This is one of those books, like Mitch Albom's Tuesdays with Morrie, that for some reason captures the attention of the book-buying public, as the hardcover version was on the bestseller lists for years. Most readers have given you their opinions here at Amazon, 325 at last count, and so I figured I would put in my two cents as well. (Please note this review is resubmitted to correct technical errors in the previous version).
Berendt seems to be the perfect example of a writer being in the right place at the right time - he appears in Savannah as a featues writer to cover a lavish holiday party hosted by the extravagant antiques dealer Jim Williams, at the famed Mercer House, and is swept up in a murder and ensuing trial. There is no great mystery associated with the murder itself, everyone knows ... pulled the trigger, and yet Berendt manages to write a colorful, suspenseful page-turner that captivated the imagination of the public like few other non-fiction novels ever have. In Cold Blood by Capote comes to mind, but trust me this story is infinitely more entertaining.
Ultimately, the book works on many levels. It is an effective chronicle of a series of high-profile trials, an extended travelogue in which the colorful city of Savannah stands out as perhaps the star of the book, and a profile of Savannah's arostocracy, in which the reader understands Williams' sense of wanting to belong despite considerable obstacles. (Williams was not "old money", and therefore not really accepted in the city's highest circles, and as the trial revealed he was gay). Most of all, the book is a smorgasbord of colorful characters (none more compelling than the Lady Chablis) and bizarre situations that create a timeless sense of Savannah as a mysterious, alluring city. You encounter men walking imaginary dogs, a voodoo priestess performing odd rituals in a graveyard, and a lawyer who takes off with the UGA mascot for the annual Florida v. Georgia college football game, in the midst of the biggest murder trial of his career.
The language of the book is effortless, almost as if it wrote itself, which makes sense when you consider the author came from a magazine background and started out writing a "fluff" features piece. Berendt thankfully avoids the excessive crime scene minutae and endless details of minor courtroom tactics that sometimes bogs down other true crime books, and keeps the reader focused on the sense of place, and the colorful characters, that are the true focus of his story. I enjoyed it thoroughly, read it very quickly and was sorry to put it down. A definite thumbs up.