), on movements and events (Jindyworobak Movement, War of the Theaters), and on styles (Eclogue, Guwen). The only thing lacking is entries on the literary traditions of specific countries.
The average entry is well under 150 words, with the longest under 700 (Shakespeare, William, for example), and some as few as seven (Lineation is defined simply as "an arrangement of lines [as of verse]" ). Pronunciation is provided for most entries (even Miller, Daisy has one) and then an etymology for entries that define terminology. For biographical entries, places and dates of birth and death are given. The entry proper includes any cross-references ("used sparingly" according to the prefatory material) in small-capital letters. Titles of works are given in the original language followed by English translation. All entries are unsigned, and there are no bibliographies. Several hundred small black-and-white photographs and illustrations are provided.
By attempting to cover almost everything, some entries are almost uselessly brief (as in the Lineation example above). Others, though with a literary connection, almost seem lifted from a Merriam-Webster dictionary. Epigraph, for example, has two definitions, the first being "an inscription on a statue, a building, or a coin," and the second, "a quotation set at the beginning of a literary work." An oddity is the inconsistent description of living writers in both the present and past tense. The entry Drabble, Margaret, for example begins, "English writer of novels that are skillfully modulated variations on the theme of. . . ." Proulx, E. Annie, however, begins, "American writer whose darkly comic yet sad fiction was peopled with quirky, memorable characters." Nevertheless, MWEL admirably covers topics from a wide breadth of literary subjects. The volume also will serve as a valuable supplementary source for literary allusions, with such entries as Banshee, Jezebel, Kali, and a variety of other mythological and religious entries.
MWEL perhaps most closely represents the various Oxford Companion titles for depth of coverage, though even in that series one must first find the appropriate country-or genre-related volume. Any number of literary dictionaries and biographical dictionaries contain similar entries, but for sheer ready-reference capabilities, MWEL is in a class of its own. Its low price further justifies a place for this volume on any library's reference shelf.
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This is a rather heavy, thick book and not suitable for a carrying in a backpack. I keep my copy readily accessible in my favorite reading area. Whenever I look up a topic, I pencil-in a small check mark. My little check marks are now scattered throughout this reference book.
The short descriptive passages, generally around 100 to 500 words, are well written and often sufficiently intriguing that I find myself moving from one related topic to another. This compilation is ideal for students and teachers, but I recommend this single volume encyclopedia for anyone that enjoys literature.
The references include literary works, classic authors, contemporary authors, mythology and folklore, literary terms, literary styles, historical literary movements, scholars and critics, and literary awards and prizes. I rarely fail to find whatever I am looking for. I would be quite surprised if this compilation did not meet your needs.
I also have a copy of another good reference work, Benet's Reader's Encyclopedia, possibly the best-known literary encyclopedia. Benet's compilation overlaps considerably with the Merriam Webster's Encyclopedia of Literature, but the two are not identical.
Benet's reference work contains less literary references, most notably fewer literary terms and definitions. Benet's is less likely than Merriam-Webster to have a short essay on a specific literary work or poem. For example, Benet's does not have an entry for The Name of the Rose, I Sing the Body Electric, Love in the Time of Cholera, For the Union Dead, or many other titles found in Merriam Webster.
However, Benet's compilation is wider in scope, having many historical definitions (e.g., Napoleon Bonaparte, Congress of Vienna, Vietnam War, Vikings), more religious terms (e.g., trimurti - Hindu and tripitaka - Buddhist), and more art and music references (e.g., Grandma Moses, Picasso, and Mozart).
I give 5 stars to Merriam Webster and 4 stars to Benet.
As an overview of literature throughout the ages, this encyclopedia is well worth owning. If you want more in-depth analysis, I suggest looking for books particular to your topic of interest.