Mia

The Germs | Format: Audio CD

Product Details

• Audio CD (August 3, 1993)
• Label: Sire / London/Rhino
• ASIN: B00004T6VF
• Also Available in: Audio CD  |  Audio Cassette
• Average Customer Review: 4.7 out of 5 stars  See all reviews (69 customer reviews)
• Amazon Best Sellers Rank: #1,343,295 in Music (See Top 100 in Music)

Track Listings

1. Forming

2. Sex Boy [Live]

3. Lexicon Devil

4. Circle One

5. No God

6. What We Do Is Secret

7. Communist Eyes

8. Land of Treason

9. Richie Dagger's Crime

10. Strange Notes

11. American Leather

12. Lexicon Devil

13. Manimal

14. Our Way

15. We Must Bleed

16. Media Blitz

17. The Other Newest One

18. Let's Pretend

19. Dragon Lady

20. The Slave

See all 30 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

88 of 95 people found the following review helpful:

5.0 out of 5 stars A must for any fan of punk, December 3, 2001

By 

D. K. Malone (earth) - See all my reviews
(REAL NAME)   

This review is from: MIA: The Complete Anthology (Audio CD)

Usually I credit Black Flag or the Middle Class or the Bad Brains with being the progenitors of the hardcore punk sound. But sometimes, I think that perhaps the Germs might deserve the credit for it. In any case, the Germs are definitely one of the more influential and memorable groups from the 70s L.A. punk scene, and this CD belongs in everyone's punk collection, right next to the Ramones first two albums, Never Mind The Bollocks, The Clash, etc. One thing that will always set them apart are Darby Crash's lyrics. (...) he was also one of the most creative and interesting lyricists in the history of music.

My only gripe is that the sound quality on the song "My Tunnel" is actually WORSE than the version I taped from Rodney On the ROQ circa 1983.

EDIT- Thank you to the Amazon editor who made the bizarre and arbitrary decision to censor my mention of Darby Crash using *gasp* "DRUGS." Never mind that it's a well documented fact and he's been dead for over 20 years and that I didn't even name the drugs. The bottom line is, Amazon needs to protect the children from the word "drugs." (...)

18 of 21 people found the following review helpful:

5.0 out of 5 stars essential early SoCal hardcore, January 4, 2006

By 

Ludwig J. Pluralist "avantepopgospeler" (Beacon, NY USA) - See all my reviews

This review is from: MIA: The Complete Anthology (Audio CD)

The Germs were, in my opinion, one of the great and essential American punk bands. Their sound was a particularly primitive stripped down three chord punk; listening to them it sounds as if they could barely play when they started. No matter - neither could other punk legends like Sid Vicious or the Ramones, both of whom were obvious influences here. The other obviously key part of their unique sound is singer Darby Crash. Darby was no poser; for him, punk was a total way of life, one to which he committed his (short lived) life. On songs like What We Do is Secret, Richie Dagger's Crime or Lexicon Devil, you can hear the power of his vocalizing; and you can also hear a deeply buried but inherent tunefulness, deep within the musical muck.

The Germs may have been one of rock's more delf-destructive units, but no matter. Listening here, you can begin to understand why they mattered, and why they have influenced so many bands that followed in their wake.

11 of 12 people found the following review helpful:

5.0 out of 5 stars CLASSIC, November 15, 2006

By 

Amazonian (San Francisco<P>San Francisco, CA United States) - See all my reviews

This review is from: MIA: The Complete Anthology (Audio CD)

From the moment I purchased the album years ago, it was clear that it was going to be one of the classics in the punk repertoire. In reality, the Germs might very well have helped spawn the hardcore moviement, and Joan Jett's production lends a razor-sharp immediacy to the songs.

The tunes aren't so much sung as growled, and Darby Crash's lyrics can be among the most expressive I've heard in the punk genre. There's a grueling intensity to the tunes that's exciting even now. While the band won't appeal to everybody, the record left me slack-jawed with amazement the first time I heard it. The band X may have encapsulated the hopes of the L.A. punk scene, but this record still makes the hackles on the back of your neck rise. There's nothing formulaic here. If you're willing to give it a chance (and that means something more than listening to a bunch of twenty second audio samples), it's hard to imagine your not being moved. That's why this is punk music at its very best.