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I Might Be Wrong: Live Recordings Live

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Audio CD, Live, November 13, 2001
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. The National Anthem (Live In France) 4:57$0.99  Buy MP3 
listen  2. I Might Be Wrong (Live) 4:52$0.99  Buy MP3 
listen  3. Morning Bell (Live In Oxford) 4:14$0.99  Buy MP3 
listen  4. Like Spinning Plates (Live) 3:47$0.99  Buy MP3 
listen  5. Idioteque (Live In Oxford) 4:24$0.99  Buy MP3 
listen  6. Everything In Its Right Place (Live In France) 7:42$0.99  Buy MP3 
listen  7. Dollars & Cents (Live) 5:13$0.99  Buy MP3 
listen  8. True Love Waits (Live In Oslo) 5:02$0.99  Buy MP3 

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Frequently Bought Together

I Might Be Wrong: Live Recordings + Hail To The Thief + Amnesiac (2-10" LPs) [Vinyl]
Price for all three: $44.57

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Product Details

  • Audio CD (November 13, 2001)
  • Original Release Date: 2001
  • Number of Discs: 1
  • Format: Live
  • Label: Parlophone
  • ASIN: B00005QXXO
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (152 customer reviews)
  • Amazon Best Sellers Rank: #27,237 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

By now, everyone knows how adventurous Radiohead are, which makes this live record--a hairy rock-band cliché--seem like a strange capper to their decidedly cliché-rejecting records. But throughout the hubbub surrounding Kid A, and its Amnesiac companion piece, Radiohead never embraced the notion that they're reinventing anything. Even while a tempest of critics hailed the band as saviors, pulling rock from the jaws of consumerist self-destruction, the band ignored it all, going into stadiums and working out their twisted angst through angry, direct means. "National Anthem"'s fuzzed-out riff rages aggressively behind Thom Yorke's crazed, breath-scat vocal, giving the song a rollicking edge that was nowhere on Kid A. The same effect is heard on "Idioteque," as Yorke, getting backup vocal help from the crowd, sings over an acoustic beat, removing the distant, electronic touch of the studio version. "True Love Waits" aptly ends the record with Yorke and a solo acoustic guitar, which finds just the right touch on a song that Radiohead have played with for years (long-term fans should note the first ever appearance on record of the track). In the end, Radiohead don't really stray too far from the original templates of these songs, they merely play up the highs and milk the lows, just like any good rock band should. -- Matthew Cooke

Customer Reviews

All of the songs are just as good or better than their album versions.
The highpoints of the album are Like Spinning Plates, Idioteque, Everything In Its Right Place and True Love Waits.
This cd is a must buy for all RADIOHEAD fans and anyone who is looking to listen to a masterpiece.

Most Helpful Customer Reviews

50 of 53 people found the following review helpful By M. Hendrickx on November 14, 2001
Format: Audio CD
Having seen Radiohead last summer in Chicago, I knew they were awesome live, one of the few bands who can bring studio brilliance to the stage, and I had high hopes when I heard a live cd was being released.
What is on the cd is great, but I docked it a star for the compact length of the album, only 8 songs. They could have EASILY added another 3-4 songs from Kid A/Amnesiac that were mesmerizing live, namely You and Whose Army, Pyramid Song, Packt Like Sardines, or How To Disappear Completely. The only reason I can think of that they kept it this short is that they will release a dvd next year of an entire show, and they didn't want to let too much out of the bag at this point.
What is on the album is excellent though:
1. National Anthem: this song truly transcends the studio version. Colin Greenwood rules on the bass, providing the twangy foundation for the song, and the keyboard and echo effects make one wonder if they are listening to Dark Side of the Moon. Thom is his usual great self.
2. I Might Be Wrong: the song on the album that most closely matches the studio version, though there is some cool jamming at the end of it.
3. Morning Bell: this performance of the song is based on the Kid A version. The song starts out slow and erupts with emotion about 2 minutes in.
4. Like Spinning Plates: Most people will buy this album for two songs, this one and True Love Waits. I am not a big fan of LSP on Amnesiac, but this song is SO GOOD live. The piano brings a tenderness to the song, and Thom's voice bleeds with melancholy. Truly amazing.
5. Idioteque: an interesting change in tempo, following the slow and somber LSP.
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11 of 11 people found the following review helpful By Joey Jo Jo Jr. Shabadoo on December 1, 2001
Format: Audio CD
This album, in many ways, is a bitter pill for me to swallow. I had tickets to see Radiohead play Bull Run, VA. - a show that was rained out and cancelled. So "I might be wrong" is really the only chance I have to hear the band play material from the last two albums live.
On the whole, the album is very successful. In many cases I prefer the more straight forward or energetic versions performed live to the studio versions. Highlights include the gorgeous "Like Spinning Plates," the frenetic "Idioteque," and the warped and spiraling "Everything in its Right Place."
"True Love Waits" is a beautiful and haunting song, and the version on this album is the best recording of it available, but Thom's vocals sound a little thin compared to bootlegged versions available online. Still, it's great to finally have a CD version of one of my favorite Radiohead songs.
The only disappointing track, for me, is the title track. The dissonance Radiohead has successfully embraced over the last two years just doesn't work here. The album version is clearly superior. Still and all, a nice sampling of Radiohead's tour-de-force live show that will whet my appetite until the next tour, when Radiohead better return the Baltimore/Washington area!
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8 of 8 people found the following review helpful By D McNicoll on June 15, 2002
Format: Audio CD
I Might Be Wrong is a live recording of a set Radiohead took across Europe (Oslo, Berlin, Vaison-la-Romaine, and erm Oxford)in 2001. Minus all the songs that made their name. 3 songs from Kid A, 3 from Amnesiac, 1 that crops up on both those records, Morning Bell, and a new track, True Love Waits. The prospect of listening to the offspring of those two sibling albums: potentially bug-eyed, three-legged and otherwise "seriously" deformed, may not be a particularly attractive one. But I Might Be Wrong has denied modern genetics and is actually a cracking album in its own right.
The National Anthem and I Might be Wrong kick proceedings off. Wired, buzzing, electrified and raw, these songs take on whole new dimensions when performed live.
Morning Bell has now popped up on 3 different albums within 2 years. Bridging the gap between the Kid A original and the more organic, funeral-like take on it during Amnesiac, the song is driven by a gorgeous patter of drums by Phil Selway and a lonely keyboard, or treated piano, motif. Mid-way through, the song suddenly takes off, fuelled by a buzzing electrified *noise* presumably from one or other of Johnny Greenwood's instruments, before all but the drums cut out as Yorke demands "Cut the kids in half, cut the kids in half". The song appears to be about divorce before any of you start getting worried out there. Yorke mutters in deep paranoia, and then an almost religious trance as Greenwood picks out ugly notes on his guitar.
And then comes the most startling track. Like Spinning Plates was one of Amnesiac's more horrible pieces. Eventually the backwards, slightly sickening, swirling track did grow, and take on a spectral landscape feel. Here, however, Yorke is backed only by himself on piano.
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13 of 15 people found the following review helpful By spiral_mind on November 27, 2001
Format: Audio CD
A live compilation from Radiohead's last two (and two most controversial) albums was inherently a risky proposition; it could have turned into a die-hards-only proposition and been even less newbie-friendly. But here Raidohead has struck the right balance. For those too alienated by Kid A and Amnesiac, and those who (rightly) didn't think the hype was really worth it, I Might Be Wrong gives an interesting snapshot of some of the same material - not really changed, but turned up a notch in the live situation. Thankfully there's no "Creep," otherwise I'd have to take it down a star.. in fact, they ignore the previous three albums altogether to highlight their past two releases. The new-but-not-really "True Love Waits" is lonely and sad; only slightly out of place here since it came from the era of The Bends. "National Anthem" burns in a vicious groove. "Morning Bell" ebbs and flows even more than before (it's the Kid A version here, not the dreary dirge it became on Amnesiac). "Like Spinning Plates," minus the half-backwards studio treatment, is beautiful and absolutely spooky. I'd have to say the only tune that's a step down from the original is "Idioteque" - the powerful beat that drove it along on Kid A is reduced to a quiet backbeat, largely due to the sound mix.
Those who disliked the coma approach of those two albums will enjoy hearing some energy here. For those who haven't heard either Kia A or Amnesiac, this could serve as Kid Amnesia Lite - it's a good sampler that doesn't go overboard as a full 60- or 70-minute recording probably would. For those who liked both, well.. it's more of the same, played with a little more fire. Thom still makes half the words unintelligible. The group still stretches and twists and turns within the songs, not making drastic changes but exploring within.
Curious about the Kia A/Amnesiac hype? Pick this one up first; if you like it, buy the others as well.
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I Might Be Wrong: Live Recordings
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