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Michael Feinstein With the Israel Philharmonic Orchestra
 
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Michael Feinstein With the Israel Philharmonic Orchestra

Michael Feinstein (Artist), Israel Philharmonic Orchestra (Artist)
4.5 out of 5 stars See all reviews (21 customer reviews) More about this product

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Michael Feinstein With the Israel Philharmonic Orchestra + The Sinatra Project + Isn't It Romantic
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  • This item: Michael Feinstein With the Israel Philharmonic Orchestra ~ Michael Feinstein

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  • The Sinatra Project ~ Michael Feinstein

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Product Details

  • Audio CD (May 7, 2002)
  • Number of Discs: 1
  • Label: Concord Records
  • ASIN: B00005Q6LL
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.5 out of 5 stars See all reviews (21 customer reviews)
  • Amazon.com Sales Rank: #43,493 in Music (See Bestsellers in Music)

    Popular in this category: (What's this?)

    #20 in  Music > World Music > Middle East > Israel

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
listen  1. The Folks Who Live On The Hill 6:07$0.99 Buy Track
listen  2. The Best Is Yet To Come 2:59$0.99 Buy Track
listen  3. Guess I'll Hang My Tears Out To Dry 4:45$0.99 Buy Track
listen  4. By Myself 4:08$0.99 Buy Track
listen  5. Spring Will Be A Little Late This Year 5:38$0.99 Buy Track
listen  6. Stormy Weather 5:23$0.99 Buy Track
listen  7. Laura 5:39$0.99 Buy Track
listen  8. On A Clear Day (You Can See Forever) 2:36$0.99 Buy Track
listen  9. Love Is Here To Stay 5:54$0.99 Buy Track
listen10. How Deep Is The Ocean? 4:43$0.99 Buy Track
listen11. Somewhere 5:33$0.99 Buy Track
listen12. I Won't Send Roses 3:25$0.99 Buy Track


On this CD:
  1. The Folks Who Live On the Hill, song (from the film "High, Wide and Handsome")
    Composed by Jerome Kern
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  2. The Best Is Yet To Come
    Composed by Cy Coleman
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  3. I Guess I'll Hang My Tears Out To Dry
    Composed by Jule Styne
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  4. Between The Devil, musical play By Myself
    Composed by Arthur Schwartz
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  5. Spring Will Be A Little Late This Year (from the film "Christmas Holiday")
    Composed by Frank Loesser
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  6. Cotton Club Revue (1933) Stormy Weather
    Composed by Harold Arlen
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  7. Laura (for the film, "Laura")
    Composed by David Raksin
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  8. On a Clear Day You Can See Forever, musical On A Clear Day (You Can See Forever)
    Composed by Burton Lane
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  9. Love Is Here To Stay, song (from The Goldwyn Follies, film)
    Composed by George Gershwin
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  10. How Deep Is the Ocean?, song
    Composed by Irving Berlin
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  11. Somewhere, song (from "West Side Story")
    Composed by Leonard Bernstein
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent

  12. Mack & Mabel, musical play I Won't Send Roses
    Composed by Jerry Herman
    with Avishai Cohen, Albie Berk, Michael Feinstein
    Conducted by Alan Broadbent


Editorial Reviews

Amazon.com
If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.

While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley


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Customer Reviews

21 Reviews
5 star:
 (16)
4 star:
 (3)
3 star:    (0)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (21 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
2 of 2 people found the following review helpful:
5.0 out of 5 stars "Spring Will Be A Little Late This Year", March 23, 2008
"My life is music. It has always been music, and it will always be music. ~ Michael Feinstein ~

"Michael Feinstein with the Israel Philharmonic Orchestra" received a nomination for Best Traditional Pop Vocal Album in the 2003 Grammy Awards and although this album didn't get the ultimate Grammy nod, it's still one of the best recordings from Michael Feinstein.

Recorded in Tel Aviv in 2001 with additional recording at Capitol Studios in California, he is ably supported by Avishai Cohen on bass, Albie Berk on drums, and backed by an 88-piece orchestra - the Israel Philharmonic Orchestra conducted by Alan Broadbent, whom I've watched in live performances and I can truly say that he's such a fine and talented arranger/conductor/pianist all rolled into one. Mr. Broadbent did a splendid job in arranging all the selections with the exception of "Laura" and "I Won't Send Roses," arranged by David Raksin and Larry Blank, respectively.

Being a dedicated interpreter of the Great American Songbook, Michael Feinstein is dubbed as the "Ambassador of the Great American Songbook" and he is an active member of the Library of Congress National Recording Preservation Board, an advisory group chaired by Marilyn Bergman aimed at bringing together a number of professional organizations and expert individuals who are passionate about the perpetuation of musical recordings.

This is a showcase of Feinstein's effortless singing and piano artistry and made beautiful by Broadbent's grand orchestral works that utilized almost all the musical instruments you can think of -- from piano to percussions, violins to oboes, and trumpets to timpanis.

Feinstein creates an old-fashioned enchantment on all of the twelve tracks, but the focal point of this treasure of an album is his take on "Love Is Here To Stay." This track is absolutely lovely from the first note to the last, and it is one of the most magical moments in my listening experience. "How Deep Is The Ocean," "On A Clear Day" (You Can See Forever) and "The Best Is Yet To Come" are also highlights. For an added drama, he cries his heart out in "Guess I'll Hang My Tears Out To Dry," a tear-inducing-song. And the most stirring moment is his eloquent and heartfelt take on a poignant song written by Frank Loesser, "Spring Will Be A Little Late This Year."

"As if to say that spring will be a little slow to start
A little slow reviving that music it made in my heart
Yes time heals all things, so I needn't cling to this fear
It's merely that spring will be a little late this year"

For music lovers like me, nothing adds more joy to any day or night than listening to the finest music ever created and this CD is such a good example so please give it a listen and enjoy!

With my heartfelt recommendation.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Michael Feinstein with the Israel Philharmonic Orchestra, May 17, 2002
By Rick (Pearland, Texas USA) - See all my reviews
What an incredible CD. I am used to great CD's from Michael but he really outdid himself with this one. He took some great standards such as The Best Is Yet To Come and Stormy Weather and breathed new life into them. He has also shown how much he has grown as an artist and a singer. In so many of the songs, he used his voice in full force with added depth to the songs and his voice. This is a must get CD.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars A Cabaret Singer Grows Up, March 13, 2003
By History Reader (United States) - See all my reviews
"Extraordinary how potent cheap music is." -Noel Coward

Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.

Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.

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Most Recent Customer Reviews

5.0 out of 5 stars Lush and Romantic
I love this album!! The arrangements are lush and romantic and beautifully orchestrated. Kudos to the Israel Philharmonic Orchestra! Read more
Published 15 months ago by M. B. Lyons

5.0 out of 5 stars Musical Wit in an Orchestral Setting
The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings... Read more
Published on January 3, 2004 by groucho

2.0 out of 5 stars This cd is about average, it could have been better
First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain! Read more
Published on August 17, 2002 by Philip Scott

5.0 out of 5 stars Fabulously Fantastic!
Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! Read more
Published on July 21, 2002

5.0 out of 5 stars Michael has done it again
S'Wonderful, S'Marvelous.

If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. Read more

Published on July 12, 2002 by Marilyn

1.0 out of 5 stars Isreal Symphomy Ochrester
Trash...trash...trash..the worst recording he has ever done..It would have been better if he recorded it with the Uganda Symphony Orchester. Read more
Published on June 19, 2002 by william baker

5.0 out of 5 stars One Of His Best!!
Once Again, Michael Feinstein Has Recorded A Beautiful & Romantic Cd. The Cd Features The Best Recording Of "LAURA" I Have Heard Since NANCY LAMOTT's Version. Read more
Published on June 15, 2002 by David A. Preiser

4.0 out of 5 stars Feinstein at his best.
There is not a single song in this album that is not definitive Feinstein. However, the mixing of Feinstein and the Israel Symphony orchestra leaves a lot to be desired. Read more
Published on June 4, 2002 by Richard N. Morgan

5.0 out of 5 stars simply perfect
What A wonderful album from Michael. He out-does himself each and every time. This CD has already become my favorite.
His recording of "Stormy Weather" is amazing. Read more
Published on June 3, 2002 by Erin

4.0 out of 5 stars Feinstein is fine
Feinstein has done as much or more than anyone to keep the classics of Tin Pan Alley alive and well for the past 15 years. For this alone he deserves much credit. Read more
Published on May 29, 2002 by Dennis Brislen

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