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Middlemarch (Oxford World's Classics)
 
 
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Middlemarch (Oxford World's Classics) (Paperback)

by George Eliot (Author), David Carroll (Editor), Felicia Bonaparte (Introduction) "MISS BROOKE had that kind of beauty which seems to be thrown into relief by poor dress..." (more)
Key Phrases: wainscoated parlour, old infirmary, other medical men, Sir James, Will Ladislaw, Miss Brooke (more...)
4.4 out of 5 stars See all reviews (109 customer reviews)

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Editorial Reviews

From Library Journal
Though not out of print, this popular title is being added to the venerable "Modern Library" line to coincide with a PBS Masterpiece Theatre miniseries. Along with the full text, this edition includes an introduction by A.S. Byatt. All that for $15 makes this a bargain.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review
Dorothea Brooke can find no acceptable outlet for her talents or energy and few who share her ideals. As an upper middle-class woman in Victorian England she can't learn Greek or Latin simply for herself; she certainly can't become an architect or have a career; and thus, Dorothea finds herself "Saint Theresa of nothing." Believing she will be happy and fulfilled as "the lampholder" for his great scholarly work, she marries the self-centered intellectual Casaubon, twenty-seven years her senior. Dorothea is not the only character caught by the expectations of British society in this huge, sprawling book. Middlemarch stands above its large and varied fictional community, picking up and examining characters like a jeweler observing stones. There is Lydgate, a struggling young doctor in love with the beautiful but unsuitable Rosamond Vincy; Rosamond's gambling brother Fred and his love, the plain-speaking Mary Garth; Will Ladislaw, Casaubon's attractive cousin, and the ever-curious Mrs. Cadwallader. The characters mingle and interact, bowing and turning in an intricate dance of social expectations and desires. Through them George Eliot creates a full, textured picture of life in provincial nineteenth-century England. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Erica Bauermeister --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 904 pages
  • Publisher: Oxford University Press, USA; Later Printing edition (May 28, 1998)
  • Language: English
  • ISBN-10: 0192834029
  • ISBN-13: 978-0192834027
  • Product Dimensions: 7.7 x 5 x 1.5 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars See all reviews (109 customer reviews)
  • Amazon.com Sales Rank: #490,686 in Books (See Bestsellers in Books)

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    #61 in  Books > Literature & Fiction > British > Classics > Eliot, George
    #68 in  Books > Literature & Fiction > Authors, A-Z > ( E ) > Eliot, George

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Customer Reviews

109 Reviews
5 star:
 (78)
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 (11)
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Average Customer Review
4.4 out of 5 stars (109 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
159 of 171 people found the following review helpful:
5.0 out of 5 stars My opinion? This is the greatest novel written in English, August 29, 2001
By Joanna Daneman (Middletown, DE USA) - See all my reviews
(TOP 10 REVIEWER)    (COMMUNITY FORUM 04)      
Yes, that is a strong statement, but I believe Middlemarch to be the best novel written in English. And English is a rich language, overflowing with worthy works from both sides of the Atlantic, India and beyond. The only novel as a close contender on my list is Jane Eyre, with its fearsome symmetry and romantic passion.
George Eliot has been the bane of students everywhere who suffer reading Silas Marner in high school. But later on, you, like me, may develop a taste for the classics and this book will reward you richly.
The story is about Dorothea, a young, idealist woman, born to a good family with a modest fortune of her own. She is a prime catch on the wife market--money, family name, good looks. Her parents are deceased and her friends and uncle seek to pair her up with a local baron as the ideal mate. But Dorothea, bookish, religious and dreamy, has other ideas. She chooses, instead, a superannuated cleric who finally decides to marry as he feels mortality and ill health upon him. Casaubon, the vicar of a nearby rural church is a good match except....he's old, ugly and what the heck is he doing marrying such a young beauty. But Dorothea, who's imagining a sort of superior father figure who could "teach you even Hebrew, if you wished it" wakes up to far less than a reality of marital bliss. And there's an added complication created by her unworthy husband that has dire consequences for the young Dorothea.
The subsequent examination of marriage as a partnership in hell is written with stunning modernity. Eliot not only creates the disastrous marriage of Dorothea to Casaubon, but also pairs, as a comparison, Lydgate, a doctor and his frivolous, vain, uncaring wife. The relationship of marriage to society is never more well drawn, but the internal suffering of people trapped in loveless marriage is written with sympathy and cunning insight. Eliot herself had a live-in relationship with Henry Lewes, who could not divorce his wife. She undoubtedly wrote from personal experience. The insight into human nature, such as jealousy, disappointment, recrimination, loss of trust and a feeling of desperation are themes that anyone who has ever been in a relationship will recognize as truth. If you find classic literature hard going, watch the mini-series created based on the book. Then, knowing the general plot, you might enjoy the structure and language of the novel more.
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81 of 86 people found the following review helpful:
5.0 out of 5 stars A Literary Masterpiece! Try Reading It Again- It's Worth It!, June 17, 2003
George Eliot, (nom de plume of Mary Ann Evans), wrote a literary masterpiece with "Middlemarch." I was forced to read this in school at an age when term papers and grades meant more than absorbing the riches this novel contains. I recently gave it another shot, lured back into 19th century English lit. by easier reads, like Jane Austen, whose work I love, and the Brontes. But I don't want to compare apples and oranges. Let it suffice to say, I got back to "Middlemarch" 30 years later. And it was/is so worth the re-read!

Ms. Eliot created, with this book, an entire community in England in the mid-1800s and called it Middlemarch. She populated this provincial town with people of every station, local squires and their families, tradespeople, the rising middle class, (Middlemarch, right?), & the poor and destitute, ruthless and honest. She crowded them together, with all their ambitions, dreams and foibles, in this magnificent literary soap opera, and wove a wonderful web of plots and subplots. Ms. Eliot also wrote scathing social commentary and used great wit.

The fortunes of Middlemarch are rising in this new era when machines and trains - fast, available transportation - are changing the world, the economy, the politics. Rigid social codes, the British class system, is in danger of being breached. Folks are out to make a quick buck, or a shilling - anything to acquire wealth and enhance social position.

Dorothea Brooks lives in Middlemarch. She is an intelligent, sensitive young woman, who wants to dedicate her life to important endeavors. She does not want to settle for a typical marriage and family, but looks toward a more noble cause. As a woman, a professional life is not open to her, nor is the pursuit of intellect, outside of marriage. She weds the elderly Rev. Casaubon, a cold, narcissistic man, thinking that by assisting him with his scholarly research and writing, she will find happiness.

Dr. Lydgate comes to Middlemarch to begin his medical practice there. He is an idealist, who has dreams of finding a cure for cholera and opening a free clinic. He meets blonde and beautiful Rosamund Vincie, who fancies him for a spouse...along with a new house, new furniture, an extensive wardrobe, etc.

A dashing, romantic Will Ladislaw, nephew of Rev. Casaubon, enters the story, as does Rosie's brother Fred, who wants desperately to marry his Mary, but is out of work and in debt. This cast of richly drawn characters continues to grow with the introduction of Mary's family, the Garths, the banker Bulstrode, friends, relations, and an evil villain or two.

This complex novel and portrait of the times, is one of the best reading experiences I have had in a long while. And it didn't hurt at all! :))

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45 of 46 people found the following review helpful:
5.0 out of 5 stars Amazingly funny and penetrating!, January 10, 2000
By Margaret Fiore (North Granby, CT USA) - See all my reviews
I have had a copy of this book on my shelf for years without reading it. It was so very thick, the print so small, the pages so thin! It looked dauntingly long and dull.

But when I finally picked it up out of a sense of obligation (after all, I majored in English, and it is a highly acclaimed classic) I was amazed to find myself laughing out loud on the very first page!

Dorothea, Eliot's heroine, is SO very earnest, SO idealistic and ardent! She would never be so tawdry as to fuss with her hair and dress, or wear (gasp!) jewelry in public! She is interested only in bettering the lives of the poor in their neighborhood (you could visualize her at the fore of a modern anti-war protest). But when her sister draws her into trying on their mother's old jewelry, the pure beauty of an emerald ring inspires her to decisively choose it as her own. And she stubbbornly ignores any inconsistency between that decision and her ideals.

But her idealism traps her into marriage with a man who is not at all what she believes. She sees him as a paragon of learning, questing the seas of knowledge with fearless curiousity. In actuality, he turns out to be a cautious and small-minded scholar, drily obsessed with minor points of criticism on others works. Poor Dorothea strives to find ways to hold constant in her love in the face of ugly truth. And when she meets young Will Ladislaw, a man of similar idealism and energy, she fights to stay on her moral high ground. Thank goodness the dry old scholar dies! But even after death, he manages to poison the possibility of Dorothea and Will ever making a life together.

Around this couple swarm their relatives and acquaintances, and others quests for their best lives. Each couple and each character is amusing and absorbing in their own way.

Eliot's characters are introduced and drawn so very well that each personality is fully believable and real. But beyond that, Eliot looks at all of them, the best and the worst, from a viewpoint of loving and gentle amusement. Her pithy comments are hilarious, but never malicious. She draws the reader into her own frame of mind, and invites us to look at the variety of our fellow humans with compassion and laughter.

In spite of its length, and several dizzy plunges into despair, this is a light and lively story, very readable and heartwarming.

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Most Recent Customer Reviews

5.0 out of 5 stars Extraordinary!
Dorothea Brooke is young, beautiful and idealistic. She is also unfashionable, bookish and, much to her younger sister's annoyance, pious and opinionated. Read more
Published 24 days ago by CoffeeGurl

5.0 out of 5 stars Engrossing Tale of Relationships
As young people grew up in England in the 1800s, there was much excitement and interest in their prospects for marriage. Read more
Published 3 months ago by A. Luciano

3.0 out of 5 stars too complex for me to understand...
I read this Bantam text from cover to cover in anguish.George Eliot 's language is very hard for a foreigner to read,she used too many clauses and rare usage of words. Read more
Published 6 months ago by Dawn King

1.0 out of 5 stars Reviewing Twayne's Study, not the novel.
This was very disappointing -- the "analysis" of Middlemarch. The author simply took all his lectures to college students over the years about his interpretation of Middlemarch... Read more
Published 8 months ago by Bruce Oksol

3.0 out of 5 stars A great novel of its kind, but not for everyone
There are numerous reasons why you should not read George Eliot's epic novel of 19th century life in England, Middlemarch. Read more
Published 9 months ago by John Martin

4.0 out of 5 stars sophisticated, complex, original
This is a wonderfully sophisticated, intelligent book with sharp commentary on multiple social issues of her time. Read more
Published 9 months ago by whj

3.0 out of 5 stars Kindle version comments
My comments are related only to the electronic version/aspect of this edition of Middlemarch rather than on the classic story. Read more
Published 10 months ago by P. M. Isom

5.0 out of 5 stars A laugh-out-loud funny book about one serious lady!
Masterpiece? Greatest English novel? Well, I don't know about that -- it's very good, but it's not perfect. But it is funny, and it's a page-turner. Read more
Published 13 months ago by A Reader

1.0 out of 5 stars The book is wonderful, but the Kindle version full of errors
I love this book (I have read it before) and thought I would get it on Kindle since it is one of my favorites. Read more
Published 13 months ago by E. S. Millay

4.0 out of 5 stars Worth the challenge
Middlemarch is a challenging book to read for several reasons. One, it is too long. Two, the author has a tendency to go off on philosophical tangents. Read more
Published 14 months ago by Jane Beckwith

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