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Michael Collins 1996 R CC

(347) IMDb 7.1/10
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Michael Collins, the man and the movie, stands tall. The man is a hero whose fighting tactics became a model for other 20th-century struggles.

Ian Hart, Julia Roberts
2 hours, 13 minutes

Available to watch on supported devices.

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Product Details

Genres Military & War, Drama, Thriller
Director Neil Jordan
Starring Ian Hart, Julia Roberts
Supporting actors Richard Ingram, Liam Neeson, Aidan Quinn, John Kenny, Ronan McCairbre, Jer O'Leary, Mike Dwyer, Martin Murphy, Alan Rickman, Sean McGinley, Gary Whelan, Frank O'Sullivan, Stephen Rea, Frank Laverty, Owen O'Neill, Stuart Graham, Brendan Gleeson, Gerard McSorley
Studio Warner Bros.
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Video (streaming online video and digital download)

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Customer Reviews

Most Helpful Customer Reviews

111 of 121 people found the following review helpful By D. Mok on October 6, 2002
Format: DVD
Digging back into their roots, director Neil Jordan and actor Liam Neeson have respectively delivered their most memorable and deep-cutting works to date. Michael Collins has nagging flaws, but in the sweep of the passionate filmmaking and performances, all else is moot. You will be carried forth by the conviction of the story.
Neeson was simply born to play this role. An actor of tremendous power, Neeson is here given a role that's multi-dimensional enough for him to show his formidable chops. The Michael Collins character is alternately a boyish, dashing ladykiller and a tactician with a steel will, and just watching Neeson tackle the character's inner and outer demons is worth the price of the movie. He indeed projects the power and charisma of a great leader in his "our refusal" speech. There's more -- Aidan Quinn gives his best performance as friend-turned-enemy Harry Boland; Alan Rickman utilizes his deadpan comic timing and hidden deviance to perfection as Eamon de Valera; Stephen Rea is great as usual as English traitor Ned Broy. The one weak link is of course Julia Roberts, as Harry and Mick's love interest Kitty, with her bad Irish accent and vacant presence. She's paralyzed by the scope of the historical drama and comes off stiff as a result, injecting the character with neither warmth nor power, and none of her signature girlish exuberance. However, this was one case where the filmmaker's sacrifice of a character was to the benefit of the film. In directing the film, Jordan sliced down Kitty's importance and makes her mostly a footnote; the result is that we are now free to interpret Mick and Harry's split as a philosophical and political one, rather than the ol' romantic triangle. And for the better.
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54 of 57 people found the following review helpful By Gregor von Kallahann on June 4, 2000
Format: DVD
What a shame that whenever this film is mentioned nowadays, it's almost always referred to as a Julia Roberts flop. It's actually scarcely a Julia Roberts film at all. Her role is quite minor-and it's commendable that she took it on, really, since she was already a star. I gather she was looking for serious roles in meaty films in an effort to beef up her acting credentials.
And this certainly was a meaty film. It is, in fact, a much, much better film than I had ever imagined from the reviews of the time. I only regret never having seen it on the big screen, because its epic sweep and beautiful cinematography would have been all the more impressive.
Americans, including Irish-Americans like myself, have only the vaguest notions of Irish history. We learn the basics in school, and probably, most educated Americans have an idea of approximately when and how the Irish Republic was established. We may also know that six counties in the North remained under British rule and are still part of the UK (at least, I hope we do--after 30 years of reports on the "troubles").
"Michael Collins" goes some distance toward filling in those informational gaps. I am aware that many critics have challenged writer/director Neil Jordan's interpretation of Irish history (in particular his making Eamon De Valera, the President of the Irish Republic, something of a villain). To that, one can only respond that historical dramas are by definition an interpretation of history. I see that a few of the reviewers below have mentioned that this film inspired them to seek out more information about Irish history. Those of us that do will eventually get a more balanced view, perhaps. It was not Neil Jordan's job to provide us with that perspective. His job as an artist was to tell as engaging a story as he could. On that score, he has succeeded very well indeed.
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40 of 44 people found the following review helpful By Jeffrey Leach HALL OF FAME on September 19, 2004
Format: DVD
In an episode of the 1980's cop drama "Miami Vice," Liam Neeson put in an appearance as an IRA terrorist-or at least I think he did if memory serves me correctly. Perhaps his depiction of an Irish tough on television laid the foundation for his work in Neil Jordan's 1996 bio pic "Michael Collins." The 1990s saw several films about the "Troubles," the word often used to describe the unremitting conflict in Northern Ireland, arrive in theaters. Maybe the hopes of a lasting peace in the troubled region during the last decade, as the IRA agreed to lay down their arms on several occasions, inspired Hollywood. I don't know. Whatever the case, armchair fans of Ireland had plenty to look at in the Cineplex for a few years. While I haven't seen most of these films, I have seen "Michael Collins" several times over the last eight years, and it is difficult to imagine any of these other pictures surpassing this one in any way, shape, or form. Jordan's picture is an inspired piece of work, a beautiful yet politically complex look at how the IRA came to function as an urban guerilla operation in their efforts to secure a unified Ireland free of British oversight and influence.

The film starts on a dramatic tone as Irish rebels battle British troops in the Easter Uprising of 1916. This rebellion fails despite the fact that most of England's resources are tied up in the war raging on the continent. Most of the upstarts-including Michael Collins (Neeson), Harry Boland (Aidan Quinn), and Eamon de Valera (Alan Rickman)-march off to lengthy prison sentences. The perceived ringleaders aren't as lucky: the British line up most of these chaps against the wall and gun them down. Eamon de Valera is one of the few higher ups to survive in large part because he was born in America.
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