For decades, in one small room on West Forty-fourth Street in Manhattan, Lee Strasberg ran the Actors Studio, where dozens of acclaimed actors absorbed a technique that became known as the "Method." Based on firsthand observations and numerous interviews, Hirsch's examination of the Studio's origins reveals how its graduates forever shaped the American stage and screen.
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Editorial Reviews
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"Hirsch endows this history with new life." -- -New York Times
--This text refers to an out of print or unavailable edition of this title.
About the Author
Foster Hirsch, the author of fifteen books on film and theater, among them The Dark Side of the Screen: Film Noir and Kurt Weill on Stage, lives in New York City.
--This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
5.0 out of 5 stars
the method,
This review is from: A Method to Their Madness: The History of the Actors Studio (Da Capo Pbk) (Da Capo Paperback) (Paperback)
This book is a must for anyone interested in the history of Acting in America. Hirsch gets behind the doors of the elusive Actors Studio and shows, with respect, a glimpse of what goes on there. Hirsch does a magnificent job of tracing the path of the evolution of Stanislavski's system in this country, from the arrival of the Moscow Art Theatre to the Group Theatre and finally the Actors Studio. I couldn't put this book down.
4 of 4 people found the following review helpful:
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This review is from: A Method to Their Madness: The History of the Actors Studio (Da Capo Pbk) (Da Capo Paperback) (Paperback)
Very informative concerning the Method, with much detail & background information. But definately not a book for those just browsing; you really must be heart & soul into acting to finish this book.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
method to their madness,
This review is from: A Method to Their Madness: The History of the Actors Studio (Da Capo Pbk) (Da Capo Paperback) (Paperback)
This book is a definite plus for anyone interested in the development of the method in America. Foster Hirsch gets behind the doors of the Actors Studio and does an amazing job of conveying the work of the actor from an observer's point of view. Hirsch also does a magnificent job of tracking the path of the evolution of Strasberg's method. He covers the arrival of the Moscow Art Theatre to the formation of the Group Theatre to the influence and work of the Actors Studio. I couldn't put this book down.
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Inside This Book
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First Sentence:
It was a simple directional touch, yet its implication were profound. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inner technique, acting sessions, sensory work, truthful acting, affective memory Key Phrases - Capitalized Phrases (CAPs): (learn more)
Actors Studio, New York, Lee Strasberg, Group Theatre, Cheryl Crawford, Arthur Penn, Moscow Art Theatre, Stella Adler, Geraldine Page, Estelle Parsons, Ellen Burstyn, Morris Carnovsky, Harold Clurman, Michael Wager, Shelley Winters, Margaret Barker, Elia Kazan, Jack Garfein, Kim Stanley, Los Angeles, Marlon Brando, Theatre Guild, Frank Corsaro, James Dean, Strange Interlude New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
It was a simple directional touch, yet its implication were profound. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inner technique, acting sessions, sensory work, truthful acting, affective memory Key Phrases - Capitalized Phrases (CAPs): (learn more)
Actors Studio, New York, Lee Strasberg, Group Theatre, Cheryl Crawford, Arthur Penn, Moscow Art Theatre, Stella Adler, Geraldine Page, Estelle Parsons, Ellen Burstyn, Morris Carnovsky, Harold Clurman, Michael Wager, Shelley Winters, Margaret Barker, Elia Kazan, Jack Garfein, Kim Stanley, Los Angeles, Marlon Brando, Theatre Guild, Frank Corsaro, James Dean, Strange Interlude New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 48
books:
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12
books
cite this book:
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- Waiting for Lefty by Clifford Odets on 12 pages
- Blues for Mister Charlie: A Play by James Baldwin on 5 pages
- Sweet Bird of Youth by Tennessee Williams on page 320, and page 321
- Starting Out in the Thirties (Cornell Paperbacks) by Alfred Kazin on page 91, and Back Matter
- To the Actor by Michael Chekhov in Back Matter (1), and Back Matter (2)
See all 48 books this book cites
- Kurt Weill - On Stage: From Berlin to Broadway by Foster Hirsch in Front Matter, and Back Matter
- Kurt Weill on Stage: From Berlin to Broadway by Foster Hirsch in Front Matter, and Back Matter
- Twentieth Century Actor Training by Alison Hodge on page 149
- Black Magic: White Hollywood and African American Culture (Jazz & American Culture) by Krin Gabbard in Back Matter
- The Purpose of Playing: Modern Acting Theories in Perspective (Theater: Theory/Text/Performance) by Robert Gordon in Back Matter
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