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The Microscripts [Hardcover]

Robert Walser (Author), Susan Bernofsky (Translator), Walter Benjamin (Contributor)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

May 31, 2010

W. G. Sebald called Robert Walser “a clairvoyant of the small,” and nowhere is the phrase more apt than in his “microscripts.”

Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card.

Selected from the six-volume German transcriptions from the original microscripts, these 25 short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery.  Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment. Sometimes Walser used the pages of small tear-off calendars (but only after cutting them lengthwise and filling up each half with text). Schnapps, rotten husbands, small town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser’s subjects.  These texts take strength from Walser’s motto: “To be small and to stay small.” 65 full-color illustrations

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Editorial Reviews

Review

“[These] painstakingly transcribed texts brought to light some of Walser’s most beautiful and haunting writing . . . .  The incredible shrinking writer is a major 20th-century prose artist who, for all that the modern world seems to have passed him by, fulfills the modern criterion: he sounds like nobody else.” (Benjamin Kunkel - The New Yorker )

“Incredibly interesting and beautiful.” (John Ashbery, author of Planisphere: New Poems )

“One of the profoundest products of modern literature.” (Walter Benjamin, author of Illuminations: Essays and Reflections )

About the Author

Robert Walser (1878–1956) was born in Switzerland. He left school at fourteen and led a wandering and precarious existence working as a bank clerk, a butler in a castle, and an inventor's assistant while producing essays, stories, and novels. In 1933 he abandoned writing and entered a sanatorium—where he remained for the rest of his life. "I am not here to write," Walser said, "but to be mad."

Prize-winning translator Susan Bernofsky has translated numerous works by Robert Walser including The Microscripts, The Tanners, and The Assistant. She is currently at work on a biography of Robert Walser

Walter Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and is the author of Illuminations, The Arcades Project, and The Origin of German Tragic Drama.

Product Details

  • Hardcover: 160 pages
  • Publisher: New Directions; 1 edition (May 31, 2010)
  • Language: English
  • ISBN-10: 0811218805
  • ISBN-13: 978-0811218801
  • Product Dimensions: 9 x 6.7 x 0.7 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #138,271 in Books (See Top 100 in Books)

More About the Author

Robert Walser (1878-1956) worked as a bank clerk, a butler in a castle, and an inventor's assistant before discovering what William H. Gass calls his "true profession." From 1899 until he was misdiagnosed as a schizophrenic in 1933 and institutionalized for the rest of his life, Walser produced nine novels and more than a thousand stories.

 

Customer Reviews

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Average Customer Review
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30 of 35 people found the following review helpful:
5.0 out of 5 stars Astonishing!, June 11, 2010
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This review is from: The Microscripts (Hardcover)
This is a publishing event to be celebrated for the ages, not only is Walser one of the most unique figures in contemporary thought and literature, but a writer of such worldly knowing his work is simply in a class of its own. The package is elegant, a perfect complement and homage to an underground artist whose understood the complexities of life and was driven to stand outside them in all facets. His reflections are sublime, and the context of the microscripts will bring joy to existing fans of his work while potentially gaining more who I only hope will read the translations of his full-length novels. His work makes more sense now than it ever could have while he wrote.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Incomparable, March 2, 2011
This review is from: The Microscripts (Hardcover)
This brief collection was gathered from Walser's "micro" period, during which he wrote his stories in unintelligibly small script on the backs of post cards and other scraps of paper. For years these scripts were neglected-they were considered simply curious byproducts of Walser's insanity. But subsequent scholars have devoted years transcribing and deciphering these little gems of German prose. Walser's approach is deliberately oblique, poetic, hermetic. Together this collection encapsulates the methods of an artist devoted to the literary transmission of languaged observation. They are miraculous microcosms of literariness. An invaluable book. Includes beautiful facsimilies from the original scripts as well as the German texts for each piece. Also, a very interesting essay about Walser by Walter Benjamin.
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5.0 out of 5 stars Beautiful Book, December 31, 2011
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This review is from: The Microscripts (Hardcover)
I don't necessarily think that Walser's late-period writing is for everyone. It is very eccentric and dense. I came to this book having already reread The Robber several times, and Microscripts reads much like outtakes from that novel. That said it is a joy to read, and even a joy to look at. It is alarming how many paperbacks that will only survive one reading are still being produced in a world with e-readers and libraries, but this book makes the case for the publishing industry going forward. It is solidly constructed, tightly bound, and beautifully (if plainly) arranged. The size of my bookshelf is dwindling as I shift to e-readers, but this book will never leave it.
Also, I can't praise the translation of Susan Bernofsky enough. I cannot attest to its accuracy, but as with her translations of the Robber and Masquerade, this is delightful to read.
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