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Although filmed in 1995 as "El Callejón de los milagros," a critically acclaimed Mexican film starring Selma Hayek, this novel has never quite reached the audience it deserves. Like "Tales of the City," "Midaq Alley" follows the interlinking stories of several characters who share little more than aspirations to affluence, romantic entanglements--and an address. The reader is introduced to more than a dozen characters, but the novel spotlights three: the cafe owner Kirsha, a married man who flirts with young men in front of discomfited patrons, neighbors, and friends (not to mention his incensed wife); the fickle, young, beautiful Hamida, who flits from man to man in search of wealth and comfort; and Abbas, who joins the British armed forces to earn enough money to win over Hamida.
Yet other eccentrics from the alley are just as memorable: the horrid Zaita, who serves as tyrant over the local beggars he has "fashioned" by unusual means (and whose demeanor and methods are astonishingly similar to Mr. Beggarmaster from Mistry's "A Fine Balance," written 50 years later); Mrs.
... Read more ›Like the Cairo Trilogy, Mafouz creates his own rhythm and style while adapting the novel format, one not commonly found in Arabic literature when he began writing novels. His plot revolves around the denizens of Midaq Alley and their every day yearnings for happiness, love and prosperity. Whether you are familiar with this author, or this is your first Mafouz novel, it is an excellent example of the unique talent that allows the reader an intimate view of the characters common to this man's vast insight into humanity.
The main character of this book is really the alley itself. Mahfouz brings togther its inhabitants and weaves an involving tale of love, hope, faith and the effects of Western imperialism. But in the end, life in the alley just goes on, and in this Mahfouz affirms the beauty of life as we live it every day.