3 of 3 people found the following review helpful:
5.0 out of 5 stars
How do you say "Hollywood-bound" en espanol?, June 15, 2008
This review is from: Mexican High: A Novel (Hardcover)
If ever there were a book with cinematic potential, this is it. MH is a fantastic ride from beginning to end, but I have to add that Monroy's pacing is so perfect and her images, so sharp, that I hope the talent scouts are poised to make an offer before the producers of "Gossip Girl" ante-up. In any event, this debut novel is as hip and fun, as it is painfully raw and real. Monroy is the real deal, and she's poised for a brilliant career.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
You don't have to be in Mexico to get High, but it sure helps., June 14, 2008
This review is from: Mexican High: A Novel (Hardcover)
"Mexican High" is a coming of age story with a lime chaser, plumbing not only the depths of teen angst, but so too more pertinent issues like class, race, culture, drugs, crime, corruption, and immigration. Set in the maze of Mexico City, Monroy's Milagro raises a pointed question: "How much of our crime is compounded by the laws we pass to prevent it?" Readers of smart literary fiction should not be deterred by the chick-lit cover...this thoughtful, articulate debut is anything but...it's right up there with Jhumpa Lahiri and other top multicultural writings.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Fast Times - and Spoiled Elites - at Mexico High, January 10, 2010
The twist in this upscale coming-of-age novel, which features the expected quantities of pot, blow, awkward sex, and epiphanies about conformism, is that its narrator is an American at a Mexican school. The thinly-veiled setting is Mexico City's American School, as infested with cocaine and Prada as it's often reputed to be, and the experiences of the feisty Mila Márquez are somewhat modelled on Monroy's own. Events that flitter across Mila's radar - political assassinations, Zapatista rebellion, currency devaluation - place the timeframe in 1993-94, the same time a teenaged Monroy moved to the Mexican capital (and two years after I moved there myself).
As a Spanish-speaker, Mila is able to penetrate the rarefied stratum of the school's social elite, the "fresa" set, while retaining her Mexican-American suspicions of all they represent: conspicuous consumption, social elitism, and Mexico's abysmal racial divide. Here lies the novel's real value. Mila's awakening to injustice and the marginalization of the darker-skinned majority repeatedly rings true, as do her conflicted reactions to the rich. Mexican high society can indeed entice: so beautiful to look at, so stylishly dressed, such easy charm, such cosmopolitanism. The way Mila lets herself be sucked in by all that, despite her egalitarian instincts, is entirely credible. So is her gradual withdrawal from such company, which stops short of complete. Monroy is careful to shade her wealthiest characters: some are wholly irresponsible, others have at least a glimmer of moral awareness. There's plenty to disgust in Mexican High, but this is not a merciless satire of high-income idiocy à la Evelyn Waugh's The Loved One.
Mila's voice sounds too mature for a 16-year old, and her barely-tamed exuberance for narcotics may irk some readers. Monroy could have done more to flesh out the lives of the maids, gardeners and chauffeurs who hustle to make the cosy lives of the rich yet cosier. Mention of Mila taking the subway home at 3 a.m., when in fact it shuts at midnight, raises doubts over Monroy's familiarity with the lifestyles of the city's less well-off; so does a reference to a cab driver with a cell-phone (common now but never then). Otherwise, her eye for detail is impressive, and anyone who knew the metropolis in the 1990s will feel nostalgia for its popular haunts. Peppered with poignant moments of adolescent yearning and disappointment, this is a lively critique of a world rarely glimpsed in English-language writing.
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