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5 of 5 people found the following review helpful:
5.0 out of 5 stars
A desolate, hypnotic thriller., February 22, 2009
This review is from: Midnight on Mourn Street (Paperback)
If Shirley Jackson were alive today and writing urban thrillers, she would be writing books like "Midnight on Mourn Street." There is no higher praise. Christopher Conlon, who proved himself a master of narrative poetry in his three previous books, brings the same formidable powers of language and observation to his first published novel.
Though "Midlnight on Mourn Street" is short, barely over 200 pages, Conlon takes his time building his plot, ratcheting up the suspense almost unbearably. We know that Reed Waters, a middle-aged man living a near-monastic life in DC's Logan Circle neighborhood, has a dreadful secret in his past. We know that Mauri Dyson, an alcoholic teenage runaway, knows his secret, seeks revenge, and has secrets of her own. How their lives collide--and the role that Will Bliss, a young black man and a misfit of a far more benign sort, plays in their lives--forms the plot of "Midnight on Mourn Street." It is a sharp, shocking tale of psychological horror that builds to an ending that is hopeful, unsettling and ineffably sad all at once. It is a breathtaking, masterful performance, and it would make a fantastic movie. (I'm already casting it in my head.)
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Powerful debut novel, February 4, 2008
This review is from: Midnight on Mourn Street (Paperback)
A homeless teenage girl settles down for the night in a stranger's front yard. But he's not a stranger. She knows who he is. More importantly, she knows what he did. When he sees her in the rain, he invites her in.
She says her name is Mauri Stevens, but that's only the first lie she will tell to get what she wants. The man, Reed Waters, was responsible for a pivotal event in Mauri's life, and she has traveled a long way, looking for ... something.
Reed has no idea what he is in for.
Midnight on Mourn Street is the debut novel of editor / poet / writer Christopher Conlon, and it is a stunner. Not only because Conlon gives us just enough information in the beginning to create suspense that lasts even through the "slow" parts of the story -- while we wait for the other shoe to drop. But also because he creates characters who are so real that I was completely immersed in their lives.
When the climax erupted, two-thirds of the way in, I wondered what could possibly be left to tell. But, oh, there's plenty of Midnight on Mourn Street to go. Even though I read it in 2007, this short novel from Earthling Publications is destined to be one of the best books of 2008.
Midnight on Mourn Street succeeds partly because Conlon keeps the cast small, allowing the reader to get deeply involved with two very damaged individuals (though a third does show up to add tension and contrast, and a fourth's presence is felt throughout).
Conlon wonderfully expresses these characters' innermost thoughts and motivations. I was continually impressed by how he truly understood the deeper levels of how one person's actions can change the direction of another's life, while the first remains completely oblivious of this (and is, in fact, still totally immersed in the thoughts that led to the life-changing behavior in the first place).
Whether the way I described it makes sense or not, the way Conlon writes makes it all perfectly clear, though you'll just see Midnight on Mourn Street as an emotionally charged story told by a natural storyteller.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Bourne To Mourn, February 7, 2009
This review is from: Midnight on Mourn Street (Paperback)
There are books we come across in our lives that touch us on various levels. Some astound us with colorful, metaphorical prose, and deep, dark imagery. Other books tend to hold us prisoner, in a constant page turning trance, resonating in our minds long after they are placed down.
Midnight On Mourn Street accomplishes both.
This is not only a brilliantly entertaining novel, but a deeply introspective search leading us to probe the boundries of our hearts, and as well as the streets where we live. Weaving Capote imagery, with George Clayton Johnson imagination, Mr. Christopher Conlon has truly composed an unforgettable tale, one that will stay with the reader for a long time.
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