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The Midnight Eye Files: The Amulet [Paperback]

William Meikle (Author)
4.7 out of 5 stars  See all reviews (11 customer reviews)

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Book Description

October 1, 2005
Derek Adams is a Glasgow PI with plenty of time on his hands. Until the Bogart Case walks in. A priceless family heirloom has been stolen and everyone in town is looking for it. The stars are right once more, and an ancient evil has been awakened from its dreaming sleep. It was supposed to be an easy case, fast money. But pretty soon Derek is up to his armpits in bodies, femme fatales and tentacles. The city's dark side has him. And it doesn't want to let the Midnight Eye go!

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Editorial Reviews

Review

"Derek Adams could be a detective out an American detective show with his rumpled appearance and quirky, affable demeanor." -- The Eternal Night Science Fiction, Fantasy and Horror

"Raymond Chandler meets H. P. Lovecraft meets Willie Meikle--a darkly magical mix." -- Randy Chandler, author of Bad Juju

From the Publisher

From the acclaimed author of the Watchers Trilogy and Island Life.

Product Details

  • Paperback: 200 pages
  • Publisher: KHP Publishers (October 1, 2005)
  • Language: English
  • ISBN-10: 0976791463
  • ISBN-13: 978-0976791461
  • Product Dimensions: 8.5 x 5.5 x 0.5 inches
  • Shipping Weight: 9.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #2,301,628 in Books (See Top 100 in Books)

More About the Author

I'm Willie, a Scottish writer, now living in Canada, with ten novels published in the genre press and over 200 short story credits in thirteen countries, the author of the ongoing Midnight Eye series among others. My work has appeared in a number of professional anthologies.

My current best seller is THE INVASION, a sci-fi alien invasion tale with mass carnage, plucky survivors, and last minute rescues. It has been as high as #2 in the Kindle > science fiction charts. (and #4 in Kindle > horror ). Please check it out.

I've been asked many times why I write what I do. I choose to write mainly at the pulpy end of the market, populating my stories with monsters, myths, men who like a drink and a smoke, and more monsters. People who like this sort of thing like it.

I've also been criticised for it by people who don't get it. Willie Meikle is..."the author of the most cliched, derivative drivel imaginable...the critical acclaim he receives from his peers is virtually non-existent." is only one of the responses I've had.

Now, I don't write for the critical acclaim of my peers. I couldn't give a toss what other writers think of me. I'm writing for two reasons... myself and a readership. Posterity, if there is one, can decide on whether it's any good or not. Besides, the harder I work at it making my writing accessible, the more readers I get, so I'm doing something right.

But that's still not why I do it. My pat answer has always been the same. "I like monsters."

But it goes deeper than that.

I write to escape.

I grew up on a West of Scotland council estate in a town where you were either unemployed or working in the steelworks, and sometimes both. Many of the townspeople led hard, miserable lifes of quiet, and sometimes not so quiet desperation. I was relatively lucky in that both my parents worked, but I spent a lot of time alone or at my grandparent's house.

My Granddad was housebound, and a voracious reader. I got the habit from him, and through him I discovered the Pan Books of Horror and Lovecraft, but I also discovered westerns, science fiction, war novels and the likes of Mickey Spillane, Ed McBain, Alistair MacLean, Dennis Wheatley, Nigel Tranter, Arthur C Clarke and Isaac Asimov. When you mix all that together with DC Comics, Tarzan, Gerry Anderson and Dr Who then, later on, Hammer and Universal movies on the BBC, you can see how the pulp became embedded in my psyche.

When I was at school these books and my guitar were all that kept me sane in a town that was going downhill fast. The steelworks shut and employment got worse. I -could- have started writing about that, but why bother? All I had to do was walk outside and I'd get it slapped in my face. That horror was all too real.

So I took up my pen and wrote. At first it was song lyrics, designed (mostly unsuccessfully) to get me closer to girls.

I tried my hand at a few short stories but had no confidence in them and hid them away. And that was that for many years.

I didn't get the urge again until I was past thirty and trapped in a very boring job. My home town had continued to stagnate and, unless I wanted to spend my whole life drinking (something I was actively considering at the time), returning there wasn't an option.

As I said before, I write to escape.

My brain needed something, and writing gave it what was required. That point, back nearly twenty years ago, was like switching on an engine, one that has been running steadily ever since.

And most of the time, the things that engine chooses to give me to write are very pulpy.

I think you have to have grown up with pulp to -get- it. A lot of writers have been told that pulp=bad plotting and that you have to have deep psychological insight in your work for it to be valid. They've also been told that pulp=bad writing, and they believe it. Whereas I remember the joy I got from early Moorcock, from Mickey Spillane and further back, A E Merritt and H Rider Haggard. I'd love to have a chance to write a Tarzan, John Carter, Allan Quartermain, Mike Hammer or Conan novel, whereas a lot of writers I know would sniff and turn their noses up at the very thought of it.

I write to escape.

I haven't managed it yet, but I'm working on it


 

Customer Reviews

11 Reviews
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Average Customer Review
4.7 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:
4.0 out of 5 stars MYTHOS MEETS CRIME NOIR, June 29, 2006
This review is from: The Midnight Eye Files: The Amulet (Paperback)
Mixing the hard boiled/crime noir of Dashiell Hammett and Raymond Chandler with Lovecraft's Cthulhu mythos may seem out of place, but afterall, all of these men did write for the pulps at one time. While it's set in present day Scotland, author William Meikle infuses it so many 30's and 40's elements that one can wonder why he didn't just set his story during that time period to begin with. Derek Adams is a Glasgow private investigator and he fits the image we all have of noir detectives: smart-alecky, drinks too much, smokes too much, and has a dingy apartment that doubles as his office. You can practically picture a ceiling fan that rotates far too slowly to provide even the slightest breeze. And of course into his office walks a mysterious, dark-haired dame, wanting to hire Adams. Sure, it hits on every cliché in the genre but Meikle is so earnest about it you hardly care. It's obvious that Meikle reveres guys like Chandler and Hammett so who can fault him for that.

Fiona Dunlop wants Adams to find a rather strange looking amulet that was stolen from her home. She gives Adams very little information other than a picture. When Adams takes the picture to a professor friend of his he finds that this is no mere trinket. The Johnson Amulet is thousands of years old and is virtually priceless. Borrowing elements of Howard Carter's discovery of King Tut's tomb, we learn the history of the amulet discovered in the early part of the 20th century. The amulet is traced back to the ancient priest kings of UR and its discovery was aided by an old, wizened Arab who appears mysteriously. Derek now knows there is much more to this case than meets the eye. He begins to investigate local antique dealers and fencers, piecing together more and more about the amulet, but everyone he comes in contact with seems to quickly die a horrible death putting Adams in the spotlight of the local police.

When Adams tails one prominent antique dealer to an out of the way country estate, he is witness to ceremony of black magic that calls forth a horrific creature from some damnable plane of existence who is intent on getting the amulet back. But for what purpose? Derek's friend soon finds evidence that the amulet may go all the way back to the Great Old Ones who ruled the world long before man and specifically mentions Cthulhu who lies dreaming in his ocean tomb waiting to walk the earth once more. In edition to Cthulhu, Meikle makes mention of Abdul Alhazred, writer of the Necronomicon and later describes a swirling black mass and the playing of a crazed flute which is reference to the idiot God Azathoth.

Now Aided by Fiona Dunlop and her husband, both practiced in the arts of magic, they have to stop this group from using the Amulet to open the way to the Old Ones and reverting the earth back to its primeval origins.

Despite all the Mythos elements, and they do come hot and heavy in the last ¼ of the book (the final showdown takes place at Arkham House!) at its core this is really a detective story and could largely have stood alone on those merits. Hardcore Lovecraft fans may find that Meikle dealt with the Mythos elements a little too loosely but then they are a hard group to please anyway. Meikle was writing a detective story with horrific and Mythos elements, not a Mythos story per se. As such I think it worked very well. It moves fast and at 197 pages it's a quick read. The characters may not be the most original but don't worry about it. Sit back and enjoy the ride.

Reviewed by Tim Janson
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Wonderful, January 19, 2011
By 
bookishgirl "bookishgirl" (Hampton, VA United States) - See all my reviews
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In short, I really enjoyed this book. It started off like a typical private detective story: down-on-his-luck P.I. gets a visit from a beautiful and mysterious woman...the case seems straightforward enough, just find a missing family heirloom. The story quickly spirals into a crazy, weird story with occultists and scary gangsters, horrific murders and terrible things materializing out of noxious mist. Awesome Lovecraft tones and tie-ins...I loved it all. I liked the main character even, because Meikle really made this guy real. I'll definitely be buying the next one.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars World weary gumshoe confronts the mythos, November 13, 2005
This review is from: The Midnight Eye Files: The Amulet (Paperback)
The Midnight Eye Files: The Amulet is a newly published book by Willie Meikle. Fortunately for us, it looks like the start of a new series. The publisher is Black Death Books. It is a standard sized trade soft cover, 197 pages that's all story, no introduction or author's notes. The cover art is by KHP studios, with no specific photographer credited. It shows a world weary gumshoe, cigarette in hand, with a femme fatale in the background. My favorite touch was the Elder Sign ring. Production qualities are good with maybe 1 typo. There may have been a few Glasgow references or language that I missed, but the prose was both accomplished and accessible. In fact, Mr. Meikle's knowledge and characterizations of Glasgow made the book spring to life. It is only $15.00 with free shipping if you order $25 worth of stuff. All in all well worth the money!

I must admit I approached this book with a bit of trepidation. I really was not won over by Island Life, a title by Mr. Meikle from a few years ago. I actually gave my copy away. I need not have worried. The Amulet was a triumph and I hope the beginning of a beautiful friendship with private eye Derek Adams. Maybe I was a sucker for it because my all time favorite movie is The Maltese Falcon, hands down. I just love all those old Bogart flicks. Schizophrenically, I've never read a Raymond Chandler, even after reading reams of Doc Savage, Tarzan, Ludlum, Clancy and other potboilers. Maybe I'll mosey to the bookstore and give them a gander, as Chandler is treated reverentially by Meikle.

To explain how the mythos fits is I have to include some mild spoilers, so stop now if that is going to bother you.

Derek Adams is a down on his luck £250-per-day-plus-expenses gumshoe in Glasgow, what little time he isn't chain smoking he spends getting drunk. Or at least drinking really hard. Man if I had 10% of what he downed in this book I would be completely incapacitated for weeks! In walks a knock out dame with a case and it is trouble (it always is isn't it?)! It seems there is an amulet from ancient Ur, of the image of a terrible tentacled demon. It was unearthed in an archeological dig decades earlier, perhaps under nefarious circumstances, under the influence of a mysterious ancient Arab. The amulet has been stolen from its current owners under suspicious circumstances, with a mysterious ancient Arab needing sighted around the fringes. What follows is a well paced story of Derek first doing some basic PI work, and some flashbacks to the dig at Ur. Mutilated bodies start piling up, the local police start hassling Derek and it becomes obvious some supernatural agency is involved. After the mystery is largely solved, the book's last 50 or so pages turn into a sorcerous confrontation between the amulet's owners, a scholar and Wiccan witch, and those who want to use its power to open the gates of reality to awaken Great C'thulhu. The demon of the amulet is not a specific mythos entity but is a creation of Mr. Meikle, called the Gatekeeper (unless I missed that somehow it is an avatar of Yog Sothoth). A creature with starfish like tentacles on the top of its head seems like one of our old friends, and there may be an oblique reference to Azathoth what with all the piping going on. The climactic confrontation takes place in the depths of a forbidding place called Arkham House. How much more mythos can it be? Of course, however, it is not really a mythos story except maybe the last bit. It's really more a detective novel. Naaah, not a detective novel. A gumshoe novel.

So here, in stream of consciousness format, are things I liked and my one quibble. I really like the first half of the book. This isn't CJ Henderson type stuff, at least not a first. This is more like James Ambuehl's The Pisces Club with break neck action and humor intermingled. There is a real patina of gritty Glaswegian reality, lending richness and depth. I loved the stock PI novel characters. But I was distressed when so many of them ended up among the victims! I liked that Derek was not a superman, not even a real tough guy type. But he pursued this case like a bulldog. And non-existentialist mythos fans will be quite pleased by the way the good guys put up a fight with ultimate evil. I also liked the events at the end leading up to the confrontation if not quite so much as the first part of the book. I hope Derek rethinks his end of book decision to give up the PI business. I guess I'll just have to wait and see where Mr. Meikle takes us.

Now my one quibble, such a tiny thing but it always puts me off in a mythos book. HPL is mentioned as an author of fiction, and yet his mythos is the backdrop for the horror elements of this story. HPL writing reality passed off as fiction is a plot device I just don't like. This was one tiny part of a short sentence. It didn't detract in any way from my enjoyment of the novel. I just couldn't help noticing it.

I don't know if Derek Adams will cross paths with minions of the Great Old Ones again, or if his further adventures will be along other arcane avenues. Whatever he does, I'll be along for the ride and you should too. I also want to explore some of Mr. Meikle's other books too, particularly his Watchers series. The Amulet is recommended to mythos fans, gumshoe fans, Meikle fans and fans of a good yarn.
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