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Midnight at the Barrelhouse: The Johnny Otis Story [Hardcover]

George Lipsitz
4.6 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

March 3, 2010
Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. In this first biography of Otis, George Lipsitz tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, “black by persuasion.”
 
Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including “Willie and the Hand Jive.” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton.
 
Otis also wrote a column for the Sentinel, one of L.A.’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians.
 
Midnight at the Barrelhouse is a chronicle of a life rich in both incident and inspiration, as well as an exploration of the complicated nature of race relations in twentieth-century America. Otis’s total commitment to black culture and transcendence of racial boundaries, Lipsitz shows, teach important lessons about identity, race, and power while encapsulating the contradictions of racism in American society.

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Midnight at the Barrelhouse: The Johnny Otis Story + Upside Your Head!: Rhythm and Blues on Central Avenue (Music Culture) + Listen to the Lambs
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Editorial Reviews

From Booklist

To Otis’ autobiographies Listen to the Lambs (1968) and Upside Your Head (1993) and Lee Hildebrand’s book about Otis’ paintings, Colors and Chords (1995), Lipsitz adds the first full biography of the Greek American bandleader and musician who spent most of his life in the African American community. As much as or even more than Elvis Presley, Otis brought black music to the mainstream audience with his integrated revues, his groundbreaking (if stolen from Bo Diddley, beat-wise) 1958 hit “Willie and the Hand Jive,” and his long-running radio show. He headed a strong live-music aggregation that specialized in R&B and gospel and featured many of the singers Otis discovered, foremost among them Little Esther Phillips, Eddie “Cleanhead” Vinson, and Otis’ son Shuggie, a 1960s guitar hero supreme. Otis was also an accomplished producer, recording hits by Etta James (“Roll with Me, Henry”), Big Mama Thornton (“Hound Dog,” later covered by Elvis), and many more. Long-overdue recognition and appreciation of one of the founders of rock music. --Mike Tribby

Review

"Johnny Otis—he’s the coolest! A true pioneer of the music I love." —Aaron Neville



"We are lucky to have Johnny Otis, as the world is short on smart, soulful, funny, gifted, walk-the-walk folk. Bless his heart." —Joan Baez



"Johnny Otis is one of the most important figures in the history of R&B and rock and roll. Through mentoring and showcasing so many brilliant stars in his legendary live revues and incredible bands; his contributions as writer, player, and producer of so many seminal recordings; and his decades of hosting his beloved West Coast radio show, his legacy as professor emeritus of R&B will remain forever intact." —Bonnie Raitt



"Johnny’s career just dazzles the mind. From discovering Esther Phillips and Jackie Wilson, to being a drummer, singer, piano player, bandleader, hit-maker right down to sculpting and painting. He even lost a seat for the California state assembly. You can’t top that. Willie and the Hand Jive indeed." —Bob Dylan



"In Midnight at the Barrelhouse, George Lipsitz gives Otis his due. That this is the first biography of the man says volumes about the critical neglect of West Coast jazz in general and Otis in particular." —Bookforum

"Lipsitz brings rich historical context and his own brand of sizzling prose to the life and times of one of the most holistic, driven, and connected musicians of the twentieth century." —Journal of American History

"Long-overdue recognition and appreciation of one of the founders of rock music." —Booklist
--This text refers to the Paperback edition.

Product Details

  • Hardcover: 264 pages
  • Publisher: Univ Of Minnesota Press (March 3, 2010)
  • Language: English
  • ISBN-10: 0816666784
  • ISBN-13: 978-0816666782
  • Product Dimensions: 6 x 1 x 9 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #995,530 in Books (See Top 100 in Books)

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Customer Reviews

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Most Helpful Customer Reviews
9 of 10 people found the following review helpful
5.0 out of 5 stars Not Mere Biography April 4, 2010
By Ted
Format:Hardcover
This thoughtfully written, carefully constructed and multi disciplinary work is the definitive biography of a 20th century musical polymath. An artist, visionary and activist whose contributions to American Music place him high among the ranks of our most important and treasured cultural innovators. Lipstiz chronicles Johnny Otis' more then 60 year career, showing how some of the greatest triumphs of that career were often played out behind the scenes, with Johnny as a producer, mentor and cultivator of other performers talents. He further portrays the life of John Otis as a "Life well lived" looking beyond his significant performing and recording achievements to documenting the community based activism, print, pulpit and broadcast punditry that Johnny's sensitivity and his sense of justice forced him to undertake, often at the expense of his own musical carer. The book rightfully extols Mr. Otis' work as a cultivator of new talent and an angry champion of those many forgotten and shamefully discarded (black) creators of american popular music.
Though this book is no mere biography. It is an examination of 20th Century American Society. A look at how culture, race and economy have been negotiated thru and transformed by, African Americans. In that way it is an analysis similar to the work of Ken Burns but orders of magnitude deeper, more thoughtful, less saccharin and more damming then Mr. Burns' work.
Midnight at the Barrelhouse will explain much to any american who asks, how did we get here, and it should be required reading for those many insular, self absorbed "artist" who populate todays "music industry"
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4 of 4 people found the following review helpful
5.0 out of 5 stars Intriguing history of music and society June 14, 2010
Format:Hardcover|Amazon Verified Purchase
Midnight At The Barrelhouse is a fascinating look at a complex and talented man. Johnny Otis, born of Greek-American parents, was so enamored of black music and culture that he more or less "became" a black person. His concerns were those of the African-American community, his political consciousness was formed by his experience within that community, and his musical career in jazz and rhythm & blues saw him promote and contribute to a vital cultural heritage.

Otis spent his life promoting and celebrating Black culture and this book follows him through his career touring with jazz acts, acting as impresario to blues and r&b shows, discovering young talent, and promoting respect and equality. Stories of Los Angeles' Central Avenue scene, the clubs, the record companies and the touring bands all provide an opportunity to illustrate the racism that musicians, and all black people, faced in the period covered. Especially welcome are Professor Lipsitz's examinations of the social and economic trends that favored white acts, led to the disintigration of vital Black neighborhoods, and replaced thriving cultural centers with tv and suburbs.

If allowed a minor quibble, I might suggest that some of Otis's musical heroes who didn't receive national recognition were limited as much by their talent as by racism. The argument that racism held them back is difficult to sustain in the face of the sales and recognition achieved by Chuck Berry, Duke Ellington, James Brown, Otis Redding, Miles Davis and many more. That is certainly not to suggest that racism didn't hurt many careers, only that it wasn't the only possible explanation, as Otis and Lipsitz sometimes seem to suggest.

That's a minor point in an otherwise excellent look at the struggle, the oppression and the triumphs of the people and the music that Johnny Otis celebrated.
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3 of 3 people found the following review helpful
5.0 out of 5 stars unsung heroes January 5, 2011
Format:Hardcover|Amazon Verified Purchase
How things move on.When I won the school English prize in the mid-sixties, I chose Paul Oliver's 'Conversation With The Blues', a very unusual book for a time when even general histories of Rock'n' Roll, Blues, R&B and Soul music were not available. Now all that is taken for granted-we know the overall story, and we're looking into the detail: the stories of labels like Stax and Peacock, relatively lesser-known artists like Wynonie Harris and Big Jay McNeely, the Brill Building songwriters. And Johnny Otis, an immeasurably important figure in music history, a Greek American who described himself as 'black by persuasion' and a man without whose influence white people's radio diet might still consist of musical baby food like 'You're A Pink Toothbrush, I'm A Blue Toothbrush'. Well-written, well researched. Top book. Next- Cosimo Matassa? Bobby Charles? Allen Toussaint? Roll 'em Pete!
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