Amazon.com: Micmacs [Blu-ray]: Dany Boon, André Dussollier, Nicolas Marié, Jean-Pierre Marielle, Yolande Moreau, Julie Ferrier, Omar Sy, Dominique Pinon, Michel Crémadčs, Marie-Julie Baup, Urbain Cancelier, Patrick Paroux, Tetsuo Nagata, Jean-Pierre Jeunet, Frédéric Brillion, Gilles Legrand, Souad Lamriki, Guillaume Laurant: Movies & TV

Micmacs [Blu-ray]
 
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Micmacs [Blu-ray] (2010)

Dany Boon , André Dussollier , Jean-Pierre Jeunet  |  R |  Blu-ray
4.2 out of 5 stars  See all reviews (34 customer reviews)

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Micmacs [Blu-ray] + Delicatessen (StudioCanal Collection) [Blu-ray] + The City of Lost Children
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Product Details

  • Actors: Dany Boon, André Dussollier, Nicolas Marié, Jean-Pierre Marielle, Yolande Moreau
  • Directors: Jean-Pierre Jeunet
  • Writers: Jean-Pierre Jeunet, Guillaume Laurant
  • Producers: Jean-Pierre Jeunet, Frédéric Brillion, Gilles Legrand, Souad Lamriki
  • Format: AC-3, Dolby, Subtitled, Widescreen
  • Language: French
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.40:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: December 14, 2010
  • Run Time: 105 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (34 customer reviews)
  • ASIN: B0045NXMMQ
  • Amazon Best Sellers Rank: #30,943 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Micmacs [Blu-ray]" visit the Internet Movie Database (IMDb)

Special Features

Commentary with Director Jean-Pierre Jeunet
The Making of Micmacs
Q&A with Director Jean-Pierre Jeunet and Actress Julie Ferrier
Animations: Absurd Deaths

Editorial Reviews

Amazon.com

Jean-Pierre Jeunet makes movies like a mad scientist: a bit of this and a bit of that, comedy and horror, charm and madness--et voilà, an Amélie or Very Long Engagement is born. So it's quite appropriate that the central troupe in Micmacs is an eccentric band of tinkerers, toolsmiths, and circus folk; these are Jeunet's kind of people, and putting them together in odd combinations is his lab experiment. The "micmacs" live in a junkyard warren of their own devising, where they are joined by the film's nominal hero, Bazil (Dany Boon), a nondescript video-store clerk whose "career" is cut short when he takes a stray bullet to the head. Surviving this irritation, Bazil vows vengeance on the city's fat-cat arms manufacturers (as fate would have it, his father was killed by a land mine, adding extra incentive) and enlists his super-quirky band of buddies to help. Now, it is beyond question that Amélie lovers and Jeunet fans are going to lap up this collection of Rube Goldberg gadgets and Looney Tunes-style gags, and the inkling of a social issue (or at least the little guys vs. military-industrial complex theme) will also have some appeal. But it must be recorded that prolonged exposure to Micmacs could result in tooth decay for viewers with a low tolerance for whimsy, despite its many moments of undeniable cleverness. Plan accordingly. --Robert Horton

Product Description

First it was a mine that exploded in the middle of the Moroccan desert. Years later, it was a stray bullet that lodged in his brain... Bazil doesn't have much luck with weapons. The first made him an orphan, the second holds him on the brink of sudden, instant death. Released from the hospital after his accident, Bazil is homeless. Luckily, our inspired and gentle-natured dreamer is quickly taken in by a motley crew of junkyard dealers living in a veritable Ali Baba's cave. The group's talents and aspirations are as surprising as they are diverse: Remington, Calculator, Buster, Slammer, Elastic Girl, Tiny Pete, and Mama Chow. Then one day, walking by two huge buildings, Bazil recognizes the logos of the weapons manufacturers that caused all of his misfortune. He sets out to take revenge, with the help of his faithful gang of wacky friends. Underdogs battling heartless industrial giants, our gang relive the battle of David and Goliath, with all the imagination and fantasy of Buster Keaton...

 

Customer Reviews

34 Reviews
5 star:
 (15)
4 star:
 (12)
3 star:
 (5)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (34 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

29 of 29 people found the following review helpful:
5.0 out of 5 stars JUSTICE SERVED BY THE UNDERDOGS, July 25, 2010
By 
NeuroSplicer (Freeside, in geosynchronous orbit) - See all my reviews
(TOP 500 REVIEWER)   
Amelie and The City of Lost Children belong to those films that, although, you find strange when you sit through it for the very first time, they stay with you forever. I find the director (Jean-Pierre Jeunet) to be Europe's answer to David Lynch - only a tad heavier on the regressive images and lighter on the subconscious horrors. So when he had another film out, I was not going to miss it. And, once more, I was glad I did.

A bunch of eccentrics (each with his or hers own quirky character and unusual personal history) come together by life's caprice and end up undertaking an impossible task: try to take down the two largest arms manufacturers in the country. Ingenious ideas, impossible retro gadgets (handmade from salvaged materials), and an unwavering sense of justice. No sacrifice is too big if it means making the villains pay for their crimes.

The colors are soft and comforting; the imagery is mesmerizing; the music will take you back to a more naive age; and the story will make you laugh, cry and laugh again. All in all, great entertainment!

HIGHLY RECOMMENDED!
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18 of 18 people found the following review helpful:
5.0 out of 5 stars If you loved Delicatessen this is right up your alley, return to greatness for Jeunet, August 3, 2010
By 
I managed to see Micmacs and thoroughly loved it. In true Jeunet fashion, characters have their specific quirks and little side-plot elements abound through the movie. A lot of what make movies like Delicatessen, Amelie, and City of Lost Children have this sometimes absurd but magical fantasy about them is present here but not overly gratuitous. Just the right amount and exactly how you'd expect it.

I've likened this movie to Three Stooges meets the A-Team versus Goliath. Really, two Goliaths. The plot is that Bazil's dad get blown up trying to defuse a mine made by a arms company. Later in his life, he is accidentally shot and the bullet is that of another competing arms company. Seeking justice, Bazil tries to confront the companies but is rebuffed quite strongly. He's then adopted by a rag-tag bunch of "orphans" called the Micmacs of the Slide Whistle who then join together to help Bazil take down the arms companies who have destroyed his life.

In true Jeunet fashion, we are introduced to each character who has a special talent that is exploited for the purpose of bringing down the arms companies. The plot, sometimes absurd and hilarious and not intended to be taken so seriously (as one reviewer earlier apparently doesn't get it). It's a comedy first and foremost and has all the hallmarks we've come to know and love from Jeunet. It doesn't move as fast as Amelie or have the sometimes overwhelming fantasy and magic of City of Lost Children but, in its own right, moves at a pace appropriate for the characters. And of course, Dominique Pinon is just over the top and brilliant as usual. Well done.
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13 of 14 people found the following review helpful:
5.0 out of 5 stars A Jumble, but Not a Mess!!, July 12, 2010
By 
MicMacs has a plot that defies summation, characters who each are more fantastic than the next, and the sheer joie de vivre that Jean-Pierre Jeunet brings to all of his delightful works. Here his clowns are up against the true clowns of today's world--vicious, selfish, heartless arms dealers. The boys and girls on Our Side must dive deep into their junkyard to find the tools to defeat these evil beings. And just why are they doing it? Because it's right, that's why! Needless to say, the baddies are defeated, the goodies are triumphant, and the whole flies by like a many-ringed circus performance.
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