From Publishers Weekly
Not the standard feel-good paperback series, the Blue-Eyed Son trilogy takes a harrowing tour of Irish Boston's mean streets, with 15-year-old Mick as guide. Here is a world inhabited by beings one step down on the evolutionary and social scale from the bullies in Slot Machine: ignorant thugs like Mick's older brother Terry (a terrifying villain if ever there was one), whose idea of fun is to get wildly drunk and beat up non-whites; or get wildly drunk and bet on dog fights; or just get wildly drunk. In this tightly paced examination of inner-city life and race relations, Lynch treads very close to the same ground as Chris Crutcher. However, there are no hip adult role models to smooth the way for the young folks, and forget about the protagonist winding up with the girl of his dreams (although he does bed a friend's mother between titles 2 and 3). After enduring beatings, alcoholic excess and humiliations too numerous to catalogue, Mick is ultimately able to rise above his milieu, but the pervasive violence and morally ambiguous resolution make this series even more disquieting than Gypsy Davey. A powerful, thought-provoking and disturbing trilogy?for those who have the stomach for it. (Mick and Blood, Mar.; Dog, June)
Copyright 1996 Reed Business Information, Inc.
From School Library Journal
Grade 7-10?For 15-year-old Mick, life becomes complicated when he questions the values with which he has been raised in his close-knit Irish community. His troubles begin on St. Patrick's Day, when his bigoted friends and older brother sabotage the local parade, pelting the neighborhood Cambodian merchants with eggs. Although he detests his companions' actions, Mick is physically coerced into throwing an egg, which hits a Cambodian woman. News coverage of the incident makes Mick a hero in the neighborhood bar, but it also makes him a social outcast at school and the target of angry Asian students. Only a tough, mysterious classmate, Toy, who witnessed the incident, will associate with Mick, who doesn't decide exactly where he belongs, but who realizes that it is not with his racist friends and family. With realistic street language and an in-your-face writing style that complements the plot, Lynch immerses readers in Mick's world of alcohol, racism, and dysfunction, out of which emerges a noble anti-hero who risks physical danger and alienation for the sake of doing what is right. Not all of the conflicts are resolved, which will leave fans of the novel eager to read the second in the series.?Kelly Diller, Humboldt High School, IA
Copyright 1996 Reed Business Information, Inc.