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A Midsummer Night's Scream (Jane Jeffry Mysteries, No. 15)
 
 
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A Midsummer Night's Scream (Jane Jeffry Mysteries, No. 15) [Hardcover]

Jill Churchill (Author)
2.4 out of 5 stars  See all reviews (37 customer reviews)


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Hardcover, Large Print $29.95  
Hardcover, November 23, 2004 --  
Mass Market Paperback $6.99  
Audio, Cassette, Unabridged $44.95  

Book Description

November 23, 2004

Jane Jeffry has a new hobby: the theater––specifically, a rundown theater that close pal Shelly and her husband have donated to a local college drama department. Jane has graciously agreed to lend her taste buds to the college's newest production, helping Shelly judge prospective caterers who will be feeding the actors. But soon she's drawn deeper into the real life drama surrounding the play than she ever hoped or anticipated.

The cast is embroiled in petty, off–stage jealousies, ego trips and power struggles, all of which are further fueled by the clueless, blowhard director. Even the presence of two aging professional thespians––a lecherous old boozer and his genteel, seriously gifted wife––fails to bring a sense of decorum to this train wreck of a production. And the plot takes a decidedly darker turn when a particularly rebellious young performer exits stage left––permanently––courtesy of a head–bashing killer! Now Jane and Shelly have their own roles to play in this twisted, true life theatrical where each member of the dramatis personae has a make–up case full of secrets, masks and motives.

--This text refers to the Mass Market Paperback edition.

Editorial Reviews

From Publishers Weekly

Single mom and amateur sleuth Jane Jeffry unmasks a bad actor in Churchill's entertaining 15th punningly titled cozy (Mulch Ado About Nothing; Silence of the Hams). The Chicago-area snoop joins friend Shelley Nowack in checking out caterers to feed the volunteers working at the theater that Shelley and her husband have recently bought. The current play is suffering from writer/director Steven Imry's poorly written script and off-putting manner, while the cast of mixed students and professionals, led by veteran stage actors John and Gloria Bunting, isn't much help. Jane and Shelley connect with the genial Gloria, who enthusiastically joins their needlepoint class. The other actors are mostly ciphers, until the violent death of one brings Jane's police boyfriend, Mel VanDyne, onto the scene. For the first time, Jane finds that Mel is actually seeking her insights, since the theater crowd is unknown to him and Jane and Shelley have met them all. Churchill has her formula down pat, mixing a more than serviceable plot with a nice combination of romance, domesticity and sleuthing. Lessons in needlepoint lore and technique and in catering dos-and-don'ts add interest.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

It's summer in the Chicago suburbs, and Jane Jeffry and her best friend, Shelley, are testing caterers on a local theater group, now ensconced in a building Shelley's husband donated to the community college. An enchanting and famous elderly actress is taking part, along with her far less pleasant actor husband. When one of the most irritating of the younger actors is found murdered, Jane, Shelley, and Jane's detective sweetie, Mel, are all swept up in the search for whodunit. What usually charms about this series is the genuine warmth between Jane and Shelley, Jane and Mel, and Jane's three adolescent children. This time there's a little too much teaching in the wobbly plot, however, as Churchill ladles on the details about local theater production and Jane's needlepoint classes. Still, this quiet cozy still has appeal for those who like plenty of daily life mixed with their mysteries. GraceAnne DeCandido
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 240 pages
  • Publisher: William Morrow; First Edition/First Printing edition (November 23, 2004)
  • Language: English
  • ISBN-10: 0060097981
  • ISBN-13: 978-0060097981
  • Product Dimensions: 8.3 x 5.6 x 1.2 inches
  • Shipping Weight: 14.9 ounces
  • Average Customer Review: 2.4 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Best Sellers Rank: #2,176,152 in Books (See Top 100 in Books)

More About the Author

Jill Churchill has won the Agatha and Macavity Mystery Readers Awards and was nominated for an Anthony Award for her bestselling Jane Jeffry series. She is also the author of the highly acclaimed Grace and Favor mysteries and lives in the Midwest.

 

Customer Reviews

37 Reviews
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 (5)
4 star:
 (1)
3 star:
 (9)
2 star:
 (11)
1 star:
 (11)
 
 
 
 
 
Average Customer Review
2.4 out of 5 stars (37 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

17 of 19 people found the following review helpful:
1.0 out of 5 stars Another disappointment -- I'm about ready to give up!, January 30, 2005
By 
Book loving mom (Northeast Wisconsin) - See all my reviews
This review is from: A Midsummer Night's Scream (Jane Jeffry Mysteries, No. 15) (Hardcover)
I have read every one of Jill Churchill's books, both from the Jane Jeffry series and the "Grace and Favor" series. I've always thought of the Jane Jeffry books as special treats -- each a quick read loaded with good characters, humor, a dead body or two (usually offed in a creative way), and a great friendship between Jane and Shelly. Jane has always seemed like, well, me! She is a stay-at-home mom, who is happily involved in her kids' lives, in her romance with Mel, and in many local crimes. OK, so the crime part isn't at all like my own life, but the rest of the stuff is! The last book, "Bell, Book, and Scandal" was just awful. I reluctantly picked up this book, hoping that maybe whoever had been masquerading as Jill Churchill for "Bell, . . ." had been exorcised and that Jill herself was back! But alas, this book is only marginally better than the last.

Jane is helping Shelly evaluate caterers at a theatre Shelly's husband has donated to the local college. A lackluster play is being produced, and a member of the production is killed. No one seems to care much, and Mel actually asks Jane and Shelly for their opinions on the case -- a big departure from the character's usual behavior, where he constantly warns Jane to keep her nose out of his murder investigation. Why the change? I couldn't tell you, because it was never clear to me in the book. There is very little suspense, the case is solved, and Jane and Shelly work on needlepoint.

I am really disappointed, because I miss the old Jane and Shelly, and Mel. None of the characters seem to have the depth that they used to, and the writing has become so stilted I still believe that Jill Churchill is letting someone else write the book. I just can't get over the change in writing style -- it doesn't make sense.

I don't know if I'm going to read the next Jane Jeffry book, whenever that comes out. I'll still read the "Grace and Favor" books, because those have been consistently entertaining. Again, this is where I get confused because why is there such a difference between the two series?
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16 of 19 people found the following review helpful:
2.0 out of 5 stars not a very interesting or engaging read, January 2, 2005
By 
tregatt (Portland, Oregon) - See all my reviews
This review is from: A Midsummer Night's Scream (Jane Jeffry Mysteries, No. 15) (Hardcover)
When Shelley Novak's husband donates a run-down theatre to the community college, a novel idea strikes her. The college is about to feature a play by one of its professors, Steven Imry, and Shelley has volunteered to provide the food for the rehearsals. What she has in mind is to get a few caterers to provide the food (a different caterer each night) and then pick the best one to cater for her husband's annual managers' dinner. Shelley wants Jane to help her sample the food and take note of how the caterers handle things. And as a bonus, Jane and Shelley will be able to watch the rehearsals. While not completely enthusiastic, Jane allows herself to be persuaded and soon the two friends are sitting in on what must be one of the worst plays of the century. The play is awful and half-baked, the playwright-director is an oaf, and the actors, save for the professional aging actress, the likable Ms Bunting, are mediocre at best. So that the last thing Jane or Shelley was expecting was for one of the actors to get murdered. And while neither Jane nor Shelley feel much of a bond to those involved in this murder investigation, they naturally feel a little curious as to why this particular actor was murdered. And then a few days later the janitor is attacked. This time Mel Van Dyne (the detective in charge of the homicides and Jane's longtime lover) in eager to hear Jane's insights. And so once again, Jane and Shelley find themselves delving into a murder investigation...

I remember the first Jane Jeffry mystery I read, "The Class Menagerie." I liked it so much that I went back to the bookstore the next day to get the other books in the series. Sadly, this will probably be the last Jane Jeffry mystery I read. It feels as if the heart has gone out of this series. The story plods along, the mystery in this particular installment was barely discernible, the other characters in this book (other than Ms Bunting) are not "fleshed out" and remain shadowy at best, and even Jane and Shelley seem lacking in enthusiasm and interest in discovering what's going on. All in all, "A Midsummer Night's Scream" was not a very interesting read.
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11 of 13 people found the following review helpful:
2.0 out of 5 stars Will the real Jane Jeffry please stand up?, May 11, 2006
By 
Jennifer (Pennsylvania) - See all my reviews
Jill Churchill really seems to have lost her way with her Jane Jeffry series. In the book before this one, no one was murdered! In this one, we have a body, but Jane and her best friend Shelley are too busy doing needlepoint to do any real investigating.

Our tale begins when Jane and Shelley get involved with the local theatre company. Shelley makes the catering arrangements for the reharsals, and Jane agrees to be the official taster. It doesn't take long, however, for the pair to get a taste of how dramatic drama can be. A young actor who disagreed with the director gets himself murdered, and the janitor at the theatre gets bashed on the head and put into the hospital.

The crime-solving here is primarily done by Mel, Jane's police detective boyfriend. He's been in previous books in this series, mostly to shake his finger at Jane when she gets too nosey. But, this time, Mel is featured fairly prominently, and Jane is too busy with other things, i.e. needlepoint and getting her novel published, to do her own little investigation.

The murder actually seems kind of secondary here, as pages and pages are devoted to the finer points of needlepoint, how to get a book published and choose an agent, and what makes one caterer better than another. While Jane and Shelley languish in these safer pursuits (not once are their lives put in jeopardy!), Mel solves the murder. And, then, there's a very cheesey epilogue to let us know that basically everyone got what they deserved.

I guess my major problem is that, for two books now, Jane and Shelley just haven't acted like Jane and Shelley. Now that's a crime.
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Inside This Book (learn more)
First Sentence:
Jane and Shelley were on their way to pillage the grocery store. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
needlepoint class, needlepoint shop, mystery conference, dress bag
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Professor Imry, John Bunting, Officer Jones, Gloria Bunting, Miss Turner, Bill Denk, Evelyn Chance, Sylvia Sidney, Dennis Roth, Denny Roth, Hilda Turner, Sven Turner, Melody Johnson, Steven Imry, Felicity Roane, Jake Stanton, Norman Engel, Edina Weston, Detective Mel
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