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In the Midnight Hour [Mass Market Paperback]

Michelle Spring (Author)
5.0 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

August 27, 2002
Michelle Spring's acclaimed novels of psychological are invariable winners in the white-knuckle sweepstakes. Richly-drawn characters with unsavory motives. Secret sins of the past that snake their way into the unsuspecting present. Atmosphere a reader can step into and feel. Michelle Spring is a master at weaving grand themes into compelling plots. Now, in her astonishing new novel, she ices our veins with a North Sea chill.

Twelve years ago, four-year-old Timmy Cable vanished suddenly from a wild and lonely stretch of East Anglian beach. After a massive police search fails to find a body, the boy is presumed dead.

Now, on a quiet street in Cambridge, Timmy's mother, still wracked with grief, is drawn to a teenage street musician—and feels desperately certain that this tall, blond boy must be her son. Has the long nightmare of loss ended at last? If so, where has Timmy been all these years? And why, whenever the boy is questioned about his past, does he become strangely hostile?

It falls to private investigator Laura Principal to ferret out the truth. Is this young stranger with a badly bruised face truly Timmy Cable? Or is he merely a dangerous interloper, bent on taking the wealthy Cable family for a lucrative ride? And what can explain the trail of violence that begins with his arrival— and ends with murder?

As Laura Principal searches for answers, she confronts a loss that threatens to turn her own world upside down. For Laura, this is a haunting case that reaches its breathtaking climax . . . in the midnight hour.


From the Hardcover edition.


Editorial Reviews

Amazon.com Review

In this heavily atmospheric thriller by talented writer Michelle Spring, the disappearance of the 4-year-old son of polar explorer Jack Cable is still unsolved after more than a decade. Then a teenage street musician attracts the attention of Cable's wife, Olivia. Certain that the boy is their son, the Cables enlist the services of private investigator Laura Principal. Laura's brief is to discover whether Liam is really the son whose memory is still very much alive within his family, and while her efforts to authenticate Olivia's hunch are not particularly engrossing, her concern for the Cables is deep and heartfelt enough to involve the reader in her quest.

Higher praise belongs to Spring for her gifts of description. Here she shows off her well-honed talent for narrative, character development, and skill in recreating the brooding melancholy of England in midwinter. Fans of Frances Fyfield and Barbara Vine will appreciate Spring's intelligence, craft, and psychological acuity, all on view in this compulsively readable new novel. --Jane Adams --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

English sleuth Laura Principal makes a fifth appearance in this lackluster follow-up to Spring's suspense thriller Nights in White Satin. Hired by Olivia and Jack Cable to investigate a young busker who may be their vanished son, Cambridge-based Principal has a sensitive case on her hands. Twelve years earlier, four-year-old Timmy was frolicking on a Norfolk beach with Jack, a polar explorer and TV personality, when he inexplicably disappeared. No body was ever found, and the Cables, particularly Olivia, never gave up hope. Now Olivia is convinced that Liam, a scruffy teenaged street musician, is really Timmy, and ecstatically welcomes him into their elegant country home. Privately, Jack expresses reservations about Liam, urging Laura to "check out the kid's background" without "heavying" him. Laura ingratiates herself with the extended Cable clan, including the neglected surviving daughter, Catherine; Olivia's solicitous brother, Max; and Max's petulant son, Robin. When the handyman is attacked and the kitchen vandalized, all the Cables are suspects--including Jack and Liam. Spring, a transplanted Canadian, doesn't bring off the gentrified country atmosphere or the nuances of English speech: her characters either rhapsodize bookishly (especially about Jack's heroism) or invoke The X-Files, Shania Twain and Pok‚mon cards. Even Laura's voice sounds jarringly North American ("It didn't seem very Philip Marlowe--but then, neither did respecting women or loving men or enjoying life, and I was into all of those"). Lacking authenticity and depth, the characters don't inspire much sympathy, despite the affecting missing-child plot. And when several new characters are introduced at the very end, the resolution seems both strained and formulaic, offering outlandish complications but no real surprises.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 304 pages
  • Publisher: Fawcett (August 27, 2002)
  • Language: English
  • ISBN-10: 0345437470
  • ISBN-13: 978-0345437471
  • Product Dimensions: 4.2 x 0.8 x 6.9 inches
  • Shipping Weight: 5.3 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,346,057 in Books (See Top 100 in Books)

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Average Customer Review
5.0 out of 5 stars (4 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Move over P.D.James...here comes Michelle Spring!, December 3, 2001
By A Customer
This review is from: In the Midnight Hour (Hardcover)
Don't start this book if you don't have time to finish it in a couple days! My poor husband felt as if his wife was abducted when I started 'Midnight'. But it was so good! Definitely a woman's mystery! With all the humour and insight that only a woman can appreciate. The characters are so richly woven and developed that you will feel almost desolate when you've finished the book! Michelle Spring is a talent that not many have heard of but I'm on my band wagon singing her praises! She is awesome! Not since P.D.James has there been a more talented mystery writer that can weave a tale like Spring.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars A great mystery and family drama, February 15, 2001
This review is from: In the Midnight Hour (Hardcover)
Twelve years ago, four-year-old Timmy Cable vanished while walking alongside his father Jack on the beach. He took his eyes off his son for a few seconds and that is all it took for the kid to disappear. A happy family remained shattered as they wait for news about their missing child that never came.

Timmy's mother Olivia believes she has seen her lost son, playing guitar for cash on the streets of Cambridge, England. Not wanting his spouse hurt again, Jack hires sleuth Laura Principal of Aardvark Investigations to learn what she can about the teenager, Liam, who remains reticent about his background. However, two incidents lead the Cables to believe they have found Timmy, leaving it up to Laura to determine the truth.

IN THE MIDNIGHT HOUR is a well-crafted tale filled with unexpected twists. Most of the plot revolves around whether Liam is actually Timmy, but a subplot concerning Laura and her lover-partner adds depth to the story-line. Michelle Spring proves her gift as a storyteller by keeping the audience's attention throughout the novel even while striking at one of the worse nightmares a parent can face. Do not look for cute explanations that tie a ribbon on this suspense novel. Instead, readers will feel the increasing tension as they wonder until the very end whether Liam is Timmy and, if yes or no, what really happened on the beach that day.

Harriet Klausner

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4 of 5 people found the following review helpful:
5.0 out of 5 stars Another finely-crafted mystery I can't put down!, September 7, 2002
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This review is from: In the Midnight Hour (Mass Market Paperback)
Michelle Spring has created a heroine with layers and erudition. Laura Principal's already well-defined character takes on a new layer with this book. (Like a mystery itself, Laura has emerged layer by layerr in previous books.) So, too, does the plot, unfolding gradually. The author knows how to tell a story, little by little, until the reader is hooked and has forsaken everything but the book. The suspenses builds, then tapers. And when you think you've got it all figured (maybe you've cheated and read the last page) forget it: there are still more layers to peel back. Well written and not at all trite, as is the case with some mysteries that are lumped into the "cozy" category. Or maybe Spring has redefined the genre.
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Inside This Book (learn more)
First Sentence:
THERE'S A TIME in England, toward the end of January-when the sociability of the Christmas season has long faded, and summer is far too far away-when it can sometimes seem as if the world has been drained of color. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
facial mapping, forensic artist, age progression
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Jack Cable, Barbara Dobson, Donald Good, Olivia Cable, Beach Lane, Tom Humm, Mickey Monkey, Timmy Cable, Catherine Cable, Grantchester Farm, Miss Principal, Mary Good, Dower House, Mill Way, Mill Road, Clare Street, Cleybourne Hoop, High Street, Ian Ostler, Raymond Gaines, Robin Armstrong, Timothy Cable, Blakeney Point, Holly Swallow, Laura Principal
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