Metahistory: The Historical Imagination in Nineteenth-Century Europe [Paperback]

Hayden White (Author)

Book Description

ISBN-10: 0801817617 | ISBN-13: 978-0801817618 | Publication Date: August 1, 1975 | Edition: First Paperback Edition

In White's view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and specifically linguistic in nature. This deeper content - the metahistorical element - indicates what an "appropriate" historical explanation should be.

Editorial Reviews

Review

Metahistory is something more than a study of philosophies of history (although it is that too, and no doubt the most important work in the field since Collingwood): it is also a methodological manifesto, a more sustained argument for a deep-figural hermeneutic than has been worked out anywhere before now.

(Diacritics )

This is a daring, ingenious... tour de force. White has produced a profoundly original 'critique of historical reason.'.

(American Historical Review )

A book that will simply have to be reckoned with by all historians who have the slightest interest in the genesis and forms of historical narrative.

(Journal of Modern History )

Product Details

• Paperback: 464 pages
• Publisher: The Johns Hopkins University Press; First Paperback Edition edition (August 1, 1975)
• Language: English
• ISBN-10: 0801817617
• ISBN-13: 978-0801817618
• Product Dimensions: 8.9 x 6.3 x 1.4 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #180,993 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

23 of 32 people found the following review helpful:

5.0 out of 5 stars A must for any historian, February 8, 1998

By 

[e-mail] (Rogelio Aragon. Oaxaca, Mexico.) - See all my reviews

This review is from: Metahistory: The Historical Imagination in Nineteenth-Century Europe (Paperback)

Hayden White's Metahistory takes the reader deeply into the winding roads of history writing. From Hegel to Croce, he reviews and analizes the many different ways history was written in the nineteenth century and it's impact and influence in today's historiography. A must for any historian, but a little too deep - and perhaps boring- for those not familiar with history's theory and philosophy.

6 of 8 people found the following review helpful:

4.0 out of 5 stars Metahistory, June 10, 2008

By 

C. R. Dillon - See all my reviews
(REAL NAME)   

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This review is from: Metahistory: The Historical Imagination in Nineteenth-Century Europe (Paperback)

Depending on your familiarity with the study of history this book may be either over- or under-rated. It is fantastic text and highly informative. That said, a few cautionary notes:

This book has diminishing returns. I read the whole thing, but the book is rather formulaic. Spend more time on the Introduction than anything else. Without it you'll be lost.

Also I have little familiarity with the authors White discusses. With the ones I did know, Nietszche, Hegel, and Tocqueville, I found his commentary very interesting. But some familiarity with each author addressed would be worthwhile to enjoy it fully.

Hope it was useful. Whether or not you buy his argument, the work is definitely a modern classic.

18 of 29 people found the following review helpful:

4.0 out of 5 stars Highly sophisticated, June 26, 2002

By 

Carter A. Malkasian (Huntington Beach, CA) - See all my reviews
(REAL NAME)   

This review is from: Metahistory: The Historical Imagination in Nineteenth-Century Europe (Paperback)

Hayden White's METAHISTORY is a sophisticated analysis of historical methodology in the nineteenth century.

Without a doubt, the book is brilliant. White analyzes the poetic and linguistic structure behind the writings of historians and philosophers of history. He focuses on the works of Michelet, Ranke, Toqueville, Burckhardt, Hegel, Marx, Nietzsche, and Croce. The result is a compelling look at how the methodological structure of historical writing changed through the course of the nineteenth century.

However, there is a major drawback to the work. White frequently uses a number of poetic and linguistic terms that are not standard fare for the average reader. For example, unfamiliar terms such as Metonymy, Synecdoche, Metaphor, Organicist, and Contextualist are used to describe the methodology behind various historical works. I frequently found myself lost and flipping back pages to find the definition of a particular term. This was an un-needed difficulty; the terms only served to obscure White's otherwise clear and logical arguments.

In conclusion, this highly sophisticated work is a brilliant piece of historical analysis. However, it would have been much more readable without the difficult language.