From Publishers Weekly
Bing (Casey at the Bat) once again brings his love of history and attention to detail to bear in Longfellow's classic poem. Even before the famous opening lines ("Listen, my children, and you shall hear/ Of the midnight ride of Paul Revere"), he is busily setting the stage with period window dressing, including faux marbled endpapers cluttered with what looks like original documents (letters that open with an authentic-looking wax seal, newspaper accounts, etc.) plus a variety of found objects, from antique spectacles to a quill pen, seamlessly integrated with the aid of 21st-century technology. He presents the text itself on pages that appear yellowed with age. Pen-and-ink drawings on scratchboard, resembling period engravings, are washed with color cool midnight blues warmed by the glow of candlelight and brightened by the silvery light of the moon. Bing employs the poem's inherent drama. The stanza beginning "Meanwhile, his friend, through alley and street,/ Wanders and watches, with eager ears," for instance, finds the lamplighter flattened against the corner of a house as he spies on the British grenadiers. If a few of the spreads are difficult to distinguish (e.g., "The shadowy something far away,/ Where the river widens to meet the bay" that triggers the lamplighter's signal cannot be deciphered, for instance, and it is hard to tell that there's a "second lamp in the belfry"), aspiring historians will overlook them in favor of the cornucopia of relevant facts incorporated into the endpapers including Revere's original deposition to the Massachusetts Provincial Congress. For more sophisticated youngsters, Bing's impressive volume helps tell the tale of what happened that April night in 1775. Ages 7-up.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Gr 3 Up-Longfellow's most famous tale comes to life once again in Bing's masterfully detailed scratchboard paintings that, through their watercolor glazes, give the appearance of fine old engravings. The digitally produced, superimposed images of playing cards, Colonial money, and various other historical objects enhance the tactile sense of the meticulous renderings. Each half-page piece of text appears on a facsimile of parchment set in Founder's Caslon 30 font, the same typeface used in the first printing of the Declaration of Independence, and the accompanying illustrations, maps, and re-creations of documents clearly reinforce the poet's words. The scratchboards are rich in texture and their many shadows suggest the moods of conspiracy and secrecy that must have permeated those days prior to the battles of Lexington and Concord. One that is particularly poignant is that of Revere hurrying along on horseback while the shadows behind him create a blend of images of both the first and current Stars and Stripes. The illustrations of this beautifully bound rendition are more realistic than those by Jeffrey Thompson (National Geographic, 2000) and are geared to an older audience than those of Paul Galdone's classic version, Paul Revere's Ride (Crowell, 1963; o.p.). Both school and public libraries should add Bing's interpretation to their shelves-this is one patriotic poem that deserves to ride again.
Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI
Copyright 2001 Cahners Business Information, Inc.
