Middlesex: A Novel [Paperback]

Jeffrey Eugenides (Author)

Book Description

Release date: September 16, 2003

"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974. . . My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver’s license...records my first name simply as Cal."

So begins the breathtaking story of Calliope Stephanides and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

Editorial Reviews

Amazon.com Review

"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." And so begins Middlesex, the mesmerizing saga of a near-mythic Greek American family and the "roller-coaster ride of a single gene through time." The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.

Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor:

Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." … I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.

When you get to the end of this splendorous book, when you suddenly realize that after hundreds of pages you have only a few more left to turn over, you'll experience a quick pang of regret knowing that your time with Cal is coming to a close, and you may even resist finishing it--putting it aside for an hour or two, or maybe overnight--just so that this wondrous, magical novel might never end. --Brad Thomas Parsons --This text refers to an alternate Paperback edition.

From Publishers Weekly

As the Age of the Genome begins to dawn, we will, perhaps, expect our fictional protagonists to know as much about the chemical details of their ancestry as Victorian heroes knew about their estates. If so, Eugenides (The Virgin Suicides) is ahead of the game. His beautifully written novel begins: "Specialized readers may have come across me in Dr. Peter Luce's study, 'Gender Identity in 5-Alpha-Reductase Pseudohermaphrodites.' " The "me" of that sentence, "Cal" Stephanides, narrates his story of sexual shifts with exemplary tact, beginning with his immigrant grandparents, Desdemona and Lefty. On board the ship taking them from war-torn Turkey to America, they married-but they were brother and sister. Eugenides spends the book's first half recreating, with a fine-grained density, the Detroit of the 1920s and '30s where the immigrants settled: Ford car factories and the tiny, incipient sect of Black Muslims. Then comes Cal's story, which is necessarily interwoven with his parents' upward social trajectory. Milton, his father, takes an insurance windfall and parlays it into a fast-food hotdog empire. Meanwhile, Tessie, his wife, gives birth to a son and then a daughter-or at least, what seems to be a female baby. Genetics meets medical incompetence meets history, and Callie is left to think of her "crocus" as simply unusually long-until she reaches the age of 14. Eugenides, like Rick Moody, has an extraordinary sensitivity to the mores of our leafier suburbs, and Cal's gender confusion is blended with the story of her first love, Milton's growing political resentments and the general shedding of ethnic habits. Perhaps the most wonderful thing about this book is Eugenides's ability to feel his way into the girl, Callie, and the man, Cal. It's difficult to imagine any serious male writer of earlier eras so effortlessly transcending the stereotypes of gender. This is one determinedly literary novel that should also appeal to a large, general audience.
Copyright 2002 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.

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Product Details

• Paperback: 529 pages
• Publisher: Picador (September 16, 2003)
• Language: English
• ISBN-10: 0312422156
• ISBN-13: 978-0312422158
• Product Dimensions: 8.1 x 5.5 x 1.1 inches
• Shipping Weight: 1.1 pounds
• Average Customer Review: 4.3 out of 5 stars  See all reviews (1,129 customer reviews)
• Amazon Best Sellers Rank: #455,400 in Books (See Top 100 in Books)

More About the Author

Jeffrey Eugenides was born in Detroit and attended Brown and Stanford Universities. His first novel, The Virgin Suicides, was published by Farrar, Straus, & Giroux to great acclaim in 1993, and he has received numerous awards for his work.

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#71 in Books > Literature & Fiction > Literary

#65 in Kindle eBooks > Literature & Fiction > Literary Fiction

#71 in Books > Literature & Fiction > Literary

Most Helpful Customer Reviews

487 of 507 people found the following review helpful

5.0 out of 5 stars A terrific novel! March 25, 2003

By Debbie Lee Wesselmann TOP 50 REVIEWERVINE™ VOICE

Format:Hardcover

From the first sentence of Jeffrey Eugenides' MIDDLESEX, I was hooked by this complicated tale of a young girl who grows into a man. The story of Cal Stephanides begins generations before his birth, in a small Greek village, when his grandparents succumb to incestuous desires. Immigration to the United States keeps Desdemona and Lefty's secret intact - until their grandchild Cal reaches puberty. Told with both humor and earnestness, the story grows more engaging with every page.

The brilliance of this book emerges not from the superficial story of a hermaphrodite but from the context - historical, scientific, psychological, political, geographical - of Cal's birth and subsequent rebirth. MIDDLESEX is about much more than gender confusion. Cal's mixed gender can be taken as a metaphor for the experience of first- and second-generations born of immigrants.

While the context of this story provides the substance, the characters provide the vibrancy. Cal emerges as a reliable and likeable narrator. He is sensible, good-humored, and intelligent. The spectrum of his experiences provides a smooth transition between childhood and adult, enabling the reader to embrace the character as both male and female. Cal's family is affectionately portrayed, even with their failings. (Cal's brother, Chapter Eleven, annoyed me with his name, a running gag, but even he ended up a full-blooded character by the end.)

Eugenides has written an expansive, compelling book. Despite its length of over 500 pages, the novel is not a slow read - unless the reader wants it to be, to make it last. Accessible, intelligent, well-paced and plotted, it should appeal to a wide range of readers.

I can't recommend this novel highly enough.

83 of 90 people found the following review helpful

5.0 out of 5 stars A Masterpiece September 8, 2002

By A Customer

Format:Hardcover

Having loved Eugenides's previous work, The Virgin Suicides, I waited patiently through the 1990s for a follow-up. When I was fortunate enough to snag an advance copy of Middlesex earlier this year, I expected nothing short of perfection from the author, and this novel met my expectations in every possible way. For the past few months, all I have been doing is telling people to buy this book upon its release; it's one of those rare literary novels that one can nevertheless recommend to just about any type of reader. From the very beginning, Middlesex draws the reader into its world; the narrator, Cal, formerly Calliope, Stephanides, is a hermaphrodite living as a man despite being raised as a woman. The major story within the novel is how Cal came to be (I won't ruin the fun for readers by going into detail), but along the way Middlesex discusses the Greek Diaspora following the first world war, incest, immigration, assimilation (and its rejection), racial relations, politics, and coming of age in the 1970s. Normally, one would expect such a densely packed novel to suffer under its own weight, but I found that the opposite was true; certain stories (e.g. Desdemona's brief time with the Nation of Islam) leave the reader wanting more, but the novel moves on. Eugenides is one of the most talented writers working today, and Middlesex is a novel that is accessible, funny, interesting, emotional, and, as other reviewers have indicated, thoroughly engrossing. This is one of the best works of contemporary literature I have read in quite some time.

84 of 94 people found the following review helpful

3.0 out of 5 stars An entertaining but flawed novel March 31, 2003

By "broadwell"

Format:Hardcover

I found much of this book quite enjoyable, but ended up feeling that Eugenides had not quite lived up to his promise.

The novel follows three generations of the Stephanides family, and it faces a general problem with such multigenerational works --it's hard to get the reader deeply involved in the lives of the grandparents, then put these characters aside and transfer one's interest to the parents, and then finally to make a third transfer of interest to the children.

Eugenides succeeded in getting me interested in the grandparents (Desdemona and Lefty), their escape from Turkey, and their life in America. But the second generation, Milton and Tessie, was less compelling. Milton becomes a cliche'd Archie Bunker sort of character, and Tessie isn't well-developed at all. They are not very interesting or memorable characters, and we spend way too much time with them.

Cal/Callie's story is fascinating, but it seems to end far too soon. The book ends shortly after s/he has discovered and accepted her transgendered nature at age 15. But the narrator is roughly 40, and we don't get to learn anything about the intervening 25 years. How did Cal get from being a newly discovered boy to being a diplomat in Germany? What was his life like in the intervening years? And what is it like now?

There are real flashes of brilliance in this book, but ultimately I was disappointed and feel that it doesn't come together.

72 of 81 people found the following review helpful

5.0 out of 5 stars 4 1/2 * Pulitzer Prize Winner is Excellent April 4, 2003

By M. Allen Greenbaum HALL OF FAMETOP 1000 REVIEWERVINE™ VOICE

Format:Hardcover

Jeffrey Eugenides' "Middlesex" belongs to the sprawling intergenerational book genre, but he explores themes with a fresh perspective. Calliope (later Cal) is the omniscient narrator of a story that begins in 1922 Smyrna, Asia Minor and ends almost 80 years later in Berlin. Most of the story takes place in Detroit, a city that he describes with great insight and emotion. Eugenides expertly switches between the voices of the grown-up Cal and the young Calliope; therefore, we experience events as Calliope did, but with the perspective of Cal (at age 40). Calliope is a winning storyteller, observant, funny, and with realistic childhood and adolescent feelings. Throughout the book, Eugenides demonstrates that Callie's circumstances underlie experiences shared by all: Pain, love, confusion, feelings of being both the same as and different from. I think Eugenides somewhat underestimates the emotional toll that Callie's journey would entail, particularly during her long separation from her family as she makes the psychological transformation from Calliope to Cal. Usually; however, the insights and feelings are so true that it reads like an autobiography.

While the story is compelling, there are some problems that interfere with a fluid read. At times, narrative transitions are handled awkwardly through either through over use of ellipses (...) or with somewhat clunky sentences: 'Milton stepped on the gas, ignoring the scarcity not only of petroleum but of many other things as well,' which breaks into a long list of scarce hope, food, phone calls, clean socks, etc. He also overplays his hand at the Greek tragic motif he is constructing ('Sing now, O Muse, of the recessive mutation'!...'; though he later, in apparent contradiction, concludes that we can forge our own truer identities) and in his broad caricatures of ethnic and religious types. There's also a sly quality that sets up "surprise" situations: In the most egregious case of 'magical realism,' or just plain gimmickry, Eugenides uses the conceit of using his fictional character 'Jimmy Zizmo' as the 'real' identity of the actual character, Nation of Islam Muslim founder W.D. Farr, and the denouement concerning Calliope's father and uncle lacks credibility. Mostly though, Eugenides' story is compelling and humorous, and he masterfully evokes place and character (industrial Detroit; a hilarious indictment of an ultra-hip 1970s-era surgeon/sexologist), with a casual ease that nicely belies the serious themes.

The book bears some resemblance to Michael Chabon's own Pulitzer Prize winner, "The Adventures of Kavalier and Clay." In both, the immigrant experience and the forging of a new identity are central, characters journey to find their own "American dream," and urban settings help shape their lives. While Chabon is the more nimble phrase writer, Eugenides is similarly poignant and symbolic. Like Chabon, Eugenides uses metaphor (based on reality) as he explores the ideas of being 'different,' the sometimes-artificial nature of boundaries, and the Greek notion of fate. It is an entertaining and often moving story that, despite some minor annoyances, I recommend very highly. Read more ›