From Publishers Weekly
In this intense but humorous follow-up to
Escape from Special Lasko-Gross's semi–alter ego must navigate the perils of high school life. Fifteen-year-old Melissa doesn't have a lot of friends and those she does have issues of their own: rebel Kylie is on the brink of another expulsion; Penny has a stutter and penchant for shoplifting; and Terry is a closet anorexic. The problems Melissa faces are common ones—rebel or not; get high... or higher; tell a boy how she feels—but Lasko-Gross handles each with care so that even readers who've gone through similar situations will be convinced that Melissa's woes are unique. As her grades plummet and her parents uncover her drug stash, Melissa becomes increasingly persuaded that life will never get better. It seems that her comic book, which she sells on consignment to local record stores, is the only thing keeping her going. With full-color art whose dour color palette mirrors the sometimes painful subject matter, Lasko-Gross seamlessly shifts between real conversations and the ones that exist only in Melissa's head, painting a complete portrait of her raw, emotional and bitingly sarcastic heroine, and leaving readers eager for the last installment of this planned trilogy.
(May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up—The cruelties, indignities, rebellion, and lack of self-confidence that form the high school experiences of many teens are well captured in this follow-up to
Escape from "Special" (Fantagraphics, 2007), the author's middle school memoir. At 15 and 16, Melissa's biggest downfall was that she couldn't control her honesty or soften her expressions of it, leading to messy situations in the classroom, with her friends and family, and, most important, her peace of mind. She uses her given name of Melissa Gross for her high school persona, and readers get to see her earliest efforts to sell her comics and also an explanation—filled with teenage righteousness—for her nom de plume. Imagery here is fraught with some nearly nightmarish (and succinctly credible from an adolescent perspective) exaggerations of tongues, acne, and even a turd. The artwork is done mostly in muted grays; blue and yellow highlight eyes or hair, and an occasional object also receives soft coloration. This is a spot-on portrait of one girl's struggle for intellectual and emotional honesty, touching on her best friend's anorexia and realizing the humanity of those around her—classmates, her mother—whom she had earlier dismissed as stock characters in the drama of her own life. More symbolic than Ariel Schrag's high school memoirs, this one will touch teens who themselves have just succeeded in negotiating the mess of learning to be a mature social being.—
Francisca Goldsmith, Halifax Public Libraries, Nova Scotia Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.