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Teenaged horror author Amelia Atwater-Rhodes has successfully hit her writing stride in Midnight Predator, her fourth novel. Finally her burgundy-haired, black leather pant-wearing, revenge-lusting characters (and those are just the humans!) seem less like Anne Rice rip-offs and more like original Atwater-Rhodes creations. Atwater-Rhodes's use of flashbacks is more polished than in previous works, and her characterization is more solid and consistent. Teen vampire fans will eagerly fall upon this vibrant, violent addition to Atwater-Rhodes's intricately woven dynasty of vampires, witches, and shape-shifters. (Ages 12 and older) --Jennifer Hubert
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Most Helpful Customer Reviews
19 of 22 people found the following review helpful:
2.0 out of 5 stars
Tolerable,
This review is from: Midnight Predator (Hardcover)
Prior to this, Atwater-Rhodes' talents were more veiled in mediocrity with each book she wrote. I was surprised that I actually liked parts of "Midnight Predator." Atwater-Rhodes improves several of the weak areas of her previous books, but it was still quite flawed. Turquoise Draka is a fighter for the Bruja witch guild, in competition for the elite Crimson with her rival Ravyn. After the two hit a stalemate, they are both approached by a mysterious businesswoman with a revelation and an offer. A vampire empire known as Midnight, once burned to the ground, has been rebuilt and repopulated by vampires and human slaves. And the savage vampire who founded Midnight, Jeshickah, may take control of it once more. An unknown employer wants some experienced fighters to kill Jeshickah. The problem is that Turquoise was once enslaved by one really nasty vampire named Lord Daryl, who murdered her parents and little brother, and kept her as his lapdog for a year before a vampire mercenary named Nathaniel helped her escape. Ravyn and Turquoise soon take the task, and the reluctant Nathaniel sells them to the leader of Midnight. Except the leader isn't Jeshickah, it's a fledgling called Jaguar. Jaguar is strangely kind towards human beings, especially Turquoise and a teenage boy named Eric. Turquoise must confront her past, her fears and the questions about Jaguar's kindness before she can hope to deal with Daryl. In many ways, this book is far better than the previous ones. Characterization is far superior: Turquoise has more depth than the execrable Jessica or the wannabe-tough-girl Sarah, though her past is too speedily covered. We hear about how horrifying her life under Daryl was, but we only get a few pages worth of flashbacks, most of which involve her getting backhanded. Jaguar is a better character than the defanged Aubrey or the wussy arty vampire Christopher, in that Atwater-Rhodes actually makes him both tough and vicious at times, but capable of kindness, and with a decided darker side that doesn't make him wussy at all. Ravyn is ridiculously two-dimensional; she doesn't seem to have any personality but that of a tough, leather-wearing, blood-licking girl who dislikes Turquoise. Nathaniel as the chic mercenary suave vampire is the only really outstanding character. The romance is also more tolerable. Atwater-Rhodes shouldn't handle romances until she's had more experience with them; while the last two books revolved around the romantic tension between supposedly-tough human girls and uninteresting vampires, here it revolves around the lead character. The interest in Jaguar is a side subplot. However, Turquoise's adversary Daryl is pretty unimpressive, especially given his snap-hiss-growl attitude; Jeshickah was a far more convincing enemy, especially when one considers how many times we see Daryl getting kicked around. One of the problems is that Atwater-Rhodes still tends sometimes toward melodramatic trappings; Ravyn's burgundy hair and "cranberry" eyes are one of those problems. The name "Midnight" is another; it's a silly name for something that is supposed to be that ominous. "Lord" constantly tacked before Daryl's name seems pretentious. Character names tend to be a bit hyperdramatic as well; while this is excusable among the vampires, I find it difficult to read consistently about modern characters called "Turquoise," "Onyx," "Frost," and "Ravyn." She also tends to hammer points over and over; some of the ruminations are repeated over and over, as are the constant reminders of how nasty Daryl is and what he did to Turquoise. Midnight itself is badly-defined; we never get a really clear idea of what it's like, aside from that there are lots of rooms and that sometimes vampires are mean to the humans. I found it extremely amusing that there is an "exercise room" open to humans, free clothes and hygiene-related objects, and apparently good food; this seems less like a vampire citadel with human slaves than an S&M hotel. The cover is also a problem, featuring a person of ambiguous gender who doesn't really resemble anyone in the book. And finally, any person who appreciates a good ending will be grinding their teeth during the last twenty pages of this novel. Atwater-Rhodes' focus seems to be either wandering or narrowing to a pinpoint; the climax is anticlimactic, the dialogue is dull, the action is duller, and there are about a hundred loose ends waving in the wind. Readers may hit the climax and say, "That's it? Where's the ending? Where's the CONCLUSION?" I'm relieved to say that Atwater-Rhodes is improving in many areas, especially her weakest points. But to be a really good author, she needs to start polishing and working a little more carefully.
5 of 5 people found the following review helpful:
3.0 out of 5 stars
A sub-standard outing for a above-standard author,
By
This review is from: Midnight Predator (Hardcover)
I was supremely disappointed when reading this book. Amelia Atwater-Rhodes has shown previously to be an astounding battery of potential, with ideas writhing about in each story that are worth the price, even if the cardboard characters and under drawn plot conflicts detract much from what could be. Amelia suffers from a sad syndrome that I cannot think of a name for. But it has clear symptoms. - Many ideas and potentials from characters, with no time for any sort of realizations. - Stiff and ill-fitting endings. A sad thing about Midnight Predator in particular was exactly how *good* it COULD have been. The beginning starts with an intriguing character, an uncomfortable (for the protagonist) situation, and good character foils (Ravyn in particular). The idea behind Midnight Predator, that Turquoise must willingly rejoin the world of slavery that she has desperately tried to distance herself from for several years, is more than slightly intriguing. You thirst to see the conflict she will have with strong-willed masters, where the entire world is out to get her for the reason that she kills their kind. So you wait, meeting the very interesting character of Nathaniel along the way, and get to the second act where everything she be just wonderful. They are in the building, sold into slavery. What is even more melancholy is the fact that I'd planned to give an encouraging review, always wanting to support someone I respect as much as Amelia Atwater-Rhodes, but just couldn't spout untruth. The book is worth reading, though probably a lot more wothwhile at paperback prices.
11 of 15 people found the following review helpful:
4.0 out of 5 stars
Abusive Vampires Beware!,
By
This review is from: Midnight Predator (Den of Shadows) (Mass Market Paperback)
Turquoise is a member of Crimson which is part of Bruja. For the past two years she has been a mercenary hunter. Her prey has been vampires. She and a rival have just been hired to infiltrate a vampire slavery den known as Midnight.Turquoise was once a slave to a vampire. It has scarred her physically and mentally. Now she must put herself under a vampire's control in order to carry out her contract. Once inside Midnight, Turquoise learns that not all vampires as a evil as those she has dealt with in the past. They are still predators, but the come in varying degrees. The ordeal Turquoise goes through reads like a rape or abuse survivor. Unlike many in real life, Turquoise gets a chance to take revenge on her abuser. This is a very strong tale that deals with some harsh issues (don't let the vampire trappings fool you). This is a story of dealing with abuse and humiliation. This was quite well done.
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